{"id":26832,"date":"2010-02-16T10:48:26","date_gmt":"2010-02-16T09:48:26","guid":{"rendered":"http:\/\/www.radiobeton.com\/wordpress\/?p=26832"},"modified":"2010-02-16T10:48:26","modified_gmt":"2010-02-16T09:48:26","slug":"feraliste-du-1er-au-15-fevrier-2010","status":"publish","type":"post","link":"https:\/\/www.radiobeton.com\/www\/feraliste-du-1er-au-15-fevrier-2010\/","title":{"rendered":"F\u00e9raliste du 1er au 15 F\u00e9vrier 2010"},"content":{"rendered":"<br \/>\n<h2>PLAY LISTE L.P.<\/h2>\n<table>\n<tbody>\n<tr class='row_even'>\n<td style='text-align: right'>1.<\/td>\n<td>FOUR TET<\/td>\n<td>THERE IS LOVE IN YOU<\/td>\n<td>DOMINO<\/td>\n<\/tr>\n<tr class='row_odd'>\n<td style='text-align: right'>2.<\/td>\n<td>DEATH<\/td>\n<td>FOR THE WHOLE WORLD TO SEE<\/td>\n<td>DRAG CITY<\/td>\n<\/tr>\n<tr class='row_even'>\n<td style='text-align: right'>3.<\/td>\n<td>VAMPIRE WEEKEND<\/td>\n<td>CONTRA<\/td>\n<td>XL RECORDINGS<\/td>\n<\/tr>\n<tr class='row_odd'>\n<td style='text-align: right'>4.<\/td>\n<td>HEADCHARGER<\/td>\n<td>THE END STARTS HERE<\/td>\n<td>XIII BIS RECORDS<\/td>\n<\/tr>\n<tr class='row_even'>\n<td style='text-align: right'>5.<\/td>\n<td>SOULJAZZ ORCHESTRA, THE<\/td>\n<td>RISING SUN<\/td>\n<td>STRUT<\/td>\n<\/tr>\n<tr class='row_odd'>\n<td style='text-align: right'>6.<\/td>\n<td>THEE MYSTERIOUS ASTHMATIC AVENGER<\/td>\n<td>FROM TEXAS TO TYROL<\/td>\n<td>EUTHANASIE RDS<\/td>\n<\/tr>\n<tr class='row_even'>\n<td style='text-align: right'>7.<\/td>\n<td>GOUTTE AU NEZ (LA)<\/td>\n<td>LES PAVES GRONDENT (DIRECTORS CUT)<\/td>\n<td>AUTOPROD<\/td>\n<\/tr>\n<tr class='row_odd'>\n<td style='text-align: right'>8.<\/td>\n<td>MOONJELLIES (THE)<\/td>\n<td>INNER, ANGER, FEATHER<\/td>\n<td>UN JE NE SAIS QUOI<\/td>\n<\/tr>\n<tr class='row_even'>\n<td style='text-align: right'>9.<\/td>\n<td>SUGAR PLUM FAIRY PR<\/td>\n<td>SHADES OF GREY<\/td>\n<td>MONTAUK<\/td>\n<\/tr>\n<tr class='row_odd'>\n<td style='text-align: right'>10.<\/td>\n<td>G\u00c3\u201aTECHIEN<\/td>\n<td>4<\/td>\n<td>PYROMANE<\/td>\n<\/tr>\n<tr class='row_even'>\n<td style='text-align: right'>11.<\/td>\n<td>TOKYO SEX DESTRUCTION<\/td>\n<td>THE NEIGHBOURHOOD<\/td>\n<td>PYROMANE<\/td>\n<\/tr>\n<tr class='row_odd'>\n<td style='text-align: right'>12.<\/td>\n<td>CLIPSE<\/td>\n<td>TIL THE CASKET DROPS<\/td>\n<td>SONYMUSIC<\/td>\n<\/tr>\n<tr class='row_even'>\n<td style='text-align: right'>13.<\/td>\n<td>CLUES<\/td>\n<td>S\/T<\/td>\n<td>CONSTELLATION<\/td>\n<\/tr>\n<tr class='row_odd'>\n<td style='text-align: right'>14.<\/td>\n<td>MEMORY TAPES<\/td>\n<td>SEEK TAPES<\/td>\n<td>SOMETHING IN CONSTRUCTION<\/td>\n<\/tr>\n<tr class='row_even'>\n<td style='text-align: right'>15.<\/td>\n<td>BLACK BOX REVELATION<\/td>\n<td>SILVER THREATS<\/td>\n<td>T FOR TUNES \/ PIAS<\/td>\n<\/tr>\n<tr class='row_odd'>\n<td style='text-align: right'>16.<\/td>\n<td>MUS.BUS<\/td>\n<td>CUZ.WI.MUS.BUS<\/td>\n<td>AUTOPROD<\/td>\n<\/tr>\n<tr class='row_even'>\n<td style='text-align: right'>17.<\/td>\n<td>BINAIRY AUDIO MISFITS<\/td>\n<td>B.A.M! LP<\/td>\n<td>PLATINUM<\/td>\n<\/tr>\n<tr class='row_odd'>\n<td style='text-align: right'>18.<\/td>\n<td>KASPER BJORKE<\/td>\n<td>STANDING ON TOP OF UTOPIA<\/td>\n<td>HFN MUSIC<\/td>\n<\/tr>\n<tr class='row_even'>\n<td style='text-align: right'>19.<\/td>\n<td>SOLANGE LA FRANGE<\/td>\n<td>REYKJAVIK<\/td>\n<td>POOR RECORDS<\/td>\n<\/tr>\n<tr class='row_odd'>\n<td style='text-align: right'>20.<\/td>\n<td>SO SO MODERN<\/td>\n<td>CRUDE FUTURES<\/td>\n<td>TRANSGRESSIVE<\/td>\n<\/tr>\n<tr class='row_even'>\n<td style='text-align: right'>21.<\/td>\n<td>GUSH<\/td>\n<td>EVERYBODY&rsquo;S GOD<\/td>\n<td>CINQ7<\/td>\n<\/tr>\n<tr class='row_odd'>\n<td style='text-align: right'>22.<\/td>\n<td>GAS DRUMMERS<\/td>\n<td>DECALOGY<\/td>\n<td>KICKING RECORDS<\/td>\n<\/tr>\n<tr class='row_even'>\n<td style='text-align: right'>23.<\/td>\n<td>V\/A<\/td>\n<td>KIDS&rsquo;O&rsquo;FREAKS 2K10+2<\/td>\n<td>HOMEMADE BETON<\/td>\n<\/tr>\n<tr class='row_odd'>\n<td style='text-align: right'>24.<\/td>\n<td>TOMMY T<\/td>\n<td>THE PRESTER JOHN SESSIONS<\/td>\n<td>BIO RYTHMIC<\/td>\n<\/tr>\n<tr class='row_even'>\n<td style='text-align: right'>25.<\/td>\n<td>NAVEL<\/td>\n<td>FROZEN SOULS<\/td>\n<td>LOUISVILLE<\/td>\n<\/tr>\n<tr class='row_odd'>\n<td style='text-align: right'>26.<\/td>\n<td>MINIMAL WAVE TAPES VOL1<\/td>\n<td>COMPIL<\/td>\n<td>STONE THROW \/ MINIMAL WAVE<\/td>\n<\/tr>\n<tr class='row_even'>\n<td style='text-align: right'>27.<\/td>\n<td>TURZI<\/td>\n<td>B<\/td>\n<td>RECORD MAKERS<\/td>\n<\/tr>\n<tr class='row_odd'>\n<td style='text-align: right'>28.<\/td>\n<td>ELISA DO BRASIL<\/td>\n<td>FIRST STROKE<\/td>\n<td>X RAY<\/td>\n<\/tr>\n<tr class='row_even'>\n<td style='text-align: right'>29.<\/td>\n<td>EXTRA LIFE<\/td>\n<td>MADE FLESH<\/td>\n<td>LOAF\/AFRICANTAPE<\/td>\n<\/tr>\n<tr class='row_odd'>\n<td style='text-align: right'>30.<\/td>\n<td>COLORBLIND<\/td>\n<td>ANYWHERE OUT OF THE WORLD<\/td>\n<td>LES EDITIONS DE LA GRANDE BERTHE<\/td>\n<\/tr>\n<tr class='row_even'>\n<td style='text-align: right'>31.<\/td>\n<td>STEPHAN EICHER<\/td>\n<td>SPIELT NOISE BOYS<\/td>\n<td>BORN BAD RECORDS<\/td>\n<\/tr>\n<tr class='row_odd'>\n<td style='text-align: right'>32.<\/td>\n<td>THEM CROOKED VULTURES<\/td>\n<td>S\/T<\/td>\n<td>SONY<\/td>\n<\/tr>\n<tr class='row_even'>\n<td style='text-align: right'>33.<\/td>\n<td>DUTCHESS AND THE DUKE, THE<\/td>\n<td>SUNSET \/ SUNRISE<\/td>\n<td>HARDLY ART<\/td>\n<\/tr>\n<tr class='row_odd'>\n<td style='text-align: right'>34.<\/td>\n<td>ETHIOPIQUES 25<\/td>\n<td>1971>1975 MODERN ROOTS<\/td>\n<td>BUDA MUSIQUE<\/td>\n<\/tr>\n<tr class='row_even'>\n<td style='text-align: right'>35.<\/td>\n<td>LALI PUNA<\/td>\n<td>OUR INVENTIONS<\/td>\n<td>MORR MUSIC<\/td>\n<\/tr>\n<tr class='row_odd'>\n<td style='text-align: right'>36.<\/td>\n<td>WHODUNIT<\/td>\n<td>THE THOUSAND WOMEN&rsquo;S REVENGE<\/td>\n<td>AUTOPROD<\/td>\n<\/tr>\n<tr class='row_even'>\n<td style='text-align: right'>37.<\/td>\n<td>ETHIOPIQUES 24<\/td>\n<td>L&rsquo;AGE D&rsquo;OR DE LA MUSIQUE ETHIOPIENNE MODERNE 69-75<\/td>\n<td>BUDA MUSIQUE<\/td>\n<\/tr>\n<tr class='row_odd'>\n<td style='text-align: right'>38.<\/td>\n<td>JANSKI BEEEATS<\/td>\n<td>BACK TO THE SUBURS<\/td>\n<td>GLUMPK 02<\/td>\n<\/tr>\n<tr class='row_even'>\n<td style='text-align: right'>39.<\/td>\n<td>H BURNS<\/td>\n<td>WE GO WAY BACK<\/td>\n<td>P BOX \/ DISCOGRAPH<\/td>\n<\/tr>\n<tr class='row_odd'>\n<td style='text-align: right'>40.<\/td>\n<td>RAVI &#8211; GRAVITY SLAVES<\/td>\n<td>RIDE THE GRAVY TRAIN \/SPLIT<\/td>\n<td>OPPOSITE PROD \/ PP&#038;M<\/td>\n<\/tr>\n<tr class='row_even'>\n<td style='text-align: right'>41.<\/td>\n<td>WATERGATE 05: ELLEN ALLIEN<\/td>\n<td>COMPIL<\/td>\n<td>WATERGATE<\/td>\n<\/tr>\n<tr class='row_odd'>\n<td style='text-align: right'>42.<\/td>\n<td>YEASAYER<\/td>\n<td>ODD BLOOD<\/td>\n<td>MUTE<\/td>\n<\/tr>\n<tr class='row_even'>\n<td style='text-align: right'>43.<\/td>\n<td>BADLOVERS &#038; HYSTERIA IB\u00c3\u2030RIA<\/td>\n<td>SADIK MARKET<\/td>\n<td>GABY ORAIN<\/td>\n<\/tr>\n<tr class='row_odd'>\n<td style='text-align: right'>44.<\/td>\n<td>FRENCH COWBOY<\/td>\n<td>ISN&rsquo;T MY BEDROOM EP<\/td>\n<td>HAVALINA\/DIFFER-ANT<\/td>\n<\/tr>\n<tr class='row_even'>\n<td style='text-align: right'>45.<\/td>\n<td>STETSON !<\/td>\n<td>QUESTIONS &#038; SLEEPLESS NIGHTS<\/td>\n<td>PYROMANE<\/td>\n<\/tr>\n<tr class='row_odd'>\n<td style='text-align: right'>46.<\/td>\n<td>V\/A<\/td>\n<td>GHANA SPECIAL AFRO-SOUNDS 1968-81<\/td>\n<td>SOUNDWAY<\/td>\n<\/tr>\n<tr class='row_even'>\n<td style='text-align: right'>47.<\/td>\n<td>JULIAN CASABLANCAS<\/td>\n<td>PHRAZES FOR THE YOUNG<\/td>\n<td>COLUMBIA<\/td>\n<\/tr>\n<tr class='row_odd'>\n<td style='text-align: right'>48.<\/td>\n<td>MARVIN<\/td>\n<td>S\/T<\/td>\n<td>AUTOPROD<\/td>\n<\/tr>\n<tr class='row_even'>\n<td style='text-align: right'>49.<\/td>\n<td>LILEA NARRATIVE<\/td>\n<td>ECHANTILLODROME<\/td>\n<td>BAX RECORDS<\/td>\n<\/tr>\n<tr class='row_odd'>\n<td style='text-align: right'>50.<\/td>\n<td>DIZZEE RASCAL<\/td>\n<td>TONGUE&rsquo;N&rsquo;CHEEK<\/td>\n<td>DIRTEE STANK\/UMC<\/td>\n<\/tr>\n<tr class='row_even'>\n<td style='text-align: right'>51.<\/td>\n<td>MICROFILM<\/td>\n<td>THE BAY OF THE FUTURE PASSED<\/td>\n<td>HEAD RECORDS<\/td>\n<\/tr>\n<tr class='row_odd'>\n<td style='text-align: right'>52.<\/td>\n<td>FANGA<\/td>\n<td>SIRA BA<\/td>\n<td>AFROKALYPTIK \/ NUEVA ONDA<\/td>\n<\/tr>\n<tr class='row_even'>\n<td style='text-align: right'>53.<\/td>\n<td>KURT VILE<\/td>\n<td>CHIL&rsquo;D ISH PRODIGY<\/td>\n<td>MATADOR<\/td>\n<\/tr>\n<tr class='row_odd'>\n<td style='text-align: right'>54.<\/td>\n<td>TWISTED CABARET<\/td>\n<td>COMPILATION VOL 1<\/td>\n<td>VOLVOX<\/td>\n<\/tr>\n<tr class='row_even'>\n<td style='text-align: right'>55.<\/td>\n<td>THE PAINS OF BEING PURE AT HEART<\/td>\n<td>S\/T<\/td>\n<td>FORTUNA POP<\/td>\n<\/tr>\n<tr class='row_odd'>\n<td style='text-align: right'>56.<\/td>\n<td>VOLCANO CHOIR<\/td>\n<td>UNMAP<\/td>\n<td>JAGJAGUWAR<\/td>\n<\/tr>\n<tr class='row_even'>\n<td style='text-align: right'>57.<\/td>\n<td>JAY ELECTRONICA<\/td>\n<td>VICTORY MIXTAPE<\/td>\n<td>FREE DOWNLOAD<\/td>\n<\/tr>\n<tr class='row_odd'>\n<td style='text-align: right'>58.<\/td>\n<td>TELESCOPES (THE)<\/td>\n<td>UNTITLED SECOND<\/td>\n<td>BOMP<\/td>\n<\/tr>\n<tr class='row_even'>\n<td style='text-align: right'>59.<\/td>\n<td>BURNING HEADS<\/td>\n<td>SPREAD THE FIRE<\/td>\n<td>OPPOSITE PROD<\/td>\n<\/tr>\n<tr class='row_odd'>\n<td style='text-align: right'>60.<\/td>\n<td>NURU KANE<\/td>\n<td>NUMBERS ONE BUS<\/td>\n<td>OIRIS MUSIC<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h2>PLAY LISTE SINGLES<\/h2>\n<table>\n<tbody>\n<tr class='row_even'>\n<td style='text-align: right'>1.<\/td>\n<td>BREAKBOT<\/td>\n<td>BABY I&rsquo;M YOURS EP<\/td>\n<td>ED BANGER<\/td>\n<\/tr>\n<tr class='row_odd'>\n<td style='text-align: right'>2.<\/td>\n<td>MINUSCULE HEY<\/td>\n<td>WE FEEL MINUSCULE<\/td>\n<td>ALIENOR<\/td>\n<\/tr>\n<tr class='row_even'>\n<td style='text-align: right'>3.<\/td>\n<td>LAURENCE WASSER<\/td>\n<td>HOOCHIE COOKIE BUNNY<\/td>\n<td>AUTOPROD<\/td>\n<\/tr>\n<tr class='row_odd'>\n<td style='text-align: right'>4.<\/td>\n<td>DJ HELL<\/td>\n<td>U CAN DANCE<\/td>\n<td>GIGOLO RECORDS<\/td>\n<\/tr>\n<tr class='row_even'>\n<td style='text-align: right'>5.<\/td>\n<td>UFFIE<\/td>\n<td>MC&rsquo;S CAN KISS<\/td>\n<td>ED BANGER RECORDS<\/td>\n<\/tr>\n<tr class='row_odd'>\n<td style='text-align: right'>6.<\/td>\n<td>I AM UN CHIEN!!<\/td>\n<td>ST<\/td>\n<td>IT&rsquo;S RECORDS<\/td>\n<\/tr>\n<tr class='row_even'>\n<td style='text-align: right'>7.<\/td>\n<td>BOT.OX<\/td>\n<td>BLUE STEEL EP<\/td>\n<td>I&rsquo;M A CLICH\u00c3\u2030<\/td>\n<\/tr>\n<tr class='row_odd'>\n<td style='text-align: right'>8.<\/td>\n<td>DINE ET DEON<\/td>\n<td>AH&#8230;C&rsquo;QU&rsquo;ON EST CONS !<\/td>\n<td>ABSILONE<\/td>\n<\/tr>\n<tr class='row_even'>\n<td style='text-align: right'>9.<\/td>\n<td>COMING SOON<\/td>\n<td>SCHOOL TRIP BUS CRASH<\/td>\n<td>KIDDERMINSTER<\/td>\n<\/tr>\n<tr class='row_odd'>\n<td style='text-align: right'>10.<\/td>\n<td>FOREIGN BEGGARS &#038; NOISA<\/td>\n<td>CONTACT<\/td>\n<td>DENTED RECORDS<\/td>\n<\/tr>\n<tr class='row_even'>\n<td style='text-align: right'>11.<\/td>\n<td>FINKIELKRAUTS (THE)<\/td>\n<td>S\/T<\/td>\n<td>AUTOPROD<\/td>\n<\/tr>\n<tr class='row_odd'>\n<td style='text-align: right'>12.<\/td>\n<td>FOUR TET<\/td>\n<td>RINGER<\/td>\n<td>DOMINO<\/td>\n<\/tr>\n<tr class='row_even'>\n<td style='text-align: right'>13.<\/td>\n<td>THE DICTAPHONE<\/td>\n<td>EP<\/td>\n<td>SWEET ROT RECORDS<\/td>\n<\/tr>\n<tr class='row_odd'>\n<td style='text-align: right'>14.<\/td>\n<td>JAGA JAZZIST<\/td>\n<td>ONE ARMED BANDITS<\/td>\n<td>NINJA TUNE<\/td>\n<\/tr>\n<tr class='row_even'>\n<td style='text-align: right'>15.<\/td>\n<td>FRUSTRATION<\/td>\n<td>FRUSTRATION EP<\/td>\n<td>BORN BAD<\/td>\n<\/tr>\n<tr class='row_odd'>\n<td style='text-align: right'>16.<\/td>\n<td>SONIC YOUTH<\/td>\n<td>100<\/td>\n<td>BMG<\/td>\n<\/tr>\n<tr class='row_even'>\n<td style='text-align: right'>17.<\/td>\n<td>DFI \/ UNLOGISTIC<\/td>\n<td>SPLIT 7&Prime;<\/td>\n<td>EMERGENCE<\/td>\n<\/tr>\n<tr class='row_odd'>\n<td style='text-align: right'>18.<\/td>\n<td>AMP FIDDLER<\/td>\n<td>SLY &#038; ROBBIE<\/td>\n<td>K7<\/td>\n<\/tr>\n<tr class='row_even'>\n<td style='text-align: right'>19.<\/td>\n<td>DROPKICK MURPHYS<\/td>\n<td>TOMORROW INDUSTRY<\/td>\n<td>COOKING VINYL<\/td>\n<\/tr>\n<tr class='row_odd'>\n<td style='text-align: right'>20.<\/td>\n<td>ARCHERS OF LOAF<\/td>\n<td>VS THE GREATEST OF ALL TIME<\/td>\n<td>ALIAS<\/td>\n<\/tr>\n<tr class='row_even'>\n<td style='text-align: right'>21.<\/td>\n<td>BRAIN DAMAGE<\/td>\n<td>SPOKEN DUB MANIFESTO<\/td>\n<td>OH LORD PROD<\/td>\n<\/tr>\n<tr class='row_odd'>\n<td style='text-align: right'>22.<\/td>\n<td>DAILY MIND DISTORSION<\/td>\n<td>LESS SCHOOL MORE SKATE<\/td>\n<td>AUTOPROD<\/td>\n<\/tr>\n<tr class='row_even'>\n<td style='text-align: right'>23.<\/td>\n<td>MILLIONAIRE<\/td>\n<td>I&rsquo;M ON A HIGH<\/td>\n<td>PIAS<\/td>\n<\/tr>\n<tr class='row_odd'>\n<td style='text-align: right'>24.<\/td>\n<td>ISAN<\/td>\n<td>TROIS GYMNOPEDIES<\/td>\n<td>A NUMBER OF GOOD THINGS<\/td>\n<\/tr>\n<tr class='row_even'>\n<td style='text-align: right'>25.<\/td>\n<td>NMB<\/td>\n<td>TRY BEFORE BUY<\/td>\n<td>NMB 05<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>PLAY LISTE L.P. 1. FOUR TET THERE IS LOVE IN YOU DOMINO 2. DEATH FOR THE WHOLE WORLD TO SEE DRAG CITY 3. VAMPIRE WEEKEND CONTRA XL RECORDINGS 4. HEADCHARGER THE END STARTS HERE XIII BIS RECORDS 5. SOULJAZZ ORCHESTRA, THE RISING SUN STRUT 6. THEE MYSTERIOUS ASTHMATIC AVENGER FROM TEXAS TO TYROL EUTHANASIE RDS &hellip; <a href=\"https:\/\/www.radiobeton.com\/www\/feraliste-du-1er-au-15-fevrier-2010\/\" class=\"more-link\">Continuer la lecture<span class=\"screen-reader-text\"> de &laquo;&nbsp;F\u00e9raliste du 1er au 15 F\u00e9vrier 2010&nbsp;&raquo;<\/span><\/a><\/p>\n","protected":false},"author":4,"featured_media":26831,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[197],"tags":[],"class_list":["post-26832","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-classements"],"_links":{"self":[{"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/posts\/26832","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/comments?post=26832"}],"version-history":[{"count":0,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/posts\/26832\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/media\/26831"}],"wp:attachment":[{"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/media?parent=26832"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/categories?post=26832"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/tags?post=26832"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}