{"id":25434,"date":"2009-04-15T10:56:26","date_gmt":"2009-04-15T08:56:26","guid":{"rendered":"http:\/\/www.radiobeton.com\/wordpress\/?p=25434"},"modified":"2009-04-15T10:56:26","modified_gmt":"2009-04-15T08:56:26","slug":"feraliste-du-01-04-09-au-15-04-09","status":"publish","type":"post","link":"https:\/\/www.radiobeton.com\/www\/feraliste-du-01-04-09-au-15-04-09\/","title":{"rendered":"F\u00e9raliste du 01.04.09 au 15.04.09"},"content":{"rendered":"

[sommaire]<\/p>\n

PLAY LISTE L.P.<\/h2>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
1.<\/td>\nMAGNETIX (THE)<\/td>\nPOSITIVE NEGATIVE<\/td>\nBORN BAD<\/td>\n<\/tr>\n
2.<\/td>\nMULATU ASTATKE<\/td>\nW\/ THE HELIOCENTRICS<\/td>\nSTRUT\/ LA BALEINE<\/td>\n<\/tr>\n
3.<\/td>\nBAT FOR LASHES<\/td>\nTWO SUNS<\/td>\nECHO\/PARLOPHONE\/EMI<\/td>\n<\/tr>\n
4.<\/td>\nDAMIAN LAZARUS<\/td>\nSMOKE THE MONSTER OUT<\/td>\nGET PHYSICAL<\/td>\n<\/tr>\n
5.<\/td>\nDOMINIQUE A<\/td>\nLA MUSIQUE<\/td>\n5 \u00c3\u20ac 7<\/td>\n<\/tr>\n
6.<\/td>\nDILLANTHOLOGY<\/td>\nCOMPILATION<\/td>\nRAPSTER RECORDS\/ LA BALEINE<\/td>\n<\/tr>\n
7.<\/td>\nMEI TEI SHO<\/td>\nTAKE A RIDE<\/td>\nYOTANKA\/DISCOGRAPH<\/td>\n<\/tr>\n
8.<\/td>\nTHE PARLOR MOB<\/td>\nAND YOU WERE A CROW<\/td>\nROADRUNNER<\/td>\n<\/tr>\n
9.<\/td>\nNLF 3<\/td>\nRIDE ON A BRAND NEW TIME<\/td>\nPROHIBITED RECORDS<\/td>\n<\/tr>\n
10.<\/td>\nTWO FINGERS<\/td>\nTWO FINGERS<\/td>\nBIG DADA<\/td>\n<\/tr>\n
11.<\/td>\nPASSE MONTAGNE<\/td>\nOH MY SATAN<\/td>\nRUMINANCE<\/td>\n<\/tr>\n
12.<\/td>\nMARMADUKE DUKE<\/td>\nDUKE PANDEMONIUM<\/td>\n14TH FLOOR<\/td>\n<\/tr>\n
13.<\/td>\nKRAZY BALDHEAD<\/td>\nTHE B-SUITE<\/td>\nED BAGER<\/td>\n<\/tr>\n
14.<\/td>\nFREDO VIOLA<\/td>\nTHE TURN<\/td>\nBECAUSE MUSIC<\/td>\n<\/tr>\n
15.<\/td>\nTEENAGE RENEGADE<\/td>\nIS THERE LIFE AFTER HIGH SCHOOL?<\/td>\nKICKING\/ CHANMAX<\/td>\n<\/tr>\n
16.<\/td>\nMICAHRU<\/td>\nJEWELLERY<\/td>\nROUGH TRADE<\/td>\n<\/tr>\n
17.<\/td>\nLA RUDA<\/td>\nGRAND SOIR<\/td>\nLES ASSOCIES DU REEL\/WAGRAM<\/td>\n<\/tr>\n
18.<\/td>\nMEN WITHOUT PANTS<\/td>\nNATURALLY<\/td>\nVICIOUS CIRCLE<\/td>\n<\/tr>\n
19.<\/td>\nBLANCHE NEIGE BAZAAR ORCHESTRA<\/td>\nROYAL AERO D’INDE<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
20.<\/td>\nODDATEEE<\/td>\nHALFWAY HOMELESS<\/td>\nJARRING EFFECTS<\/td>\n<\/tr>\n
21.<\/td>\nTHE LONG LOST<\/td>\nTHE LONG LOST<\/td>\nNINJA TUNE<\/td>\n<\/tr>\n
22.<\/td>\nREAL AUTHENTIC REGGAE VOL.2 COMP BY DAVID RODIGAN<\/td>\nCOMPILATION<\/td>\nBBE \/ LA BALEINE<\/td>\n<\/tr>\n
23.<\/td>\nTITUS ANDRONICUS<\/td>\nTHE AIRING OF GRIEVANCES<\/td>\nMEROK\/XL<\/td>\n<\/tr>\n
24.<\/td>\nEX (THE)<\/td>\nTURN<\/td>\nVICIOUS CIRCLE \/ WAGRAM<\/td>\n<\/tr>\n
25.<\/td>\nCOMPILATION<\/td>\nREKIDS REVOLUTION<\/td>\nREKIDS MUSIC<\/td>\n<\/tr>\n
26.<\/td>\nFRAMIX<\/td>\nHAPPY ANIMALS<\/td>\nFRAKAMIX PROD<\/td>\n<\/tr>\n
27.<\/td>\nCOMPILATION<\/td>\nON PREND LES MEMES ET ON RECOMMENCE<\/td>\nKILL THE DJ<\/td>\n<\/tr>\n
28.<\/td>\nCERCEUIL<\/td>\nSHOO STRAIGHT SHOUT<\/td>\nOPTICAL SOUND<\/td>\n<\/tr>\n
29.<\/td>\nT.RAUMSCHMIERE<\/td>\nI TANK U<\/td>\nSHITKATAPULT<\/td>\n<\/tr>\n
30.<\/td>\nCHEAP TIME<\/td>\nST<\/td>\nIN THE RED RDS<\/td>\n<\/tr>\n
31.<\/td>\nAEROFLOT<\/td>\nDISCO NEGRO<\/td>\nDATCHA RECORDS<\/td>\n<\/tr>\n
32.<\/td>\nMAMA ROSIN<\/td>\nBRULE LENTEMENT<\/td>\nVOODOO RYTHM<\/td>\n<\/tr>\n
33.<\/td>\nPOWERSOLO<\/td>\nBLOODSKINBONES<\/td>\nCORNFLAKES ZOO<\/td>\n<\/tr>\n
34.<\/td>\nZOEN<\/td>\nTOUR CD OCT \u00c2\u00b22008<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
35.<\/td>\nTRU THOUGHTS HIP HOP<\/td>\nCOMPILATION<\/td>\nTRU THOUGHTS<\/td>\n<\/tr>\n
36.<\/td>\nCYESM<\/td>\nROUGH<\/td>\nGOOD CITIZEN FACTORY<\/td>\n<\/tr>\n
37.<\/td>\nSSM<\/td>\nSSM<\/td>\nHOWL RECORDS<\/td>\n<\/tr>\n
38.<\/td>\nLA CHANSON DU DIMANCHE<\/td>\nPLANTE UN ARBRE<\/td>\nMERCURY<\/td>\n<\/tr>\n
39.<\/td>\n1000 ROBOTA<\/td>\nDU NICHT ER NICHT SIE NICHT<\/td>\nTAPETE<\/td>\n<\/tr>\n
40.<\/td>\nGUI BORATTO<\/td>\nTAKE MY BREATH AWAY<\/td>\nKOMPAKT<\/td>\n<\/tr>\n
41.<\/td>\nJUNESEX<\/td>\nSEX IN TIMES OF WAR<\/td>\nJUNESEX INTERNATIONAL AIRLINES<\/td>\n<\/tr>\n
42.<\/td>\nBECK<\/td>\nMODERN GUILT<\/td>\nGEFFEN<\/td>\n<\/tr>\n
43.<\/td>\nGASLIGHT ANTHEM (THE)<\/td>\nTHE ’59 SOUND<\/td>\nSIDE ONE DUMMY<\/td>\n<\/tr>\n
44.<\/td>\nFILASTINE<\/td>\nDIRTY BOMB<\/td>\nJARRING EFFECT<\/td>\n<\/tr>\n
45.<\/td>\nVELVET LEMONS (THE)<\/td>\nSHAKE YOUR FUCKIN HANDS!!!<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
46.<\/td>\nFORDAMAGE<\/td>\nBELGIAN TANGO<\/td>\nKYTHIBONG<\/td>\n<\/tr>\n
47.<\/td>\nGOLDEN BOOTS<\/td>\nWINTER OF OUR DISCOTHEQUE<\/td>\nHAVALINA\/DIFFER-ANT<\/td>\n<\/tr>\n
48.<\/td>\nORELSAN<\/td>\nPERDU D’AVANCE<\/td>\n7TH MAGNITUDE<\/td>\n<\/tr>\n
49.<\/td>\nWHOMADEWHO<\/td>\nTHE PLOT<\/td>\nGOMMA<\/td>\n<\/tr>\n
50.<\/td>\nPASSION PIT<\/td>\nCHUNK OF CHANGE<\/td>\nFRENCH KISS\/SONY<\/td>\n<\/tr>\n
51.<\/td>\nDJ HELL<\/td>\nTEUFELSWERK<\/td>\nGIGOLO RECORDS<\/td>\n<\/tr>\n
52.<\/td>\nRADIOKIJADA<\/td>\nNUEVOS SONIDOS AFRO PERUANOS<\/td>\nWRASSE REC<\/td>\n<\/tr>\n
53.<\/td>\nDOWNTOWN CUCKOO<\/td>\nST<\/td>\nLIMBO<\/td>\n<\/tr>\n
54.<\/td>\nMISS KITTIN AND THE HACKER<\/td>\nTWO<\/td>\nNOBODY’ BIZZNESS<\/td>\n<\/tr>\n
55.<\/td>\nVIALKA<\/td>\nSUCCES PLANETAIRE INTERNATIONAL<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
56.<\/td>\nCAPSULA<\/td>\nRISING MOUNTAINS<\/td>\nB CORE<\/td>\n<\/tr>\n
57.<\/td>\nRONE<\/td>\nSPANISH BREAKFAST<\/td>\nIN FIN\u00c3\u2030<\/td>\n<\/tr>\n
58.<\/td>\nCAZALS<\/td>\nWHAT OF OUR FUTURE<\/td>\nKITSUN\u00c3\u2030<\/td>\n<\/tr>\n
59.<\/td>\nSTAFF BENDA BILLI<\/td>\nTRES TRES FORT<\/td>\nCRAMMED DISCS<\/td>\n<\/tr>\n
60.<\/td>\nESCAPE<\/td>\nGEARS OF MODERN SOCIETY<\/td>\nTRAUMA SOCIAL<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

PLAY LISTE SINGLES<\/h2>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
1.<\/td>\nKAP BAMBINO<\/td>\nRED SIGNS ACID EYES<\/td>\nBECAUSE<\/td>\n<\/tr>\n
2.<\/td>\nFINGERTIPS, THE<\/td>\nYOU DON’T KNOW IT YET<\/td>\nUP YOUR ASS<\/td>\n<\/tr>\n
3.<\/td>\nWANKIN’ NOODLES (THE)<\/td>\nTHEIR LOVELY COUNTRYSIDE<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
4.<\/td>\nWHITE NIGHT<\/td>\nST<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
5.<\/td>\nTHE VON BONDIES<\/td>\nST<\/td>\nFIERCE PANDA<\/td>\n<\/tr>\n
6.<\/td>\nFORTUNE<\/td>\nBULLY EP<\/td>\nDISQUE PRIMEUR<\/td>\n<\/tr>\n
7.<\/td>\nANTENNA TONY MONORAIL<\/td>\nROCK&ROLL JEW’S HARP<\/td>\nA TREE IN A FIELD RECORDS<\/td>\n<\/tr>\n
8.<\/td>\nRELIGIOUS KNIVES<\/td>\nTHE DOOR<\/td>\nECSTATIC PEACE<\/td>\n<\/tr>\n
9.<\/td>\nFEDADEN<\/td>\nVERDAD<\/td>\nNACOPAJAZ<\/td>\n<\/tr>\n
10.<\/td>\nDOMINIQUE A<\/td>\nHASTA<\/td>\nWAGRAM<\/td>\n<\/tr>\n
11.<\/td>\nBIKINI MACHINE<\/td>\nGOOD MORNING<\/td>\nPLATINUM<\/td>\n<\/tr>\n
12.<\/td>\nCHEESY LANE<\/td>\nSTANDARD PACKAGE<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
13.<\/td>\nQUARTET EP<\/td>\nBUREAU<\/td>\nBUREAU RECORDS<\/td>\n<\/tr>\n
14.<\/td>\nNAIVE NEW BEATERS<\/td>\nDEMO EP<\/td>\nCINQ7<\/td>\n<\/tr>\n
15.<\/td>\nSONIC YOUTH<\/td>\nBULL IN THE HEATHER<\/td>\nGEFFEN<\/td>\n<\/tr>\n
16.<\/td>\nBELLE & SEBASTIAN<\/td>\nWHITE COLLAR BOY<\/td>\nROUGH TRADE<\/td>\n<\/tr>\n
17.<\/td>\nHIGH HATS<\/td>\n<\/td>\nALLEYCAT<\/td>\n<\/tr>\n
18.<\/td>\nDAILY MIND DISTORSION<\/td>\nDEMO<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
19.<\/td>\nSTEEL IN MIND<\/td>\nDEMO<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
20.<\/td>\nSEBASTIAN<\/td>\nMOTOR EP<\/td>\nED BANGER<\/td>\n<\/tr>\n
21.<\/td>\nPUPPETMASTAZ<\/td>\nMEPHISTOPHELES<\/td>\nDISCOGRAPH<\/td>\n<\/tr>\n
22.<\/td>\nBIG BEN AND THE BOOGIE BOYS<\/td>\nDANS MA DS<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
23.<\/td>\nUHT<\/td>\nGHOST FOREST<\/td>\nNO FRIDGE<\/td>\n<\/tr>\n
24.<\/td>\nBE SOUL<\/td>\nS\/T<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
25.<\/td>\nMETRONOMY<\/td>\nA THING FOR ME<\/td>\nBECAUSE<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

[sommaire] PLAY LISTE L.P. 1. MAGNETIX (THE) POSITIVE NEGATIVE BORN BAD 2. MULATU ASTATKE W\/ THE HELIOCENTRICS STRUT\/ LA BALEINE 3. BAT FOR LASHES TWO SUNS ECHO\/PARLOPHONE\/EMI 4. DAMIAN LAZARUS SMOKE THE MONSTER OUT GET PHYSICAL 5. DOMINIQUE A LA MUSIQUE 5 \u00c3\u20ac 7 6. DILLANTHOLOGY COMPILATION RAPSTER RECORDS\/ LA BALEINE 7. MEI TEI SHO … Continuer la lecture de « F\u00e9raliste du 01.04.09 au 15.04.09 »<\/span><\/a><\/p>\n","protected":false},"author":4,"featured_media":25433,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[197],"tags":[],"class_list":["post-25434","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-classements"],"_links":{"self":[{"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/posts\/25434","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/comments?post=25434"}],"version-history":[{"count":0,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/posts\/25434\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/media\/25433"}],"wp:attachment":[{"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/media?parent=25434"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/categories?post=25434"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/tags?post=25434"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}