{"id":26102,"date":"2009-10-01T11:44:19","date_gmt":"2009-10-01T09:44:19","guid":{"rendered":"http:\/\/www.radiobeton.com\/wordpress\/?p=26102"},"modified":"2009-10-01T11:44:19","modified_gmt":"2009-10-01T09:44:19","slug":"feraliste-du-15-septembre-au-1er-octobre-2009","status":"publish","type":"post","link":"https:\/\/www.radiobeton.com\/www\/feraliste-du-15-septembre-au-1er-octobre-2009\/","title":{"rendered":"F\u00e9raliste du 15 septembre au 1er octobre 2009"},"content":{"rendered":"

[sommaire]<\/p>\n

PLAY LISTE L.P.<\/h2>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
1.<\/td>\nJOAKIM<\/td>\nMILKY WAYS<\/td>\nVERSATILE<\/td>\n<\/tr>\n
2.<\/td>\nDAILY MIND DISTORSION<\/td>\nTOTALLY INFESTED<\/td>\nPOSITIVELY NEGATIVE \/ MIDDLE CLASS ZOMBIE ATTACK<\/td>\n<\/tr>\n
3.<\/td>\nETIENNE JAUMET<\/td>\nNIGHT MUSIC<\/td>\nVERSATILE<\/td>\n<\/tr>\n
4.<\/td>\nTUMBELE !<\/td>\nSOUNDS FROM THE FRENCH CARIBBEAN (1963-74)<\/td>\nSOUND WAY<\/td>\n<\/tr>\n
5.<\/td>\nBIKINI MACHINE<\/td>\nTHE FULL ALBUM<\/td>\nPLATINUM<\/td>\n<\/tr>\n
6.<\/td>\nLUCIANO<\/td>\nTRIBUTE TO THE SUN<\/td>\nCADENZA<\/td>\n<\/tr>\n
7.<\/td>\nIN THE CLUB<\/td>\nSEDUCE’N’DESTROY<\/td>\nTEMPS D’AVANCE<\/td>\n<\/tr>\n
8.<\/td>\nJANSKI BEEEATS<\/td>\nBALLON (DEMO POUR RADIO BETON)<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
9.<\/td>\nDIDIER SUPER & SA DISCOMOBILE<\/td>\nLA MERDE DES AUTRES<\/td>\nLABEL MAISON<\/td>\n<\/tr>\n
10.<\/td>\nVIC CHESNUTT<\/td>\nAT THE CUT<\/td>\nCONSTELLATION<\/td>\n<\/tr>\n
11.<\/td>\nUNCOMMONMENFROMMARS<\/td>\nFUNCTIONAL DYSFUNCTIONALITY<\/td>\nUFO PROD<\/td>\n<\/tr>\n
12.<\/td>\nKIDS’O’FREAKS<\/td>\nCOMPIL<\/td>\nHOMEMADE BETON<\/td>\n<\/tr>\n
13.<\/td>\nZENZILE<\/td>\nPAWN SHOP<\/td>\nDISCOGRAPH<\/td>\n<\/tr>\n
14.<\/td>\nBEAT ASSAILLANT<\/td>\nRHYME SPACE CONTINUM<\/td>\nDISCOGRAPH<\/td>\n<\/tr>\n
15.<\/td>\nSAX RUINS<\/td>\nYAWIQUO<\/td>\nIPECAC<\/td>\n<\/tr>\n
16.<\/td>\nCYMBALS EAT GUITAR<\/td>\nWHY THEY ARE MOUNTAINS<\/td>\nMEMPHIS INDUSTRIES<\/td>\n<\/tr>\n
17.<\/td>\nRAINBOW ARABIA<\/td>\nKABUKIMONO<\/td>\nMANIMAL VINYL RECORDS<\/td>\n<\/tr>\n
18.<\/td>\nPASCAL COMELADE<\/td>\nFREAK SERENADE EP<\/td>\nBECAUSE<\/td>\n<\/tr>\n
19.<\/td>\nDANKO JONES<\/td>\nB-SIDES<\/td>\nBAD TASTE<\/td>\n<\/tr>\n
20.<\/td>\nMAYER HAWTHORNE<\/td>\nA STRANGE ARRANGEMENT<\/td>\nSTONES THROW<\/td>\n<\/tr>\n
21.<\/td>\nGOSSIP<\/td>\nMUSIC FOR MEN<\/td>\nCOLUMBIA<\/td>\n<\/tr>\n
22.<\/td>\nTOM MORELLO & BOOTS RILEY<\/td>\nSWEET SWEEPER SOCIAL CLUB<\/td>\nCOOKING VYNIL<\/td>\n<\/tr>\n
23.<\/td>\nJAVA<\/td>\nMAUDITS FRANCAIS<\/td>\n2TEMPS 3MOUVEMENTS<\/td>\n<\/tr>\n
24.<\/td>\n(THE) GRIT<\/td>\nSTRAIGHT OUT THE ALLEY<\/td>\nPEOPLE LIKE YOU<\/td>\n<\/tr>\n
25.<\/td>\nISIS<\/td>\nWAVERING RADIANT<\/td>\nCONSPIRACY<\/td>\n<\/tr>\n
26.<\/td>\nACCUSED, THE<\/td>\nTHE CURSE OF MARTHA SPLATTERHEAD<\/td>\nSOUTHERN LORD<\/td>\n<\/tr>\n
27.<\/td>\nCOMPIL<\/td>\nISLAND 59 99<\/td>\nISLAND<\/td>\n<\/tr>\n
28.<\/td>\nTHURSDAY \/ ENVY<\/td>\nSPLIT<\/td>\nSONZAI<\/td>\n<\/tr>\n
29.<\/td>\nNOMENKLATUR<\/td>\nGIFTS OF AGES<\/td>\nMODULE<\/td>\n<\/tr>\n
30.<\/td>\nJACK OF HEART<\/td>\nST<\/td>\nBORN BAD RECORDS<\/td>\n<\/tr>\n
31.<\/td>\nALEXIS GIDEON<\/td>\nVIDEO MUSICS<\/td>\nAFRICANTAPE<\/td>\n<\/tr>\n
32.<\/td>\nBENG BENG COCKTAIL<\/td>\nFROM THE SWALLOW TO THE BOTTLE<\/td>\nPUMPKIN RECORDS<\/td>\n<\/tr>\n
33.<\/td>\nEXPLOITED BY DJ SHIR-KHAN<\/td>\nCOMPIL<\/td>\nEXPLOITED RECORDS<\/td>\n<\/tr>\n
34.<\/td>\nGALA DROP<\/td>\nST<\/td>\nGALA DROP RDS<\/td>\n<\/tr>\n
35.<\/td>\nTODDI WELLMAN<\/td>\nTHE VERY BEST OF<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
36.<\/td>\nNOFX<\/td>\nCOASTER<\/td>\nFAT WRECK<\/td>\n<\/tr>\n
37.<\/td>\nTHE MORNING BENDERS<\/td>\nTALKING TIN CANS<\/td>\n+1 RECORDS<\/td>\n<\/tr>\n
38.<\/td>\nSEVERIN<\/td>\nCHEESCAKE<\/td>\nCINQ7<\/td>\n<\/tr>\n
39.<\/td>\nCREEPSHOW (THE)<\/td>\nSELL YOUR SOUL<\/td>\nI USED TO FUCK PEOPLE LIKE YOU IN PRISON<\/td>\n<\/tr>\n
40.<\/td>\nSONIC YOUTH<\/td>\nTHE ETERNAL<\/td>\nMATADOR<\/td>\n<\/tr>\n
41.<\/td>\nTHE HEAVY<\/td>\nTHE HOUSE THAT DIRT BUILT<\/td>\nCOUNTER RECORDS<\/td>\n<\/tr>\n
42.<\/td>\nJEFFREY LEWIS & THE JUNKYARD<\/td>\n‘EM ARE I<\/td>\nROUGH TRADE<\/td>\n<\/tr>\n
43.<\/td>\nLE DISCO<\/td>\nTELE MUSIC REMIXED<\/td>\nDJHISTORY<\/td>\n<\/tr>\n
44.<\/td>\nEELS<\/td>\nHOMBRE LOBO<\/td>\nVAGRANT \/ COOP<\/td>\n<\/tr>\n
45.<\/td>\nHORRORS THE<\/td>\nPRIMARY COLOURS<\/td>\nXL<\/td>\n<\/tr>\n
46.<\/td>\nBADDIES<\/td>\nDO THE JOB<\/td>\nMEDICAL<\/td>\n<\/tr>\n
47.<\/td>\nBLACK PRESIDENT<\/td>\nS\/T<\/td>\nI USED TO FUCK PEOPLE<\/td>\n<\/tr>\n
48.<\/td>\nTINARIWEN<\/td>\nIMIDIWAN : COMPANIONS<\/td>\nUNIVERSAL<\/td>\n<\/tr>\n
49.<\/td>\nMED KILLAH<\/td>\nALKEBULAN<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
50.<\/td>\nBANNER PILOT<\/td>\nCOLLAPSER<\/td>\nFAT WRECK<\/td>\n<\/tr>\n
51.<\/td>\nSTAFF BENDA BILLI<\/td>\nTRES TRES FORT<\/td>\nCRAMMED DISCS<\/td>\n<\/tr>\n
52.<\/td>\nDUTCHESS AND THE DUKE, THE<\/td>\nSHE’S THE DUTCHESS, HE’S THE DUKE<\/td>\nHARDLY ART<\/td>\n<\/tr>\n
53.<\/td>\nBRIAN HARNETTY & BONNIE PRINCE BILLY<\/td>\nSILENT CITY<\/td>\nRUMINANCE<\/td>\n<\/tr>\n
54.<\/td>\nGO ! TEAM<\/td>\nPROOF OF YOUTH<\/td>\nMEMPHIS INDUSTRIES<\/td>\n<\/tr>\n
55.<\/td>\nSIC ALPS<\/td>\nU.S. EZ<\/td>\nSILTBREEZE<\/td>\n<\/tr>\n
56.<\/td>\nJEFFREY LEWIS<\/td>\n12 CRASS SONGS<\/td>\nROUGH TRADE<\/td>\n<\/tr>\n
57.<\/td>\nCURE (THE)<\/td>\nGREATEST HITS<\/td>\nFICTION<\/td>\n<\/tr>\n
58.<\/td>\nDOMINIQUE A<\/td>\nSUR NOS FORCES MOTRICES<\/td>\nWAGRAM<\/td>\n<\/tr>\n
59.<\/td>\nEFTERKLANG<\/td>\nPARADES<\/td>\nLEAF<\/td>\n<\/tr>\n
60.<\/td>\nDUB TRIO<\/td>\nANOTHER SOUND IS DYING<\/td>\nIPECAC<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

PLAY LISTE SINGLES<\/h2>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
1.<\/td>\nKISS KISS<\/td>\nMY BABY DON’T CARE EP<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
2.<\/td>\nGHISLAIN POIRIER<\/td>\nRUN THE RIDDIM<\/td>\nNINJA TUNE<\/td>\n<\/tr>\n
3.<\/td>\nMC JEAN GAB’1 & TONY ALLEN<\/td>\nBLACK<\/td>\nCRAMMED<\/td>\n<\/tr>\n
4.<\/td>\nFRISKIES<\/td>\nDEMO 2009<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
5.<\/td>\nNOBODY BEAT THE DRUM<\/td>\nPURPLE CACTUS<\/td>\nWE DO MUSIC<\/td>\n<\/tr>\n
6.<\/td>\nMC CIRCULAIRE<\/td>\nS\/T<\/td>\n<\/td>\n<\/tr>\n
7.<\/td>\nDJ FOOD<\/td>\nWEIRD,,,<\/td>\nNINJA TUNE<\/td>\n<\/tr>\n
8.<\/td>\nANTIPOP CONSORTIUM<\/td>\nVOLCANO<\/td>\nBIG DADA<\/td>\n<\/tr>\n
9.<\/td>\nCHAIRLIFT<\/td>\nBRUISES<\/td>\nCOLUMBIA<\/td>\n<\/tr>\n
10.<\/td>\nBLACK’S CADILLAC (THE)<\/td>\nS\/T<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
11.<\/td>\nBOOGERS<\/td>\nAS DIRTY…EP<\/td>\nWARNER<\/td>\n<\/tr>\n
12.<\/td>\nGHISLAIN POIRIER<\/td>\nSOCA SOUND SYSTEM<\/td>\nNINJA TUNE<\/td>\n<\/tr>\n
13.<\/td>\nVERBAL RAZORS<\/td>\nSETTLING THE SCORE<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
14.<\/td>\nJACUZZI BOYS<\/td>\nI FOUGHT A CROCODILE EP<\/td>\nROB’ HOUSE RECORDS<\/td>\n<\/tr>\n
15.<\/td>\nJUICE ALEEM<\/td>\nFIRST LESSON<\/td>\nBIG DADA<\/td>\n<\/tr>\n
16.<\/td>\nTOYBLOID<\/td>\nYOU WILL SCREAM FOR MORE<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
17.<\/td>\nKUTUFOLK<\/td>\nCOMPILATION<\/td>\nKUTUFOLK<\/td>\n<\/tr>\n
18.<\/td>\nSPEECH DEBELLE<\/td>\nSPINNIN’ EP<\/td>\nBIG DADA<\/td>\n<\/tr>\n
19.<\/td>\nTHEE OH SEES<\/td>\nTIDAL WAVE EP<\/td>\nWOODSIT RECORDS<\/td>\n<\/tr>\n
20.<\/td>\nFOALS<\/td>\nCASSIUS<\/td>\nWEA<\/td>\n<\/tr>\n
21.<\/td>\nLA POMPE MODERNE<\/td>\nPLUS DUR, MEILLEUR, PLUS RAPIDE, PLUS FORT<\/td>\nUN DISQUE BIEN<\/td>\n<\/tr>\n
22.<\/td>\nNOVAK<\/td>\nDEMO<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
23.<\/td>\nTHE FRATELLIS<\/td>\nCHELSEA DAGGER<\/td>\nFALLOUT<\/td>\n<\/tr>\n
24.<\/td>\nFREESTYLERS<\/td>\nGET A LIFE<\/td>\nPIAS<\/td>\n<\/tr>\n
25.<\/td>\nBERURIER NOIR<\/td>\nMEME PAS MORT<\/td>\nFZM<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

[sommaire] PLAY LISTE L.P. 1. JOAKIM MILKY WAYS VERSATILE 2. DAILY MIND DISTORSION TOTALLY INFESTED POSITIVELY NEGATIVE \/ MIDDLE CLASS ZOMBIE ATTACK 3. ETIENNE JAUMET NIGHT MUSIC VERSATILE 4. TUMBELE ! SOUNDS FROM THE FRENCH CARIBBEAN (1963-74) SOUND WAY 5. BIKINI MACHINE THE FULL ALBUM PLATINUM 6. LUCIANO TRIBUTE TO THE SUN CADENZA 7. IN … Continuer la lecture de « F\u00e9raliste du 15 septembre au 1er octobre 2009 »<\/span><\/a><\/p>\n","protected":false},"author":4,"featured_media":26101,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[197],"tags":[],"class_list":["post-26102","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-classements"],"_links":{"self":[{"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/posts\/26102","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/comments?post=26102"}],"version-history":[{"count":0,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/posts\/26102\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/media\/26101"}],"wp:attachment":[{"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/media?parent=26102"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/categories?post=26102"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/tags?post=26102"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}