{"id":25516,"date":"2009-05-04T12:22:47","date_gmt":"2009-05-04T10:22:47","guid":{"rendered":"http:\/\/www.radiobeton.com\/wordpress\/?p=25516"},"modified":"2009-05-04T12:22:47","modified_gmt":"2009-05-04T10:22:47","slug":"feraliste-du-16-04-09-au-01-05-09","status":"publish","type":"post","link":"https:\/\/www.radiobeton.com\/www\/feraliste-du-16-04-09-au-01-05-09\/","title":{"rendered":"F\u00e9raliste du 16.04.09 au 01.05.09"},"content":{"rendered":"

[sommaire]<\/p>\n

PLAY LISTE L.P.<\/h2>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
1.<\/td>\nMICACHU<\/td>\nJEWELLERY<\/td>\nROUGH TRADE<\/td>\n<\/tr>\n
2.<\/td>\nCROSSING THE RUBICON<\/td>\nST<\/td>\nGUERILLA ASSO<\/td>\n<\/tr>\n
3.<\/td>\nSTRUNG OUT<\/td>\nPROTOTYPES AND PAINKILLERS<\/td>\nFAT WRECK RDS<\/td>\n<\/tr>\n
4.<\/td>\nA-TRAK<\/td>\nFABRICLIVE 45<\/td>\nFABRIC<\/td>\n<\/tr>\n
5.<\/td>\nMALIBU STACY<\/td>\nMARATHON<\/td>\n62TV<\/td>\n<\/tr>\n
6.<\/td>\nESCAPE<\/td>\nGEARS OF MODERN SOCIETY<\/td>\nTRAUMA SOCIAL<\/td>\n<\/tr>\n
7.<\/td>\nNON STOP<\/td>\nJ’AI RIEN COMPRIS MAIS JE SUIS D’ACCORD<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
8.<\/td>\nLA CHANSON DU DIMANCHE<\/td>\nPLANTE UN ARBRE<\/td>\nMERCURY<\/td>\n<\/tr>\n
9.<\/td>\nODDATEEE<\/td>\nHALFWAY HOMELESS<\/td>\nJARRING EFFECTS<\/td>\n<\/tr>\n
10.<\/td>\nMULATU ASTATKE<\/td>\nW\/ THE HELIOCENTRICS<\/td>\nSTRUT\/ LA BALEINE<\/td>\n<\/tr>\n
11.<\/td>\nTWO FINGERS<\/td>\nTWO FINGERS<\/td>\nBIG DADA<\/td>\n<\/tr>\n
12.<\/td>\nCYESM<\/td>\nROUGH<\/td>\nGOOD CITIZEN FACTORY<\/td>\n<\/tr>\n
13.<\/td>\nMEI TEI SHO<\/td>\nTAKE A RIDE<\/td>\nYOTANKA\/DISCOGRAPH<\/td>\n<\/tr>\n
14.<\/td>\nTEENAGE RENEGADE<\/td>\nIS THERE LIFE AFTER HIGH SCHOOL?<\/td>\nKICKING\/ CHANMAX<\/td>\n<\/tr>\n
15.<\/td>\nSWEET VANDALS<\/td>\nLOVELITE<\/td>\nDIFFER-ANT<\/td>\n<\/tr>\n
16.<\/td>\nJETSEX<\/td>\nSEXUALLY CHALLENGED<\/td>\nFREE EDGE CONSPIRACY<\/td>\n<\/tr>\n
17.<\/td>\nBUSDRIVER<\/td>\nROADKILL OVERCOAT<\/td>\nEPITAPH<\/td>\n<\/tr>\n
18.<\/td>\nDYNAMOPHONIC<\/td>\nWARZONE<\/td>\nAUTOPROD\/DIFFER’ANT<\/td>\n<\/tr>\n
19.<\/td>\nMAMA ROSIN<\/td>\nBRULE LENTEMENT<\/td>\nVOODOO RYTHM<\/td>\n<\/tr>\n
20.<\/td>\nAKRON FAMILY<\/td>\nSET’EM WILD, SET’EM FREE<\/td>\nDEAD OCEANS INC \/ CRAMMED DISCS<\/td>\n<\/tr>\n
21.<\/td>\nJIL IS LUCKY<\/td>\nJIL IS LUCKY<\/td>\nROY MUSIC<\/td>\n<\/tr>\n
22.<\/td>\nMERGER<\/td>\nEXILES IN A BABYLON<\/td>\nMAKASOUND<\/td>\n<\/tr>\n
23.<\/td>\nPASSION PIT<\/td>\nCHUNK OF CHANGE<\/td>\nFRENCH KISS\/SONY<\/td>\n<\/tr>\n
24.<\/td>\nKRAZY BALDHEAD<\/td>\nTHE B-SUITE<\/td>\nED BAGER<\/td>\n<\/tr>\n
25.<\/td>\nRONE<\/td>\nSPANISH BREAKFAST<\/td>\nIN FIN\u00c3\u2030<\/td>\n<\/tr>\n
26.<\/td>\nPASSE MONTAGNE<\/td>\nOH MY SATAN<\/td>\nRUMINANCE<\/td>\n<\/tr>\n
27.<\/td>\nFRANKLIN<\/td>\nEVERY NOW AND THEN<\/td>\nWOOL RECORDINGS<\/td>\n<\/tr>\n
28.<\/td>\nAEROFLOT<\/td>\nDISCO NEGRO<\/td>\nDATCHA RECORDS<\/td>\n<\/tr>\n
29.<\/td>\nWEDDING SOUNDTRACK (THE)<\/td>\nNANANARO<\/td>\nANOTHER RDS<\/td>\n<\/tr>\n
30.<\/td>\nORCHESTRE DUCOIN<\/td>\nL’\u00c5\u2019UVRE COMPL\u00c3\u02c6TE<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
31.<\/td>\nBAT FOR LASHES<\/td>\nTWO SUNS<\/td>\nECHO\/PARLOPHONE\/EMI<\/td>\n<\/tr>\n
32.<\/td>\nMISS KITTIN AND THE HACKER<\/td>\nTWO<\/td>\nNOBODY’ BIZZNESS<\/td>\n<\/tr>\n
33.<\/td>\nVANDAVEER<\/td>\nDIVIDE&CONQUEER<\/td>\nDISCOGRAPH<\/td>\n<\/tr>\n
34.<\/td>\nSUGAR PLUM FAIRY<\/td>\nEPONYME<\/td>\nMONTAUK<\/td>\n<\/tr>\n
35.<\/td>\nBAXTERS<\/td>\nSUBINTRANT<\/td>\nOPPOSITE PROD<\/td>\n<\/tr>\n
36.<\/td>\nFRAMIX<\/td>\nHAPPY ANIMALS<\/td>\nFRAKAMIX PROD<\/td>\n<\/tr>\n
37.<\/td>\n1000 ROBOTA<\/td>\nDU NICHT ER NICHT SIE NICHT<\/td>\nTAPETE<\/td>\n<\/tr>\n
38.<\/td>\nSUGAR RAY<\/td>\nLEMONADE AND BROWNIES<\/td>\nATLANTIC<\/td>\n<\/tr>\n
39.<\/td>\nCAPTAIN KID<\/td>\nIMPEDIMENTA<\/td>\nMOUJIK PROD<\/td>\n<\/tr>\n
40.<\/td>\nLE LARRON<\/td>\nS\/T<\/td>\nMILK MUSIC<\/td>\n<\/tr>\n
41.<\/td>\nPICORE<\/td>\nLIBRANOS DEL MAR<\/td>\nMAGOFERMIN<\/td>\n<\/tr>\n
42.<\/td>\nBOOGERS<\/td>\nST<\/td>\n3EME BUREAU<\/td>\n<\/tr>\n
43.<\/td>\nMAGIC BARBECUE<\/td>\nMAGIC WHAT ?<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
44.<\/td>\nTHE JUAN MACLEAN<\/td>\nTHE FUTURE WILL COME<\/td>\nDFA<\/td>\n<\/tr>\n
45.<\/td>\nLE FOU DU ROI<\/td>\nPENSE AVEC LES LOUPS !<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
46.<\/td>\nSEX & DOLLARS<\/td>\nS\/T<\/td>\nSEX & DOLLARS \/ UN JE NE SAIS QUOI<\/td>\n<\/tr>\n
47.<\/td>\nREAL AUTHENTIC REGGAE VOL.2 COMP BY DAVID RODIGAN<\/td>\nCOMPILATION<\/td>\nBBE \/ LA BALEINE<\/td>\n<\/tr>\n
48.<\/td>\nNAPALM DEATH<\/td>\nCODE IS RED..LONG LIVE THE COD<\/td>\nEARACHE<\/td>\n<\/tr>\n
49.<\/td>\nLACK<\/td>\nBE THERE PULSE<\/td>\nUNDERGROOVE<\/td>\n<\/tr>\n
50.<\/td>\nBIKINI KILL<\/td>\nRETROSPECTIVE 1991-1995<\/td>\nRADIO BETON<\/td>\n<\/tr>\n
51.<\/td>\nSAYCET<\/td>\nONE DAY AT HOME<\/td>\nELECTRON’Y’POP<\/td>\n<\/tr>\n
52.<\/td>\nLIL WAYNE<\/td>\nTHA CARTER III<\/td>\nCASH MONEY<\/td>\n<\/tr>\n
53.<\/td>\nTHE DODOS<\/td>\nVISITER<\/td>\nWICHITA<\/td>\n<\/tr>\n
54.<\/td>\nBLACK LIPS<\/td>\nEURO TOUR PROMO 2005<\/td>\nIN THE RED RECORDINGS<\/td>\n<\/tr>\n
55.<\/td>\nSEELENLUFT<\/td>\nBIRDS AND PLANTS AND ROCKS AND THINGS<\/td>\nGIGOLO<\/td>\n<\/tr>\n
56.<\/td>\nDEERHOOF<\/td>\nFRIEND OPORTUNITY<\/td>\nTOMLAB<\/td>\n<\/tr>\n
57.<\/td>\nCOMPILATION<\/td>\nABUS DANGEREUX 88<\/td>\nABUS DANGEREUX<\/td>\n<\/tr>\n
58.<\/td>\nFIELDS<\/td>\nEVERYTHING LAST WINTER<\/td>\nWARNER<\/td>\n<\/tr>\n
59.<\/td>\nJEFFREY LEWIS<\/td>\n12 CRASS SONGS<\/td>\nROUGH TRADE<\/td>\n<\/tr>\n
60.<\/td>\nBONAPARTE<\/td>\nTOO MUCH<\/td>\nAUTOPROD<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

PLAY LISTE SINGLES<\/h2>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
1.<\/td>\nSAM TACH<\/td>\nDEMO<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
2.<\/td>\nKERY JAMES<\/td>\nLE RETOUR DU RAP FRAN\u00c7AIS<\/td>\nWARNER<\/td>\n<\/tr>\n
3.<\/td>\nJACK PENATE<\/td>\nTONIGH’S TODAY EP<\/td>\nXL<\/td>\n<\/tr>\n
4.<\/td>\nBOOGERS<\/td>\nAS DIRTY…EP<\/td>\nWARNER<\/td>\n<\/tr>\n
5.<\/td>\nFINKIELKRAUTS (THE)<\/td>\nFONDETTES SESSIONS<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
6.<\/td>\nRUDES (THE)<\/td>\nJOIN THE ARMY !<\/td>\nUNE VIE POUR RIEN<\/td>\n<\/tr>\n
7.<\/td>\nBE SOUL<\/td>\nS\/T<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
8.<\/td>\nMR OIZO<\/td>\nPOURRITURE<\/td>\nED BANGER RECORDS<\/td>\n<\/tr>\n
9.<\/td>\nKAP BAMBINO<\/td>\nRED SIGNS ACID EYES<\/td>\nBECAUSE<\/td>\n<\/tr>\n
10.<\/td>\nJANSKI BEEEATS<\/td>\nS\/T 2009<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
11.<\/td>\nBRANKAL<\/td>\nDEMO 2<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
12.<\/td>\nFRANZ FERDINAND<\/td>\nDO YOU WANT TO<\/td>\nPIAS<\/td>\n<\/tr>\n
13.<\/td>\nNOISE DATA<\/td>\nS\/T<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
14.<\/td>\nAS DE TREFLE<\/td>\nAUJOURD’HUI C’EST DIMANCHE<\/td>\nAUTOPROD\/MOSAIC<\/td>\n<\/tr>\n
15.<\/td>\nJOEY RAMONE<\/td>\nWHAT A WONDERFUL WORLD<\/td>\nSANCTUARY<\/td>\n<\/tr>\n
16.<\/td>\nPATO BENTON<\/td>\n<\/td>\nVIRGIN<\/td>\n<\/tr>\n
17.<\/td>\nSORGENTE<\/td>\nFIRST…AND THEN<\/td>\nSORGENTE REC<\/td>\n<\/tr>\n
18.<\/td>\nNIVENS (THE)<\/td>\nRECYCLE<\/td>\nDANCETERIA<\/td>\n<\/tr>\n
19.<\/td>\nDOMINIQUE A<\/td>\nHASTA<\/td>\nWAGRAM<\/td>\n<\/tr>\n
20.<\/td>\nFINGERTIPS, THE<\/td>\nYOU DON’T KNOW IT YET<\/td>\nUP YOUR ASS<\/td>\n<\/tr>\n
21.<\/td>\nTHE VON BONDIES<\/td>\nST<\/td>\nFIERCE PANDA<\/td>\n<\/tr>\n
22.<\/td>\nWHITE NIGHT<\/td>\nST<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
23.<\/td>\nBIKINI MACHINE<\/td>\nGOOD MORNING<\/td>\nPLATINUM<\/td>\n<\/tr>\n
24.<\/td>\nDELTA SPIRIT<\/td>\nODE TO SUNSHINE<\/td>\nDECCA<\/td>\n<\/tr>\n
25.<\/td>\nMETRONOMY<\/td>\nRADIO LADIO<\/td>\nBECAUSE MUSIC<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

[sommaire] PLAY LISTE L.P. 1. MICACHU JEWELLERY ROUGH TRADE 2. CROSSING THE RUBICON ST GUERILLA ASSO 3. STRUNG OUT PROTOTYPES AND PAINKILLERS FAT WRECK RDS 4. A-TRAK FABRICLIVE 45 FABRIC 5. MALIBU STACY MARATHON 62TV 6. ESCAPE GEARS OF MODERN SOCIETY TRAUMA SOCIAL 7. NON STOP J’AI RIEN COMPRIS MAIS JE SUIS D’ACCORD AUTOPROD 8. … Continuer la lecture de « F\u00e9raliste du 16.04.09 au 01.05.09 »<\/span><\/a><\/p>\n","protected":false},"author":4,"featured_media":25515,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[197],"tags":[],"class_list":["post-25516","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-classements"],"_links":{"self":[{"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/posts\/25516","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/comments?post=25516"}],"version-history":[{"count":0,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/posts\/25516\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/media\/25515"}],"wp:attachment":[{"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/media?parent=25516"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/categories?post=25516"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/tags?post=25516"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}