{"id":26486,"date":"2009-12-31T11:34:36","date_gmt":"2009-12-31T10:34:36","guid":{"rendered":"http:\/\/www.radiobeton.com\/wordpress\/?p=26486"},"modified":"2009-12-31T11:34:36","modified_gmt":"2009-12-31T10:34:36","slug":"feraliste-du-15-decembre-au-31-decembre-2009","status":"publish","type":"post","link":"https:\/\/www.radiobeton.com\/www\/feraliste-du-15-decembre-au-31-decembre-2009\/","title":{"rendered":"F\u00e9raliste du 15 d\u00e9cembre au 31 d\u00e9cembre 2009"},"content":{"rendered":"
\n

PLAY LISTE L.P.<\/h2>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
1.<\/td>\nDIZZEE RASCAL<\/td>\nTONGUE’N’CHEEK<\/td>\nDIRTEE STANK\/UMC<\/td>\n<\/tr>\n
2.<\/td>\nROCK ROCK ROCK<\/td>\nCOMPILATION<\/td>\nBORN BAD RECORDS<\/td>\n<\/tr>\n
3.<\/td>\nKOUDLAM<\/td>\nGOODBYE<\/td>\nPAN EUROPEAN RECORDS\/MODULE<\/td>\n<\/tr>\n
4.<\/td>\nBLACK JOE LEWIS & THE HONEYBEARS<\/td>\nTELL’EM WHAT YOUR NAME IS!<\/td>\nUMG<\/td>\n<\/tr>\n
5.<\/td>\nTUNE YARDS<\/td>\nBIRD-BRAINS<\/td>\n4AD<\/td>\n<\/tr>\n
6.<\/td>\nKILL FOR TOTAL PEACE<\/td>\nKILL FOR<\/td>\nPAN EUROPEAN<\/td>\n<\/tr>\n
7.<\/td>\nFUTURE OF THE LEFT<\/td>\nTRAVELS WITH MYSELF AND ANOTHER<\/td>\n4AD<\/td>\n<\/tr>\n
8.<\/td>\nBURNING HEADS<\/td>\nSPREAD THE FIRE<\/td>\nOPPOSITE PROD<\/td>\n<\/tr>\n
9.<\/td>\nJANSKI BEEEATS<\/td>\nBACK TO THE SUBURS<\/td>\nGLUMPK 02<\/td>\n<\/tr>\n
10.<\/td>\nMONDRIANS (THE)<\/td>\nS\/T<\/td>\nLE SON DU MAQUIS<\/td>\n<\/tr>\n
11.<\/td>\nJOE GODDARD<\/td>\nHARVEST FESTIVAL<\/td>\nGRECO-ROMAN<\/td>\n<\/tr>\n
12.<\/td>\nBRIGITTE FONTAINE<\/td>\nLIBIDO<\/td>\nPOLYDOR<\/td>\n<\/tr>\n
13.<\/td>\nJUJU CLAUDIUS<\/td>\nTHE CHATHAM SINGERS<\/td>\nDAMAGED GOODS<\/td>\n<\/tr>\n
14.<\/td>\nKURT VILE<\/td>\nCHIL’D ISH PRODIGY<\/td>\nMATADOR<\/td>\n<\/tr>\n
15.<\/td>\nWANKIN’ NOODLES (THE)<\/td>\nVIRGINS AT THEIR FEET<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
16.<\/td>\nMATIAS AGUAYO<\/td>\nAY AY AY<\/td>\nKOMPAKT<\/td>\n<\/tr>\n
17.<\/td>\nDANTON EEPROM<\/td>\nYES IS MORE<\/td>\nINFIN\u00c3\u2030<\/td>\n<\/tr>\n
18.<\/td>\nLES AMI-E-S DE MON CUL<\/td>\nCOMPIL A 2 BALLES<\/td>\nET MON CUL C’EST DU TOFU?<\/td>\n<\/tr>\n
19.<\/td>\nTHEM CROOKED VULTURES<\/td>\nS\/T<\/td>\nSONY<\/td>\n<\/tr>\n
20.<\/td>\nTRUSME<\/td>\nIN THE RED<\/td>\nFAT CITY<\/td>\n<\/tr>\n
21.<\/td>\nHINT VS EZ3KIEL<\/td>\nCOLLISION TOUR 2009<\/td>\nJARRING EFFECT<\/td>\n<\/tr>\n
22.<\/td>\nJACK OF HEART<\/td>\nST<\/td>\nBORN BAD RECORDS<\/td>\n<\/tr>\n
23.<\/td>\nLULLABYE ARKESTRA<\/td>\nAMPGRAVE<\/td>\nCONSTELLATION<\/td>\n<\/tr>\n
24.<\/td>\n49 SWIMMING POOLS<\/td>\nTRIUMPHS AND DISASTERS, REWARDS AND FAIRYTALES<\/td>\nELAP<\/td>\n<\/tr>\n
25.<\/td>\nTHE SLEW<\/td>\n100%<\/td>\nPUGET SOUND RECORDINGS<\/td>\n<\/tr>\n
26.<\/td>\nFANGA<\/td>\nSIRA BA<\/td>\nAFROKALYPTIK \/ NUEVA ONDA<\/td>\n<\/tr>\n
27.<\/td>\nAUFGANG<\/td>\nAUFGANG<\/td>\nINFIN\u00c3\u2030<\/td>\n<\/tr>\n
28.<\/td>\nNINE ELEVEN<\/td>\nCITY OF QUARTZ<\/td>\nGUERILLA ASSO \/ DON’T TRUST THE YPE<\/td>\n<\/tr>\n
29.<\/td>\nMADNESS<\/td>\nTOTAL MADNESS<\/td>\nUNION SQUARE<\/td>\n<\/tr>\n
30.<\/td>\nPP ARNOLD<\/td>\nTHE FIRST CUT<\/td>\nIMMEDIATE<\/td>\n<\/tr>\n
31.<\/td>\nV\/A<\/td>\n5 YEARS OF HYPERDUB<\/td>\nHYPERDUB<\/td>\n<\/tr>\n
32.<\/td>\nV\/A<\/td>\nGHANA SPECIAL AFRO-SOUNDS 1968-81<\/td>\nSOUNDWAY<\/td>\n<\/tr>\n
33.<\/td>\nELISA DO BRASIL<\/td>\nFIRST STROKE<\/td>\nX RAY<\/td>\n<\/tr>\n
34.<\/td>\nFABRICLIVE49<\/td>\nBURAKA SOM SISTEMA<\/td>\nFABRIC RECORDS<\/td>\n<\/tr>\n
35.<\/td>\nMICROFILM<\/td>\nTHE BAY OF THE FUTURE PASSED<\/td>\nHEAD RECORDS<\/td>\n<\/tr>\n
36.<\/td>\nHIP HOP AND JAZZ<\/td>\nTHE MIXTAPE VOL.2<\/td>\nSAVANT SAVAGE<\/td>\n<\/tr>\n
37.<\/td>\nJULIAN CASABLANCAS<\/td>\nPHRAZES FOR THE YOUNG<\/td>\nCOLUMBIA<\/td>\n<\/tr>\n
38.<\/td>\nTHE SPITS<\/td>\nIV<\/td>\nRECESS RDS<\/td>\n<\/tr>\n
39.<\/td>\nFRAMIX<\/td>\nHAPPY ANIMALS<\/td>\nFRAKAMIX PROD<\/td>\n<\/tr>\n
40.<\/td>\nFRENCH COWBOY<\/td>\nISN’T MY BEDROOM EP<\/td>\nHAVALINA\/DIFFER-ANT<\/td>\n<\/tr>\n
41.<\/td>\nSWEETHEAD<\/td>\nS\/T<\/td>\nSTRANGE ADDICTION<\/td>\n<\/tr>\n
42.<\/td>\nNASSER #1<\/td>\nS\/T<\/td>\nLEONIZER<\/td>\n<\/tr>\n
43.<\/td>\nCOOPER<\/td>\nRIGHT NOW<\/td>\nKICKING<\/td>\n<\/tr>\n
44.<\/td>\nKING AUTOMATIC<\/td>\nIN THE BLUE CORNER<\/td>\nVOODOO RHYTHM<\/td>\n<\/tr>\n
45.<\/td>\nTHE UNFINISHED SYMPATHY<\/td>\nAVIDA DOLLARS<\/td>\nSUBTERFUGE<\/td>\n<\/tr>\n
46.<\/td>\nDEAD TO ME<\/td>\nAFRICAN ELEPHANTS<\/td>\nFAT WRECK CHORDS<\/td>\n<\/tr>\n
47.<\/td>\nV\/A<\/td>\nSTRANGE BREAKS & MR THING VOL2<\/td>\nBBE MUSIC<\/td>\n<\/tr>\n
48.<\/td>\nCLAUDE VONSTROKE<\/td>\nBIRD BRAIN<\/td>\nDIRTYBIRD<\/td>\n<\/tr>\n
49.<\/td>\nX-MAKEENA<\/td>\nDERRIERE L’\u00c5\u2019IL<\/td>\nFOUTADAWA<\/td>\n<\/tr>\n
50.<\/td>\nSONIC CHICKEN 4<\/td>\nPROMO TOUR 2009<\/td>\nIN THE RED<\/td>\n<\/tr>\n
51.<\/td>\nMED KILLAH<\/td>\nALKEBULAN<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
52.<\/td>\nBOYS NOIZE<\/td>\nPOWER<\/td>\nTURBO RECORDINGS<\/td>\n<\/tr>\n
53.<\/td>\nTAMBOUR BATTANT<\/td>\nCHIP JOCKEY<\/td>\nEXPRESSILLON<\/td>\n<\/tr>\n
54.<\/td>\nDISCOVERY<\/td>\nLP<\/td>\n4AD<\/td>\n<\/tr>\n
55.<\/td>\nJOSH<\/td>\nPOSITION NUMBER NINE<\/td>\nSWARM \/ MY MIB<\/td>\n<\/tr>\n
56.<\/td>\nGROUNDATION<\/td>\nHERE I AM<\/td>\nNAIVE<\/td>\n<\/tr>\n
57.<\/td>\nHELLBATS<\/td>\nS\/T<\/td>\nKICKING RECORDS<\/td>\n<\/tr>\n
58.<\/td>\nHELL’S KITCHEN<\/td>\nMR FRESH<\/td>\nABSINTHE MUSIC<\/td>\n<\/tr>\n
59.<\/td>\nCERYS MATTHEWS<\/td>\nDON’T LOOK DOWN<\/td>\nRAINBOW CITY RECORDS<\/td>\n<\/tr>\n
60.<\/td>\nDUTCHESS AND THE DUKE, THE<\/td>\nSUNSET \/ SUNRISE<\/td>\nHARDLY ART<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

PLAY LISTE SINGLES<\/h2>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
1.<\/td>\nFOREIGN BEGGARS & NOISA<\/td>\nCONTACT<\/td>\nDENTED RECORDS<\/td>\n<\/tr>\n
2.<\/td>\nLADYBIRD LALABAND<\/td>\nFIRST TIME<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
3.<\/td>\nACID WASHED<\/td>\nGENERAL MOTORS, DETROIT,AMERICA -SNAKE<\/td>\nRECORD MAKERS<\/td>\n<\/tr>\n
4.<\/td>\nTHE DICTAPHONE<\/td>\nEP<\/td>\nSWEET ROT RECORDS<\/td>\n<\/tr>\n
5.<\/td>\nBOOGERS<\/td>\nAS DIRTY…EP<\/td>\nWARNER<\/td>\n<\/tr>\n
6.<\/td>\nVERBAL RAZORS<\/td>\nSETTLING THE SCORE<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
7.<\/td>\nI AM UN CHIEN!!<\/td>\nST<\/td>\nIT’S RECORDS<\/td>\n<\/tr>\n
8.<\/td>\nCASEY<\/td>\nLIBEREZ LA BETE (PROMO SAMPLER)<\/td>\nANFALSH<\/td>\n<\/tr>\n
9.<\/td>\nCHAPELIER FOU<\/td>\nEP2<\/td>\nICI D’AILLEURS<\/td>\n<\/tr>\n
10.<\/td>\nKISS KISS<\/td>\nMY BABY DON’T CARE EP<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
11.<\/td>\nTOXIC BEE BUZZ<\/td>\nODD MEN OUT<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
12.<\/td>\nNESTOR IS BIANCA<\/td>\nTHE AISLE<\/td>\nMONTAUK<\/td>\n<\/tr>\n
13.<\/td>\nGARI<\/td>\nTOKYO SOLDIER EP<\/td>\nSOUNDLICIOUS<\/td>\n<\/tr>\n
14.<\/td>\nNOFX<\/td>\nCOKIE THE CLOWN<\/td>\nFAT WRECK<\/td>\n<\/tr>\n
15.<\/td>\nNOONE<\/td>\nMAYBE THE LAST<\/td>\nBEE RECORDS<\/td>\n<\/tr>\n
16.<\/td>\nJAGA JAZZIST<\/td>\nONE ARMED BANDITS<\/td>\nNINJA TUNE<\/td>\n<\/tr>\n
17.<\/td>\nDAAN BLAKE<\/td>\nSIX EXPERIENCES<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
18.<\/td>\nYIM YAMES<\/td>\nTRIBUTE TO<\/td>\nROUGH TRADE<\/td>\n<\/tr>\n
19.<\/td>\nBRIGITTE FONTAINE<\/td>\nPROHIBITION<\/td>\nPOLYDOR<\/td>\n<\/tr>\n
20.<\/td>\nTHE BRIAN JONESTOWN MASSACRE<\/td>\nONE EP<\/td>\nA RECORDS<\/td>\n<\/tr>\n
21.<\/td>\nSTEEL IN MIND<\/td>\nDEMO<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
22.<\/td>\nTHE WOMBATS<\/td>\nIS THIS CHRISTMAS ?<\/td>\n14TH FLOOR RECORD<\/td>\n<\/tr>\n
23.<\/td>\nTHEE OH SEES<\/td>\nTIDAL WAVE EP<\/td>\nWOODSIT RECORDS<\/td>\n<\/tr>\n
24.<\/td>\nMR OIZO<\/td>\nPOURRITURE<\/td>\nED BANGER RECORDS<\/td>\n<\/tr>\n
25.<\/td>\nORANGE BOREALE<\/td>\nDEMO<\/td>\nAUTOPROD<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

PLAY LISTE L.P. 1. DIZZEE RASCAL TONGUE’N’CHEEK DIRTEE STANK\/UMC 2. ROCK ROCK ROCK COMPILATION BORN BAD RECORDS 3. KOUDLAM GOODBYE PAN EUROPEAN RECORDS\/MODULE 4. BLACK JOE LEWIS & THE HONEYBEARS TELL’EM WHAT YOUR NAME IS! UMG 5. TUNE YARDS BIRD-BRAINS 4AD 6. KILL FOR TOTAL PEACE KILL FOR PAN EUROPEAN 7. FUTURE OF THE LEFT … Continuer la lecture de « F\u00e9raliste du 15 d\u00e9cembre au 31 d\u00e9cembre 2009 »<\/span><\/a><\/p>\n","protected":false},"author":4,"featured_media":26485,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[197],"tags":[],"class_list":["post-26486","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-classements"],"_links":{"self":[{"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/posts\/26486","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/comments?post=26486"}],"version-history":[{"count":0,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/posts\/26486\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/media\/26485"}],"wp:attachment":[{"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/media?parent=26486"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/categories?post=26486"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/tags?post=26486"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}