{"id":129245,"date":"2025-01-06T09:00:24","date_gmt":"2025-01-06T08:00:24","guid":{"rendered":"https:\/\/www.radiobeton.com\/www\/?p=129245"},"modified":"2026-01-13T09:48:04","modified_gmt":"2026-01-13T08:48:04","slug":"top50-2024","status":"publish","type":"post","link":"https:\/\/www.radiobeton.com\/www\/top50-2024\/","title":{"rendered":"TOP50 2024 !"},"content":{"rendered":"<table width=\"468\">\n<tbody>\n<tr>\n<td width=\"32\"><strong>N\u00b0<\/strong><\/td>\n<td width=\"144\"><strong>GROUPE<\/strong><\/td>\n<td width=\"168\"><strong>ALBUM \/ EP<\/strong><\/td>\n<td width=\"124\"><strong>LABEL<\/strong><\/td>\n<\/tr>\n<tr>\n<td>1<\/td>\n<td><strong>Crenoka<\/strong><\/td>\n<td><strong>eidolon<\/strong><\/td>\n<td>Figures libres<\/td>\n<\/tr>\n<tr>\n<td>2<\/td>\n<td>Johnnie Carwash<\/td>\n<td>No Friends no pain<\/td>\n<td>Howlin&rsquo; Banana records<\/td>\n<\/tr>\n<tr>\n<td>2<\/td>\n<td>Johnny Mafia<\/td>\n<td>2024 L&rsquo;ann\u00e9e du Dragon<\/td>\n<td>NMA<\/td>\n<\/tr>\n<tr>\n<td>2<\/td>\n<td><strong>P\u00e9niche<\/strong><\/td>\n<td><strong>Tripl\u00e9<\/strong><\/td>\n<td>Luik Music<\/td>\n<\/tr>\n<tr>\n<td>5<\/td>\n<td><strong>Rank-O<\/strong><\/td>\n<td><strong>Monument Movement<\/strong><\/td>\n<td>Figures Libres<\/td>\n<\/tr>\n<tr>\n<td>6<\/td>\n<td><strong>OPAC<\/strong><\/td>\n<td><strong>Songs for a second grace<\/strong><\/td>\n<td>Figures Libres<\/td>\n<\/tr>\n<tr>\n<td>7<\/td>\n<td>Nia Archives<\/td>\n<td>Silence is Loud<\/td>\n<td>Universal<\/td>\n<\/tr>\n<tr>\n<td>8<\/td>\n<td><strong>Jane et les autres<\/strong><\/td>\n<td><strong>City Life<\/strong><\/td>\n<td>Autoprod<\/td>\n<\/tr>\n<tr>\n<td>9<\/td>\n<td><strong>La Cig\u00fce<\/strong><\/td>\n<td><\/td>\n<td>Autoprod<\/td>\n<\/tr>\n<tr>\n<td>9<\/td>\n<td>Rebeka Warrior, Claire Ottaway, Om\u00e9ga<\/td>\n<td>Dans Le Spectre<\/td>\n<td>Warrior Records<\/td>\n<\/tr>\n<tr>\n<td>11<\/td>\n<td>Fontaines D.C<\/td>\n<td>Romance<\/td>\n<td>XL Recordings Ltd<\/td>\n<\/tr>\n<tr>\n<td>11<\/td>\n<td>Gabl\u00e9<\/td>\n<td>Pick The WeaK<\/td>\n<td>Figures Libres<\/td>\n<\/tr>\n<tr>\n<td>13<\/td>\n<td>Amyl &amp; The Sniffers<\/td>\n<td>Cartoon Darkness<\/td>\n<td>Rough Trade<\/td>\n<\/tr>\n<tr>\n<td>14<\/td>\n<td><strong>Moonback Stage<\/strong><\/td>\n<td><strong>Jinxed<\/strong><\/td>\n<td>Autoprod<\/td>\n<\/tr>\n<tr>\n<td>14<\/td>\n<td>Throwing Snow<\/td>\n<td>Isthmus<\/td>\n<td>Houndstooth<\/td>\n<\/tr>\n<tr>\n<td>16<\/td>\n<td>The Smile<\/td>\n<td>Wall of Eyes<\/td>\n<td>XL Recording<\/td>\n<\/tr>\n<tr>\n<td>16<\/td>\n<td>Doja Cat<\/td>\n<td>Scarlet 2 Claude<\/td>\n<td>RCA recording<\/td>\n<\/tr>\n<tr>\n<td>18<\/td>\n<td>Aziz Konkrite<\/td>\n<td>Siba Sawt System<\/td>\n<td>Shouka<\/td>\n<\/tr>\n<tr>\n<td>18<\/td>\n<td>M\u00e9zigue<\/td>\n<td>Qui existe<\/td>\n<td>D.KO Records<\/td>\n<\/tr>\n<tr>\n<td>20<\/td>\n<td><strong>Chill Bump<\/strong><\/td>\n<td><strong>Fun<\/strong><\/td>\n<td>Autoprod<\/td>\n<\/tr>\n<tr>\n<td>20<\/td>\n<td>Gaffa Tape Sandy<\/td>\n<td>Hold my hand, god damn it<\/td>\n<td>Counter Intuitive Records<\/td>\n<\/tr>\n<tr>\n<td>20<\/td>\n<td>Hot Garbage<\/td>\n<td>Precious Dream<\/td>\n<td>Exag&rsquo; Records<\/td>\n<\/tr>\n<tr>\n<td>23<\/td>\n<td>Sextile<\/td>\n<td>Push<\/td>\n<td>Sacred bones records<\/td>\n<\/tr>\n<tr>\n<td>23<\/td>\n<td>Mad Foxes<\/td>\n<td>Inner Battles<\/td>\n<td>El Muchaco Records<\/td>\n<\/tr>\n<tr>\n<td>23<\/td>\n<td>Walter Astral<\/td>\n<td>Jour<\/td>\n<td>ABBESS<\/td>\n<\/tr>\n<tr>\n<td>26<\/td>\n<td>Ir\u00e8ne Dr\u00e9sel<\/td>\n<td>Rose Fluo<\/td>\n<td>Room records<\/td>\n<\/tr>\n<tr>\n<td>27<\/td>\n<td>Ja\u00ebl<\/td>\n<td>Moonlight<\/td>\n<td>1988<\/td>\n<\/tr>\n<tr>\n<td>27<\/td>\n<td>Cousines Like Shit<\/td>\n<td>Avant Trash<\/td>\n<td>Seayou Records<\/td>\n<\/tr>\n<tr>\n<td>27<\/td>\n<td>The Mysterines<\/td>\n<td>Afraid Of Tomorrows<\/td>\n<td>A Fiction Record<\/td>\n<\/tr>\n<tr>\n<td>27<\/td>\n<td>Kiasmos<\/td>\n<td>II<\/td>\n<td>Earsed Tapes Records<\/td>\n<\/tr>\n<tr>\n<td>27<\/td>\n<td>Caribou<\/td>\n<td>Honey<\/td>\n<td>City slang<\/td>\n<\/tr>\n<tr>\n<td>27<\/td>\n<td>Kneecap<\/td>\n<td>Fine art<\/td>\n<td>Heavently recording<\/td>\n<\/tr>\n<tr>\n<td>27<\/td>\n<td>Ma\u00efcee<\/td>\n<td>Been high lately&#8230;<\/td>\n<td>Autoprod<\/td>\n<\/tr>\n<tr>\n<td>27<\/td>\n<td>Fat Dog<\/td>\n<td>Woof<\/td>\n<td>Domino<\/td>\n<\/tr>\n<tr>\n<td>35<\/td>\n<td><strong>Diad\u00e8me<\/strong><\/td>\n<td><strong>SOMMEIL<\/strong><\/td>\n<td>Autoprod<\/td>\n<\/tr>\n<tr>\n<td>35<\/td>\n<td><strong>Chill Bump<\/strong><\/td>\n<td><strong>Back For More<\/strong><\/td>\n<td>No Pressure<\/td>\n<\/tr>\n<tr>\n<td>35<\/td>\n<td>Jamie XX<\/td>\n<td>In Waves<\/td>\n<td>Young<\/td>\n<\/tr>\n<tr>\n<td>38<\/td>\n<td>JPEGMAFIA<\/td>\n<td>I Lay Down My Life For You<\/td>\n<td>Awal<\/td>\n<\/tr>\n<tr>\n<td>38<\/td>\n<td><strong>Eikonoklast<\/strong><\/td>\n<td><strong>Tempus Fugit<\/strong><\/td>\n<td>Autoprod<\/td>\n<\/tr>\n<tr>\n<td>38<\/td>\n<td><strong>ANNA<\/strong><\/td>\n<td><strong>The Fun<\/strong><\/td>\n<td>Howlin banana<\/td>\n<\/tr>\n<tr>\n<td>38<\/td>\n<td>Porridge Radio<\/td>\n<td>Clouds in the sky they always be there for me<\/td>\n<td>Secretly canadian<\/td>\n<\/tr>\n<tr>\n<td>38<\/td>\n<td>Cumgirl8<\/td>\n<td>The 8th cumming<\/td>\n<td>4AD<\/td>\n<\/tr>\n<tr>\n<td>43<\/td>\n<td>Dylan Dylan<\/td>\n<td>Love theory<\/td>\n<td>Shall not fade<\/td>\n<\/tr>\n<tr>\n<td>43<\/td>\n<td>Lynks<\/td>\n<td>Abomination<\/td>\n<td>Heavenly Recording<\/td>\n<\/tr>\n<tr>\n<td>43<\/td>\n<td>Bad Nerves<\/td>\n<td>Still Nervous<\/td>\n<td>Suburban<\/td>\n<\/tr>\n<tr>\n<td>43<\/td>\n<td>Nicolas Jaar<\/td>\n<td>Piedras 1<\/td>\n<td>Other People<\/td>\n<\/tr>\n<tr>\n<td>43<\/td>\n<td><strong>Bajram Bili<\/strong><\/td>\n<td><strong>Sustain, Forever<\/strong><\/td>\n<td>Another Record<\/td>\n<\/tr>\n<tr>\n<td>43<\/td>\n<td>Bacchantes<\/td>\n<td>Pas un bruit<\/td>\n<td>Figures Libres<\/td>\n<\/tr>\n<tr>\n<td>43<\/td>\n<td><strong>Bash Barrow<\/strong><\/td>\n<td><strong>Pas vu tomber l&rsquo;averse<\/strong><\/td>\n<td>Shinobee<\/td>\n<\/tr>\n<tr>\n<td>43<\/td>\n<td>Banshee<\/td>\n<td>Sirencore<\/td>\n<td>Version III<\/td>\n<\/tr>\n<tr>\n<td>43<\/td>\n<td>Otik<\/td>\n<td>Cloud Runner<\/td>\n<td>3024 music<\/td>\n<\/tr>\n<tr>\n<td>52<\/td>\n<td><strong>Tendre Obscure<\/strong><\/td>\n<td><strong>mixtape vol.3<\/strong><\/td>\n<td>Autoprod<\/td>\n<\/tr>\n<tr>\n<td>52<\/td>\n<td>Mean Jeans<\/td>\n<td>Blasted<\/td>\n<td>Fat Wreck Records<\/td>\n<\/tr>\n<tr>\n<td>52<\/td>\n<td>Lime Garden<\/td>\n<td>One more Thing<\/td>\n<td>So Young records<\/td>\n<\/tr>\n<tr>\n<td>52<\/td>\n<td>Cults<\/td>\n<td>To The Ghost<\/td>\n<td>Imperial<\/td>\n<\/tr>\n<tr>\n<td>52<\/td>\n<td>Crack Cloud<\/td>\n<td>Red Mile<\/td>\n<td>Jagjaguwar<\/td>\n<\/tr>\n<tr>\n<td>52<\/td>\n<td><strong>Zero Gr4vity<\/strong><\/td>\n<td><strong>Une tr\u00e8s l\u00e9g\u00e8re oscillation<\/strong><\/td>\n<td>Jarring Effects x Slab Note<\/td>\n<\/tr>\n<tr>\n<td>52<\/td>\n<td>Roberto Cicogna<\/td>\n<td>Saluti da Pari<\/td>\n<td>aaki records<\/td>\n<\/tr>\n<tr>\n<td>52<\/td>\n<td>Camion bip bip<\/td>\n<td>very slay dans le club<\/td>\n<td>Autoprod<\/td>\n<\/tr>\n<tr>\n<td>52<\/td>\n<td>Oum Shatt<\/td>\n<td>Opt Out<\/td>\n<td>Wanda Y.<\/td>\n<\/tr>\n<tr>\n<td>52<\/td>\n<td>Gwendoline<\/td>\n<td>C&rsquo;est \u00e0 moi \u00e7a<\/td>\n<td>Born Bad Records<\/td>\n<\/tr>\n<tr>\n<td>62<\/td>\n<td>Kaytranada<\/td>\n<td>Timeless<\/td>\n<td>RCA recording<\/td>\n<\/tr>\n<tr>\n<td>62<\/td>\n<td>Gurriers<\/td>\n<td>Come &amp; See<\/td>\n<td>No Filter<\/td>\n<\/tr>\n<tr>\n<td>62<\/td>\n<td>Two shell<\/td>\n<td>Two shell<\/td>\n<td>Young<\/td>\n<\/tr>\n<tr>\n<td>62<\/td>\n<td>Channel Tres<\/td>\n<td>Head Rush<\/td>\n<td>RCA recording<\/td>\n<\/tr>\n<tr>\n<td>62<\/td>\n<td>Ride<\/td>\n<td>Interplay<\/td>\n<td>Wichita Recordings<\/td>\n<\/tr>\n<tr>\n<td>62<\/td>\n<td>O.B.F<\/td>\n<td>Mixxtape<\/td>\n<td>Dubquake records<\/td>\n<\/tr>\n<tr>\n<td>62<\/td>\n<td>A Place To Bury Strangers<\/td>\n<td>Synthesizer<\/td>\n<td>Dedstrange<\/td>\n<\/tr>\n<tr>\n<td>62<\/td>\n<td>Lysistrata<\/td>\n<td>Veil<\/td>\n<td>Vicious Circle<\/td>\n<\/tr>\n<tr>\n<td>62<\/td>\n<td>Sprints<\/td>\n<td>Letter to Self<\/td>\n<td>City Slang<\/td>\n<\/tr>\n<tr>\n<td>62<\/td>\n<td>Soft Play<\/td>\n<td>Heavy Jelly<\/td>\n<td>BMG<\/td>\n<\/tr>\n<tr>\n<td>62<\/td>\n<td>Joey Valence &amp; Brae<\/td>\n<td>NO HANDS<\/td>\n<td>JVB<\/td>\n<\/tr>\n<tr>\n<td>73<\/td>\n<td>Virginie B<\/td>\n<td>Astral 2000<\/td>\n<td>Bonsound<\/td>\n<\/tr>\n<tr>\n<td>73<\/td>\n<td>Quivers<\/td>\n<td>Oyster Cuts<\/td>\n<td>Merge Records<\/td>\n<\/tr>\n<tr>\n<td>73<\/td>\n<td>Negative Gears<\/td>\n<td>Moralizer<\/td>\n<td>Static Shock<\/td>\n<\/tr>\n<tr>\n<td>73<\/td>\n<td>Glass Beams<\/td>\n<td>Mahal<\/td>\n<td>Ninja Tune<\/td>\n<\/tr>\n<tr>\n<td>73<\/td>\n<td>Floating Points<\/td>\n<td>Cascade<\/td>\n<td>Ninja Tune<\/td>\n<\/tr>\n<tr>\n<td>73<\/td>\n<td>The Silver Lines<\/td>\n<td>&#8230; and the lord don&rsquo;t think I can handle it<\/td>\n<td>Equal Songs<\/td>\n<\/tr>\n<tr>\n<td>73<\/td>\n<td>Fidlar<\/td>\n<td>Surviving The Dream<\/td>\n<td>Autoprod<\/td>\n<\/tr>\n<tr>\n<td>73<\/td>\n<td>Ha The Unclear<\/td>\n<td>A Kingdom in a cul-de-sac<\/td>\n<td>Think Zic!<\/td>\n<\/tr>\n<tr>\n<td>81<\/td>\n<td>Luther<\/td>\n<td>EXIT<\/td>\n<td>Sublime<\/td>\n<\/tr>\n<tr>\n<td>81<\/td>\n<td>Yin Yin<\/td>\n<td>Mount Matsu<\/td>\n<td>Glitterbeat<\/td>\n<\/tr>\n<tr>\n<td>81<\/td>\n<td>We hate you please die<\/td>\n<td>Chamber songs<\/td>\n<td>Nmas + incisive<\/td>\n<\/tr>\n<tr>\n<td>81<\/td>\n<td>OneDa<\/td>\n<td>Formula OneDa<\/td>\n<td>Heavently<\/td>\n<\/tr>\n<tr>\n<td>81<\/td>\n<td>Goat Girl<\/td>\n<td>Below The Waste<\/td>\n<td>Rough trade<\/td>\n<\/tr>\n<tr>\n<td>81<\/td>\n<td>Ekkstacy<\/td>\n<td>Ekkstacy<\/td>\n<td>United Masters<\/td>\n<\/tr>\n<tr>\n<td>81<\/td>\n<td>IDLES<\/td>\n<td>TANGK<\/td>\n<td>Partisan Records<\/td>\n<\/tr>\n<tr>\n<td>81<\/td>\n<td>Grife<\/td>\n<td>Grand Galop<\/td>\n<td>Autoprod<\/td>\n<\/tr>\n<tr>\n<td>81<\/td>\n<td>Habibi<\/td>\n<td>Dreamachine<\/td>\n<td>Kill Rock Stars<\/td>\n<\/tr>\n<tr>\n<td>90<\/td>\n<td>Naajet<\/td>\n<td>Club Odyssey<\/td>\n<td>Shall Not Fade<\/td>\n<\/tr>\n<tr>\n<td>90<\/td>\n<td><strong>Chill Bump<\/strong><\/td>\n<td><strong>Adventures<\/strong><\/td>\n<td>Autoprod<\/td>\n<\/tr>\n<tr>\n<td>90<\/td>\n<td>Irnini Mons<\/td>\n<td>Une habitant touch\u00e9e par une m\u00e9t\u00e9orite<\/td>\n<td>Another Records<\/td>\n<\/tr>\n<tr>\n<td>90<\/td>\n<td><strong>Le Cluster Ensemble<\/strong><\/td>\n<td><strong>Le Cluster Ensemble<\/strong><\/td>\n<td>Almost Musique<\/td>\n<\/tr>\n<tr>\n<td>90<\/td>\n<td>Ana Lua Caiano<\/td>\n<td>Vou ficar neste quadrado<\/td>\n<td>Glitter beat<\/td>\n<\/tr>\n<tr>\n<td>90<\/td>\n<td>Omni<\/td>\n<td>Souvenirs<\/td>\n<td>Sub Pop<\/td>\n<\/tr>\n<tr>\n<td>90<\/td>\n<td>Suuns<\/td>\n<td>The Breaks<\/td>\n<td>Joyful noise + Secret city records<\/td>\n<\/tr>\n<tr>\n<td>90<\/td>\n<td>Pillow Queens<\/td>\n<td>Name your sorrow<\/td>\n<td>Royal mountain records<\/td>\n<\/tr>\n<tr>\n<td>90<\/td>\n<td><strong>Bleu Shinobi<\/strong><\/td>\n<td><strong>Thing&rsquo;s You Won&rsquo;t do today<\/strong><\/td>\n<td>T\u00e9l\u00e9cascade<\/td>\n<\/tr>\n<tr>\n<td>90<\/td>\n<td>Malvina<\/td>\n<td>Mercedes<\/td>\n<td>Pop Noire<\/td>\n<\/tr>\n<tr>\n<td>90<\/td>\n<td><strong>Jane et les autres<\/strong><\/td>\n<td><strong>Errance<\/strong><\/td>\n<td>Autoprod<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>N\u00b0 GROUPE ALBUM \/ EP LABEL 1 Crenoka eidolon Figures libres 2 Johnnie Carwash No Friends no pain Howlin&rsquo; Banana records 2 Johnny Mafia 2024 L&rsquo;ann\u00e9e du Dragon NMA 2 P\u00e9niche Tripl\u00e9 Luik Music 5 Rank-O Monument Movement Figures Libres 6 OPAC Songs for a second grace Figures Libres 7 Nia Archives Silence is Loud &hellip; <a href=\"https:\/\/www.radiobeton.com\/www\/top50-2024\/\" class=\"more-link\">Continuer la lecture<span class=\"screen-reader-text\"> de &laquo;&nbsp;TOP50 2024 !&nbsp;&raquo;<\/span><\/a><\/p>\n","protected":false},"author":4,"featured_media":129250,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[197],"tags":[],"class_list":["post-129245","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-classements"],"_links":{"self":[{"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/posts\/129245","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/comments?post=129245"}],"version-history":[{"count":6,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/posts\/129245\/revisions"}],"predecessor-version":[{"id":129254,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/posts\/129245\/revisions\/129254"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/media\/129250"}],"wp:attachment":[{"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/media?parent=129245"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/categories?post=129245"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/tags?post=129245"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}