{"id":129101,"date":"2025-01-02T13:51:15","date_gmt":"2025-01-02T12:51:15","guid":{"rendered":"https:\/\/www.radiobeton.com\/www\/?p=129101"},"modified":"2025-02-03T09:58:41","modified_gmt":"2025-02-03T08:58:41","slug":"top50-decembre-2024","status":"publish","type":"post","link":"https:\/\/www.radiobeton.com\/www\/top50-decembre-2024\/","title":{"rendered":"TOP50 DECEMBRE 2024 !"},"content":{"rendered":"<table width=\"864\">\n<tbody>\n<tr>\n<td width=\"251\"><strong>ARTISTE<\/strong><\/td>\n<td width=\"301\"><strong>Album<\/strong><\/td>\n<td width=\"312\"><strong>Label\u00a0\/ Distributeur<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Coilguns<\/td>\n<td>Odd Love<\/td>\n<td>Humus Records<\/td>\n<\/tr>\n<tr>\n<td>Straw Man Army<\/td>\n<td>Earthworks<\/td>\n<td>La Vida Es Un Mus<\/td>\n<\/tr>\n<tr>\n<td><strong>Stuffed Foxes<\/strong><\/td>\n<td><strong>Standardized<\/strong><\/td>\n<td><strong>Reverse tapes<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Bryan&rsquo;s Magic Tears<\/td>\n<td>Smoke &amp; Mirrors<\/td>\n<td>Autoprod<\/td>\n<\/tr>\n<tr>\n<td><strong>Bajram Bili<\/strong><\/td>\n<td><strong>Sustain, Forever<\/strong><\/td>\n<td><strong>Another Record<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Ast\u00e9r\u00e9otypie<\/td>\n<td>Patami<\/td>\n<td>Modulor<\/td>\n<\/tr>\n<tr>\n<td>Clavicule<\/td>\n<td>Incoming Blaze<\/td>\n<td>Autoprod<\/td>\n<\/tr>\n<tr>\n<td>Ugly mac beer<\/td>\n<td>Broken Ill<\/td>\n<td>Xray prod + Beatsqueeze records<\/td>\n<\/tr>\n<tr>\n<td><strong>Crenoka<\/strong><\/td>\n<td><strong>The wanderer, a song for timothee chalamet (remixes)<\/strong><\/td>\n<td><strong>Autoprod<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Amyl &amp; The Sniffers<\/td>\n<td>Cartoon Darkness<\/td>\n<td>Rough Trade<\/td>\n<\/tr>\n<tr>\n<td>Bothlane<\/td>\n<td>Stellar Hijinks<\/td>\n<td>Luik<\/td>\n<\/tr>\n<tr>\n<td>Fakear<\/td>\n<td>Hypertalisman rebuilt<\/td>\n<td>Nowadays<\/td>\n<\/tr>\n<tr>\n<td>Kendrick Lamar<\/td>\n<td>GNX<\/td>\n<td>Interscope Records<\/td>\n<\/tr>\n<tr>\n<td>Miki<\/td>\n<td>graou<\/td>\n<td>Autoprod<\/td>\n<\/tr>\n<tr>\n<td>Grenade<\/td>\n<td>White Lies<\/td>\n<td>Le poulpe<\/td>\n<\/tr>\n<tr>\n<td>Eat Girls<\/td>\n<td>Area Silenzio<\/td>\n<td>Bureau B<\/td>\n<\/tr>\n<tr>\n<td><strong>G.L.A.D<\/strong><\/td>\n<td><strong>III<\/strong><\/td>\n<td><strong>Autoprod<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Compilation<\/td>\n<td>Ayo Ke Disco: Boogie, Pop &amp; Funk from the South China Sea (1974-1988)<\/td>\n<td>Soundway Record<\/td>\n<\/tr>\n<tr>\n<td>Compilation<\/td>\n<td>Nyamakala beats n\u00b04<\/td>\n<td>Blanc Manioc<\/td>\n<\/tr>\n<tr>\n<td>Porridge Radio<\/td>\n<td>Clouds in the sky they always be there for me<\/td>\n<td>Secretly canadian<\/td>\n<\/tr>\n<tr>\n<td>Primal Scream<\/td>\n<td>Come Ahead<\/td>\n<td>Autoprod<\/td>\n<\/tr>\n<tr>\n<td>Nicolas Jaar<\/td>\n<td>Piedras 1<\/td>\n<td>Other People<\/td>\n<\/tr>\n<tr>\n<td>Dare (The)<\/td>\n<td>What&rsquo;s Wrong With New York<\/td>\n<td>Republic Records<\/td>\n<\/tr>\n<tr>\n<td>Al-Qasar<\/td>\n<td>Uncovered<\/td>\n<td>WeWantSounds<\/td>\n<\/tr>\n<tr>\n<td>Pamphlets<\/td>\n<td>Take Your Place<\/td>\n<td>Idiotapes<\/td>\n<\/tr>\n<tr>\n<td>Two shell<\/td>\n<td>Two shell<\/td>\n<td>young<\/td>\n<\/tr>\n<tr>\n<td>Paradise Cinema<\/td>\n<td>Returning, Dream<\/td>\n<td>Gondwana<\/td>\n<\/tr>\n<tr>\n<td><strong>Bash Barrow<\/strong><\/td>\n<td><strong>Pas vu tomber l&rsquo;averse<\/strong><\/td>\n<td><strong>Shinobee<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Zeu<\/td>\n<td>DOPPELG\u00c4NGER<\/td>\n<td>YOUTH RUTHLESS<\/td>\n<\/tr>\n<tr>\n<td>Tyler, the Creator<\/td>\n<td>Chromakopia<\/td>\n<td>Odd Future Records<\/td>\n<\/tr>\n<tr>\n<td>High Vis<\/td>\n<td>Guided Tour<\/td>\n<td>Autoprod<\/td>\n<\/tr>\n<tr>\n<td>Lolomis<\/td>\n<td>Carmen 404<\/td>\n<td>Airfono<\/td>\n<\/tr>\n<tr>\n<td>Adrian Younge &amp; Ali Shaheed Muhammad<\/td>\n<td>Jazz Is Dead 021<\/td>\n<td>Jazz Is Dead<\/td>\n<\/tr>\n<tr>\n<td>Dear Dear<\/td>\n<td>When You Go Home Again<\/td>\n<td>EveryDejaVu<\/td>\n<\/tr>\n<tr>\n<td>Friedberg<\/td>\n<td>Hardcore Workout Queen<\/td>\n<td>Clouds Hill<\/td>\n<\/tr>\n<tr>\n<td>Julian Mayorga<\/td>\n<td>Chack Chack Chack Chack<\/td>\n<td>Glitterbeat<\/td>\n<\/tr>\n<tr>\n<td>Naomie Klaus<\/td>\n<td>Trick or Treat<\/td>\n<td>Molideltro<\/td>\n<\/tr>\n<tr>\n<td>Monsieur Crane<\/td>\n<td>Les Ravages Du Temps<\/td>\n<td>TONN Recordings<\/td>\n<\/tr>\n<tr>\n<td>Caribou<\/td>\n<td>Honey<\/td>\n<td>City slang<\/td>\n<\/tr>\n<tr>\n<td>Benzin<\/td>\n<td>Treibjagd<\/td>\n<td>Statick Age<\/td>\n<\/tr>\n<tr>\n<td><strong>Oshun<\/strong><\/td>\n<td><strong>Night<\/strong><\/td>\n<td><strong>Self<\/strong><\/td>\n<\/tr>\n<tr>\n<td><strong>Trifouille 1er<\/strong><\/td>\n<td><strong>Super Onanisme Machine<\/strong><\/td>\n<td><strong>Figures Libres<\/strong><\/td>\n<\/tr>\n<tr>\n<td>Foudre !<\/td>\n<td>Voltae<\/td>\n<td>.<\/td>\n<\/tr>\n<tr>\n<td>Johnnie Carwash<\/td>\n<td>No Friends no pain<\/td>\n<td>Howlin&rsquo; Banana records<\/td>\n<\/tr>\n<tr>\n<td>Fontaines D.C<\/td>\n<td>Romance<\/td>\n<td>XL Recordings Ltd<\/td>\n<\/tr>\n<tr>\n<td>Cumgirl8<\/td>\n<td>The 8th cumming<\/td>\n<td>4AD<\/td>\n<\/tr>\n<tr>\n<td>Neue Grafik<\/td>\n<td>Dalston Tape vol.1<\/td>\n<td>Rhythm Section<\/td>\n<\/tr>\n<tr>\n<td>Alaskam<\/td>\n<td>Celebration<\/td>\n<td>autoprod<\/td>\n<\/tr>\n<tr>\n<td>Koteri<\/td>\n<td>Heaven&rsquo;s A Lonely Place<\/td>\n<td>Autoprod<\/td>\n<\/tr>\n<tr>\n<td>Alke<\/td>\n<td>Caho<\/td>\n<td>Autoprod<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>ARTISTE Album Label\u00a0\/ Distributeur Coilguns Odd Love Humus Records Straw Man Army Earthworks La Vida Es Un Mus Stuffed Foxes Standardized Reverse tapes Bryan&rsquo;s Magic Tears Smoke &amp; Mirrors Autoprod Bajram Bili Sustain, Forever Another Record Ast\u00e9r\u00e9otypie Patami Modulor Clavicule Incoming Blaze Autoprod Ugly mac beer Broken Ill Xray prod + Beatsqueeze records Crenoka The &hellip; <a href=\"https:\/\/www.radiobeton.com\/www\/top50-decembre-2024\/\" class=\"more-link\">Continuer la lecture<span class=\"screen-reader-text\"> de &laquo;&nbsp;TOP50 DECEMBRE 2024 !&nbsp;&raquo;<\/span><\/a><\/p>\n","protected":false},"author":4,"featured_media":129102,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[197],"tags":[],"class_list":["post-129101","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-classements"],"_links":{"self":[{"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/posts\/129101","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/comments?post=129101"}],"version-history":[{"count":1,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/posts\/129101\/revisions"}],"predecessor-version":[{"id":129103,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/posts\/129101\/revisions\/129103"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/media\/129102"}],"wp:attachment":[{"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/media?parent=129101"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/categories?post=129101"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/tags?post=129101"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}