{"id":26187,"date":"2009-10-16T11:13:23","date_gmt":"2009-10-16T09:13:23","guid":{"rendered":"http:\/\/www.radiobeton.com\/wordpress\/?p=26187"},"modified":"2009-10-16T11:13:23","modified_gmt":"2009-10-16T09:13:23","slug":"feraliste-du-1er-octobre-au-15-octobre-2009","status":"publish","type":"post","link":"https:\/\/www.radiobeton.com\/www\/feraliste-du-1er-octobre-au-15-octobre-2009\/","title":{"rendered":"F\u00e9raliste du 1er octobre au 15 octobre 2009"},"content":{"rendered":"

[sommaire]<\/p>\n

PLAY LISTE L.P.<\/h2>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
1.<\/td>\nTUMBELE !<\/td>\nSOUNDS FROM THE FRENCH CARIBBEAN (1963-74)<\/td>\nSOUND WAY<\/td>\n<\/tr>\n
2.<\/td>\nTURZI<\/td>\nB<\/td>\nRECORD MAKERS<\/td>\n<\/tr>\n
3.<\/td>\nKID CUDI<\/td>\nMAN ON THE MOON-THE END OF DAY<\/td>\nGOOD\/UNIVERSALMOTOWN<\/td>\n<\/tr>\n
4.<\/td>\nJAY-Z<\/td>\nTHE BLUEPRINT 3<\/td>\nROCACTION\/ATLANTIC<\/td>\n<\/tr>\n
5.<\/td>\nJOAKIM<\/td>\nMILKY WAYS<\/td>\nVERSATILE<\/td>\n<\/tr>\n
6.<\/td>\nTHE VERY BEST<\/td>\nWARM HEART OF AFRICA<\/td>\nROUGH TRADE<\/td>\n<\/tr>\n
7.<\/td>\nTINARIWEN<\/td>\nIMIDIWAN : COMPANIONS<\/td>\nUNIVERSAL<\/td>\n<\/tr>\n
8.<\/td>\nJACK OF HEART<\/td>\nST<\/td>\nBORN BAD RECORDS<\/td>\n<\/tr>\n
9.<\/td>\nIN THE CLUB<\/td>\nSEDUCE’N’DESTROY<\/td>\nTEMPS D’AVANCE<\/td>\n<\/tr>\n
10.<\/td>\nKING CANNIBAL<\/td>\nLET THE NIGHT ROAR<\/td>\nBIG DADA<\/td>\n<\/tr>\n
11.<\/td>\nBADDIES<\/td>\nDO THE JOB<\/td>\nMEDICAL<\/td>\n<\/tr>\n
12.<\/td>\nVIC CHESNUTT<\/td>\nAT THE CUT<\/td>\nCONSTELLATION<\/td>\n<\/tr>\n
13.<\/td>\nLUCIANO<\/td>\nTRIBUTE TO THE SUN<\/td>\nCADENZA<\/td>\n<\/tr>\n
14.<\/td>\nJAMIE T<\/td>\nKINGS & QUEENS<\/td>\nPACEMAKER<\/td>\n<\/tr>\n
15.<\/td>\nABRAHAM INC<\/td>\nTWEET TWEET<\/td>\nLABEL BLEU<\/td>\n<\/tr>\n
16.<\/td>\nTHE LOVE ME NOTS<\/td>\nUPSIDE DOWN INSIDE OUT<\/td>\nBAD REPUTATION<\/td>\n<\/tr>\n
17.<\/td>\nUNCOMMONMENFROMMARS<\/td>\nFUNCTIONAL DYSFUNCTIONALITY<\/td>\nUFO PROD<\/td>\n<\/tr>\n
18.<\/td>\nFUMUJ<\/td>\nTHE ROBOT AND THE CHINESE SHRIMP<\/td>\nJARRING EFFECTS<\/td>\n<\/tr>\n
19.<\/td>\nTOM MORELLO & BOOTS RILEY<\/td>\nSWEET SWEEPER SOCIAL CLUB<\/td>\nCOOKING VYNIL<\/td>\n<\/tr>\n
20.<\/td>\nETIENNE JAUMET<\/td>\nNIGHT MUSIC<\/td>\nVERSATILE<\/td>\n<\/tr>\n
21.<\/td>\nBANNER PILOT<\/td>\nCOLLAPSER<\/td>\nFAT WRECK<\/td>\n<\/tr>\n
22.<\/td>\nKIDS’O’FREAKS<\/td>\nCOMPIL<\/td>\nHOMEMADE BETON<\/td>\n<\/tr>\n
23.<\/td>\nDAILY MIND DISTORSION<\/td>\nTOTALLY INFESTED<\/td>\nPOSITIVELY NEGATIVE \/ MIDDLE CLASS ZOMBIE ATTACK<\/td>\n<\/tr>\n
24.<\/td>\nGUS GUS<\/td>\n24\/7<\/td>\nKOMPAKT<\/td>\n<\/tr>\n
25.<\/td>\nBEAT ASSAILLANT<\/td>\nRHYME SPACE CONTINUM<\/td>\nDISCOGRAPH<\/td>\n<\/tr>\n
26.<\/td>\nBIKINI MACHINE<\/td>\nTHE FULL ALBUM<\/td>\nPLATINUM<\/td>\n<\/tr>\n
27.<\/td>\nMANU CHAO<\/td>\nRADIO BEMBA LIVE<\/td>\nBECAUSE<\/td>\n<\/tr>\n
28.<\/td>\nSONIC YOUTH<\/td>\nTHE ETERNAL<\/td>\nMATADOR<\/td>\n<\/tr>\n
29.<\/td>\nJANCEE PORNIK CASINO (THE)<\/td>\nTHE TRUTH ABOUT…<\/td>\nGAGARIN BEAT<\/td>\n<\/tr>\n
30.<\/td>\nDIDIER SUPER & SA DISCOMOBILE<\/td>\nLA MERDE DES AUTRES<\/td>\nLABEL MAISON<\/td>\n<\/tr>\n
31.<\/td>\nMAYER HAWTHORNE<\/td>\nA STRANGE ARRANGEMENT<\/td>\nSTONES THROW<\/td>\n<\/tr>\n
32.<\/td>\nANTIPOP CONSORTIUM<\/td>\nFLUORESCENT BLACK<\/td>\nBIG DADA<\/td>\n<\/tr>\n
33.<\/td>\nRAINBOW ARABIA<\/td>\nKABUKIMONO<\/td>\nMANIMAL VINYL RECORDS<\/td>\n<\/tr>\n
34.<\/td>\nTHE DODOZ<\/td>\nTHE DODOZ<\/td>\nMURRAYFIELD MUSIC<\/td>\n<\/tr>\n
35.<\/td>\nDO MAKE SAY THING<\/td>\nOTHER TRUTHS<\/td>\nCONSTELLATION<\/td>\n<\/tr>\n
36.<\/td>\nJUICE ALEEM<\/td>\nJERUSALAAM COME<\/td>\nBIG DADA<\/td>\n<\/tr>\n
37.<\/td>\nDANKO JONES<\/td>\nB-SIDES<\/td>\nBAD TASTE<\/td>\n<\/tr>\n
38.<\/td>\nMAGNETO<\/td>\n8 SONGS<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
39.<\/td>\nSAX RUINS<\/td>\nYAWIQUO<\/td>\nIPECAC<\/td>\n<\/tr>\n
40.<\/td>\nLUSINE<\/td>\nA CERTAIN DISTANCE<\/td>\nGHOSTLY INTERNATIONAL<\/td>\n<\/tr>\n
41.<\/td>\nMARVIN<\/td>\nS\/T<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
42.<\/td>\nELFIN SADDLE<\/td>\nRINGING FOR THE BEGIN AGAIN<\/td>\nSOUTHERN<\/td>\n<\/tr>\n
43.<\/td>\nNLF 3<\/td>\nRIDE ON A BRAND NEW TIME<\/td>\nPROHIBITED RECORDS<\/td>\n<\/tr>\n
44.<\/td>\nMASSIVE ATTACK<\/td>\n100TH WINDOW<\/td>\nDELABEL<\/td>\n<\/tr>\n
45.<\/td>\nJANSKI BEEEATS<\/td>\nBALLON (DEMO POUR RADIO BETON)<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
46.<\/td>\nALEXIS GIDEON<\/td>\nVIDEO MUSICS<\/td>\nAFRICANTAPE<\/td>\n<\/tr>\n
47.<\/td>\nKICKBACK<\/td>\nNO SURRENDER<\/td>\nGSR<\/td>\n<\/tr>\n
48.<\/td>\nFORDAMAGE<\/td>\nBELGIAN TANGO<\/td>\nKYTHIBONG<\/td>\n<\/tr>\n
49.<\/td>\nREDBONG<\/td>\nDIVIS\u00c3\u2030ES (POUR MIEUX REGNER)<\/td>\nDISCOGRAPH<\/td>\n<\/tr>\n
50.<\/td>\nTODDI WELLMAN<\/td>\nTHE VERY BEST OF<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
51.<\/td>\nNOFX<\/td>\nCOASTER<\/td>\nFAT WRECK<\/td>\n<\/tr>\n
52.<\/td>\nLA TERRE TREMBLE<\/td>\nTRAVAIL<\/td>\nEFFERVESCENCE<\/td>\n<\/tr>\n
53.<\/td>\nCARTEL CARNAGE<\/td>\nSTRAIGHT NO CHASER<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
54.<\/td>\nPORTISHEAD<\/td>\nTHIRD<\/td>\nGO! DISC<\/td>\n<\/tr>\n
55.<\/td>\nACHOO!<\/td>\nCOMPILATION<\/td>\nDIFFER ANT<\/td>\n<\/tr>\n
56.<\/td>\nDANGER HOUSE<\/td>\nTHE GREY ALBUM<\/td>\nWHITE LABEL<\/td>\n<\/tr>\n
57.<\/td>\nFUNKY NASSAU<\/td>\nTHE COMPASS POINT STORY 1980-1986<\/td>\nSTRUT<\/td>\n<\/tr>\n
58.<\/td>\nJACK DE MARSEILLE<\/td>\nINNER VISIONS<\/td>\nWICKED\/MODULE<\/td>\n<\/tr>\n
59.<\/td>\nREZA<\/td>\nMOONLESS<\/td>\nFRENCH TOAST LABEL<\/td>\n<\/tr>\n
60.<\/td>\nZAZA FOURNIER<\/td>\nZAZA<\/td>\nWARNER<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

PLAY LISTE SINGLES<\/h2>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
1.<\/td>\nKISS KISS<\/td>\nMY BABY DON’T CARE EP<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
2.<\/td>\nPNEU \/ REVOK<\/td>\nSPLIT 7″<\/td>\nMUSIC FEAR SATAN<\/td>\n<\/tr>\n
3.<\/td>\nFUMUJ<\/td>\nTHE ROBOT AND THE CHINESE SHRI<\/td>\nJARRING EFFECT<\/td>\n<\/tr>\n
4.<\/td>\nMETRONOMY<\/td>\nNOT MADE FOR LOVE EP<\/td>\nBECAUSE DIGITAL<\/td>\n<\/tr>\n
5.<\/td>\nNO SHANGA & DURE MERE<\/td>\nRENDRE LA REALITE INACEPTABLE<\/td>\nTARNIA SOLIUM<\/td>\n<\/tr>\n
6.<\/td>\nDANTON EEPROM<\/td>\nGIVE ME PAIN EP<\/td>\nINFIN\u00c3\u2030<\/td>\n<\/tr>\n
7.<\/td>\nPOPOPOS (THE)<\/td>\nFRESH POP<\/td>\nI.L.C.M \/ RUE BLEUE<\/td>\n<\/tr>\n
8.<\/td>\nDIVINE PAISTE<\/td>\nDEMO 2008<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
9.<\/td>\nGHISLAIN POIRIER<\/td>\nRUN THE RIDDIM<\/td>\nNINJA TUNE<\/td>\n<\/tr>\n
10.<\/td>\nDIRTY PROJECTORS<\/td>\nCANNIBAL RESSOURCE EP<\/td>\nDOMINO<\/td>\n<\/tr>\n
11.<\/td>\nRYTMETIX<\/td>\nFEAT MISCALLANEOUS<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
12.<\/td>\nDJ ZEBRA<\/td>\nZEBRA HOGG & HORNS<\/td>\nZEBRAMIX<\/td>\n<\/tr>\n
13.<\/td>\nVERBAL RAZORS<\/td>\nSETTLING THE SCORE<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
14.<\/td>\nTY SEGALL<\/td>\nCENTS EP<\/td>\nGONER RECORDS<\/td>\n<\/tr>\n
15.<\/td>\nMC JEAN GAB’1 & TONY ALLEN<\/td>\nBLACK<\/td>\nCRAMMED<\/td>\n<\/tr>\n
16.<\/td>\nGHISLAIN POIRIER<\/td>\nSOCA SOUND SYSTEM<\/td>\nNINJA TUNE<\/td>\n<\/tr>\n
17.<\/td>\nDA BRASILIANS<\/td>\nST<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
18.<\/td>\nFRISKIES<\/td>\nDEMO 2009<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
19.<\/td>\nKUTUFOLK<\/td>\nCOMPILATION<\/td>\nKUTUFOLK<\/td>\n<\/tr>\n
20.<\/td>\nSPEECH DEBELLE<\/td>\nSPINNIN’ EP<\/td>\nBIG DADA<\/td>\n<\/tr>\n
21.<\/td>\nDFI \/ UNLOGISTIC<\/td>\nSPLIT 7″<\/td>\nEMERGENCE<\/td>\n<\/tr>\n
22.<\/td>\nHOLE<\/td>\nMISS WORLD<\/td>\n<\/td>\n<\/tr>\n
23.<\/td>\nSUGAR RAY<\/td>\nIRON MIC<\/td>\nWARNER<\/td>\n<\/tr>\n
24.<\/td>\nMERINGUE ALCOHOL AND US<\/td>\nBLACK AND WHITE EP<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
25.<\/td>\nNOVAK<\/td>\nDEMO<\/td>\nAUTOPROD<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

[sommaire] PLAY LISTE L.P. 1. TUMBELE ! SOUNDS FROM THE FRENCH CARIBBEAN (1963-74) SOUND WAY 2. TURZI B RECORD MAKERS 3. KID CUDI MAN ON THE MOON-THE END OF DAY GOOD\/UNIVERSALMOTOWN 4. JAY-Z THE BLUEPRINT 3 ROCACTION\/ATLANTIC 5. JOAKIM MILKY WAYS VERSATILE 6. THE VERY BEST WARM HEART OF AFRICA ROUGH TRADE 7. TINARIWEN IMIDIWAN … Continuer la lecture de « F\u00e9raliste du 1er octobre au 15 octobre 2009 »<\/span><\/a><\/p>\n","protected":false},"author":4,"featured_media":26186,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[197],"tags":[],"class_list":["post-26187","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-classements"],"_links":{"self":[{"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/posts\/26187","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/comments?post=26187"}],"version-history":[{"count":0,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/posts\/26187\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/media\/26186"}],"wp:attachment":[{"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/media?parent=26187"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/categories?post=26187"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/tags?post=26187"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}