{"id":134523,"date":"2025-12-01T11:10:45","date_gmt":"2025-12-01T10:10:45","guid":{"rendered":"https:\/\/www.radiobeton.com\/www\/?p=134523"},"modified":"2025-12-31T09:52:48","modified_gmt":"2025-12-31T08:52:48","slug":"top50-novembre-2025","status":"publish","type":"post","link":"https:\/\/www.radiobeton.com\/www\/top50-novembre-2025\/","title":{"rendered":"TOP50 NOVEMBRE 2025 !"},"content":{"rendered":"<table width=\"698\">\n<tbody>\n<tr>\n<td width=\"25\"><\/td>\n<td width=\"221\">Groupe<\/td>\n<td width=\"244\">Album<\/td>\n<td width=\"208\">Label<\/td>\n<\/tr>\n<tr>\n<td>1<\/td>\n<td>Big Idea (The)<\/td>\n<td>Half a Dozen<\/td>\n<td>Exag&rsquo; records<\/td>\n<\/tr>\n<tr>\n<td>2<\/td>\n<td>Joy Crookes<\/td>\n<td>Juniper<\/td>\n<td>Insanity Records<\/td>\n<\/tr>\n<tr>\n<td>3<\/td>\n<td>Ditter<\/td>\n<td>Cringe Is The New Sexy<\/td>\n<td>Riptide Records<\/td>\n<\/tr>\n<tr>\n<td>4<\/td>\n<td>Internet Girl<\/td>\n<td>Those who are against us all the time<\/td>\n<td>Pack Record<\/td>\n<\/tr>\n<tr>\n<td>5<\/td>\n<td>Princess Nokia<\/td>\n<td>Girls<\/td>\n<td>Artist House<\/td>\n<\/tr>\n<tr>\n<td>6<\/td>\n<td>Sudan Archive<\/td>\n<td>The BPM<\/td>\n<td>Stones Throw<\/td>\n<\/tr>\n<tr>\n<td>7<\/td>\n<td>Ashnikko<\/td>\n<td>Smoochies<\/td>\n<td>Parlophone<\/td>\n<\/tr>\n<tr>\n<td>8<\/td>\n<td>Droges<\/td>\n<td>Tout \u00e7a on cr\u00e2me<\/td>\n<td>Grand Musique Management<\/td>\n<\/tr>\n<tr>\n<td>9<\/td>\n<td>First Draft<\/td>\n<td>An Instant Before The Promise of Dawn<\/td>\n<td>Autoprod<\/td>\n<\/tr>\n<tr>\n<td>10<\/td>\n<td>Batbait<\/td>\n<td>Working In The garden<\/td>\n<td>Irascible Records<\/td>\n<\/tr>\n<tr>\n<td>11<\/td>\n<td>Pacifica<\/td>\n<td>In your face!<\/td>\n<td>TAG music<\/td>\n<\/tr>\n<tr>\n<td>12<\/td>\n<td>Daniel Caesar<\/td>\n<td>Son of Spergy<\/td>\n<td>Republic Records<\/td>\n<\/tr>\n<tr>\n<td>13<\/td>\n<td>Senbe\u00ef<\/td>\n<td>R\u00eaves<\/td>\n<td>Banza\u00ef Lab<\/td>\n<\/tr>\n<tr>\n<td>14<\/td>\n<td>Yolande Bashing<\/td>\n<td>Le Territoire<\/td>\n<td>Airfono<\/td>\n<\/tr>\n<tr>\n<td>15<\/td>\n<td>Violent Sadie Mode<\/td>\n<td>Incelcore<\/td>\n<td>Howlin Banana<\/td>\n<\/tr>\n<tr>\n<td>16<\/td>\n<td>Helene Barbier<\/td>\n<td>Panorama<\/td>\n<td>Bonsound<\/td>\n<\/tr>\n<tr>\n<td>17<\/td>\n<td>Optic Sink<\/td>\n<td>Lucky Number<\/td>\n<td>Feel It Records<\/td>\n<\/tr>\n<tr>\n<td>18<\/td>\n<td>Bops<\/td>\n<td>Panic<\/td>\n<td>Howlin Banana<\/td>\n<\/tr>\n<tr>\n<td>19<\/td>\n<td>Sorry<\/td>\n<td>Cosplay<\/td>\n<td>Domino Records<\/td>\n<\/tr>\n<tr>\n<td>20<\/td>\n<td>Shlohmo<\/td>\n<td>Repulsor<\/td>\n<td>R&amp;R<\/td>\n<\/tr>\n<tr>\n<td>21<\/td>\n<td>The New Eve<\/td>\n<td>The New Eve is Rising<\/td>\n<td>Transgressive Records<\/td>\n<\/tr>\n<tr>\n<td>22<\/td>\n<td>Other Lives<\/td>\n<td>Volume V<\/td>\n<td>Play It Again Sam<\/td>\n<\/tr>\n<tr>\n<td>23<\/td>\n<td>Alix Fernz<\/td>\n<td>Symphonie publicitaire sous influence<\/td>\n<td>Mothland<\/td>\n<\/tr>\n<tr>\n<td>24<\/td>\n<td>Bored Lord<\/td>\n<td>Coast 2 Coast<\/td>\n<td>No Bias<\/td>\n<\/tr>\n<tr>\n<td>25<\/td>\n<td>Good Flying Birds<\/td>\n<td>Talulah&rsquo;s Tape<\/td>\n<td>Carpark Records<\/td>\n<\/tr>\n<tr>\n<td>26<\/td>\n<td>Bash Barrow<\/td>\n<td>Chillance Zone<\/td>\n<td>Baco Music<\/td>\n<\/tr>\n<tr>\n<td>27<\/td>\n<td>AMBR1<\/td>\n<td>Octo<\/td>\n<td>Autoprod<\/td>\n<\/tr>\n<tr>\n<td>28<\/td>\n<td>OPAC<\/td>\n<td>Dans Mille Ans<\/td>\n<td>Figures Libre<\/td>\n<\/tr>\n<tr>\n<td>29<\/td>\n<td>Blue Zero<\/td>\n<td>Confusion<\/td>\n<td>Self<\/td>\n<\/tr>\n<tr>\n<td>30<\/td>\n<td>Citric Dummies<\/td>\n<td>Split with Turnstile<\/td>\n<td>Feel It<\/td>\n<\/tr>\n<tr>\n<td>31<\/td>\n<td>Arthur Fu Bandini<\/td>\n<td>Ca n&rsquo;a jamais \u00e9t\u00e9 mieux avant (vol.2)<\/td>\n<td>Auto-produit<\/td>\n<\/tr>\n<tr>\n<td>32<\/td>\n<td>Totorro<\/td>\n<td>Sofa So Good<\/td>\n<td>Recreation Center<\/td>\n<\/tr>\n<tr>\n<td>33<\/td>\n<td>Portugal, The Man<\/td>\n<td>Shish<\/td>\n<td>KNIK<\/td>\n<\/tr>\n<tr>\n<td>34<\/td>\n<td>Jordan Nocturne<\/td>\n<td>Dancer<\/td>\n<td>Polari<\/td>\n<\/tr>\n<tr>\n<td>35<\/td>\n<td>Vitiligoes<\/td>\n<td>Rapakivi<\/td>\n<td>Coeur Sur Toi<\/td>\n<\/tr>\n<tr>\n<td>36<\/td>\n<td>Ptite soeur x Neophron x Femotogo<\/td>\n<td>Pretty Dollcorpse<\/td>\n<td>S.F.N<\/td>\n<\/tr>\n<tr>\n<td>37<\/td>\n<td>Trystero<\/td>\n<td>Humming Fuzz<\/td>\n<td>Knekheluis<\/td>\n<\/tr>\n<tr>\n<td>38<\/td>\n<td>Stand High Patrol<\/td>\n<td>Underground Oasis<\/td>\n<td>autoprod<\/td>\n<\/tr>\n<tr>\n<td>39<\/td>\n<td>Freak Slug<\/td>\n<td>Loose tooth and a short skirt<\/td>\n<td>Futur classic<\/td>\n<\/tr>\n<tr>\n<td>40<\/td>\n<td>Antibalas<\/td>\n<td>Hourglass<\/td>\n<td>Daptone<\/td>\n<\/tr>\n<tr>\n<td>41<\/td>\n<td>Stade<\/td>\n<td>Musiques de stade<\/td>\n<td>Upton Park<\/td>\n<\/tr>\n<tr>\n<td>42<\/td>\n<td>God Alone.<\/td>\n<td>The Beep Test<\/td>\n<td>Prosthetic Records<\/td>\n<\/tr>\n<tr>\n<td>43<\/td>\n<td>Beyadi<\/td>\n<td>Ligne de Cr\u00eate<\/td>\n<td>Autoprod<\/td>\n<\/tr>\n<tr>\n<td>44<\/td>\n<td>Oshvn<\/td>\n<td>Day<\/td>\n<td>autoprod<\/td>\n<\/tr>\n<tr>\n<td>45<\/td>\n<td>Sofia<\/td>\n<td>Las Mareas<\/td>\n<td>Humo Internacional<\/td>\n<\/tr>\n<tr>\n<td>46<\/td>\n<td>Wytches (The)<\/td>\n<td>Talking Machine<\/td>\n<td>Alcopop! Records<\/td>\n<\/tr>\n<tr>\n<td>47<\/td>\n<td>Xexa<\/td>\n<td>Kissom<\/td>\n<td>Principe<\/td>\n<\/tr>\n<tr>\n<td>48<\/td>\n<td>Fragile<\/td>\n<td>Big Big Smile<\/td>\n<td>Le C\u00e8pe Records<\/td>\n<\/tr>\n<tr>\n<td>49<\/td>\n<td>Sons<\/td>\n<td>Hallo<\/td>\n<td>PIAS<\/td>\n<\/tr>\n<tr>\n<td>50<\/td>\n<td>Denys Roses<\/td>\n<td>Immature Love Songs<\/td>\n<td>Le C\u00e8pe Record<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>Groupe Album Label 1 Big Idea (The) Half a Dozen Exag&rsquo; records 2 Joy Crookes Juniper Insanity Records 3 Ditter Cringe Is The New Sexy Riptide Records 4 Internet Girl Those who are against us all the time Pack Record 5 Princess Nokia Girls Artist House 6 Sudan Archive The BPM Stones Throw 7 Ashnikko &hellip; <a href=\"https:\/\/www.radiobeton.com\/www\/top50-novembre-2025\/\" class=\"more-link\">Continuer la lecture<span class=\"screen-reader-text\"> de &laquo;&nbsp;TOP50 NOVEMBRE 2025 !&nbsp;&raquo;<\/span><\/a><\/p>\n","protected":false},"author":4,"featured_media":134524,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[197],"tags":[],"class_list":["post-134523","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-classements"],"_links":{"self":[{"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/posts\/134523","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/comments?post=134523"}],"version-history":[{"count":1,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/posts\/134523\/revisions"}],"predecessor-version":[{"id":134525,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/posts\/134523\/revisions\/134525"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/media\/134524"}],"wp:attachment":[{"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/media?parent=134523"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/categories?post=134523"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/tags?post=134523"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}