{"id":27086,"date":"2010-04-01T11:53:54","date_gmt":"2010-04-01T09:53:54","guid":{"rendered":"http:\/\/www.radiobeton.com\/wordpress\/?p=27086"},"modified":"2010-04-01T11:53:54","modified_gmt":"2010-04-01T09:53:54","slug":"feraliste-du-15-mars-au-1er-avril-2010","status":"publish","type":"post","link":"https:\/\/www.radiobeton.com\/www\/feraliste-du-15-mars-au-1er-avril-2010\/","title":{"rendered":"f\u00e9raliste du 15 mars au 1er avril 2010"},"content":{"rendered":"
\n

PLAY LISTE L.P.<\/h2>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
1.<\/td>\nCHAPELIER FOU<\/td>\n613<\/td>\nICI D’AILLEURS<\/td>\n<\/tr>\n
2.<\/td>\nBRAIN DAMAGE FEATURING BLACK SIFICHI<\/td>\nBURNING BEFORE SUNSET<\/td>\nJARRING EFFECTS<\/td>\n<\/tr>\n
3.<\/td>\nBOOGERS<\/td>\nAS CLEAN AS POSSIBLE<\/td>\nAT(H)OME<\/td>\n<\/tr>\n
4.<\/td>\nFOOL’S GOLD<\/td>\nST<\/td>\nI AM SOUND RDS<\/td>\n<\/tr>\n
5.<\/td>\nLA MAMAN ET LA PUTAIN<\/td>\nST<\/td>\nLAFOLIE<\/td>\n<\/tr>\n
6.<\/td>\nWHY ?<\/td>\nALOPECIA<\/td>\nTOMLAB<\/td>\n<\/tr>\n
7.<\/td>\nSCRATCH BANDITS CREW<\/td>\nEN PETITES COUPURES…<\/td>\nYUMA PRODUCTION\n<\/td>\n8.<\/td>\nHEY HEY MY MY<\/td>\nA SUDDEN CHANGE OF MOOD<\/td>\nSOBER AND GENTLE\/DISCOGRAPH<\/td>\n<\/tr>\n
9.<\/td>\nTY<\/td>\nSPECIAL KIND OF FOOL<\/td>\nBBE<\/td>\n<\/tr>\n
10.<\/td>\nANORAK<\/td>\nMY OWN HAZE<\/td>\nMANITOU<\/td>\n<\/tr>\n
11.<\/td>\nBROKEN BELLS<\/td>\nST<\/td>\nSONY<\/td>\n<\/tr>\n
12.<\/td>\nFOUR TET<\/td>\nTHERE IS LOVE IN YOU<\/td>\nDOMINO<\/td>\n<\/tr>\n
13.<\/td>\nMAJOR LAZER<\/td>\nGUNS DON’T KILL PEOPLE, LAZERS DO<\/td>\nDOWNTOWN\/MAD DECENT<\/td>\n<\/tr>\n
14.<\/td>\nHINT VS EZ3KIEL<\/td>\nCOLLISION TOUR 2009<\/td>\nJARRING EFFECT<\/td>\n<\/tr>\n
15.<\/td>\nCASEY<\/td>\nTRAGEDIE D’UNE TRAJECTOIRE<\/td>\nDOEEN DAMAGE<\/td>\n<\/tr>\n
16.<\/td>\nJAQUEE<\/td>\nLAND OF THE FREE<\/td>\nROOTDOWN \/ MAKAFRESH<\/td>\n<\/tr>\n
17.<\/td>\nTHE MARXMALLOWS<\/td>\nWHO CARES ?<\/td>\nGUERILLA ASSO<\/td>\n<\/tr>\n
18.<\/td>\nCOLORBLIND<\/td>\nANYWHERE OUT OF THE WORLD<\/td>\nLES EDITIONS DE LA GRANDE BERTHE<\/td>\n<\/tr>\n
19.<\/td>\n69<\/td>\nNOVO ROCK<\/td>\n69 \/ IDWET<\/td>\n<\/tr>\n
20.<\/td>\nDELINQUENT HABITS<\/td>\nTHE COMMON MAN<\/td>\nDEEPDIVE<\/td>\n<\/tr>\n
21.<\/td>\nGET WELL SOON<\/td>\nVEXATIONS<\/td>\nCITY SLANG<\/td>\n<\/tr>\n
22.<\/td>\nLIMA DJARI<\/td>\nSYNDROME DE STOCKHOLM<\/td>\nZF RECORDS & KOLLECTIFLIMA<\/td>\n<\/tr>\n
23.<\/td>\nSERENA MANEESH<\/td>\nN\u00c2\u00b02:ABYSS IN B MINOR<\/td>\n4AD<\/td>\n<\/tr>\n
24.<\/td>\nMICROFILM<\/td>\nTHE BAY OF THE FUTURE PASSED<\/td>\nHEAD RECORDS<\/td>\n<\/tr>\n
25.<\/td>\nTOKYO SEX DESTRUCTION<\/td>\nTHE NEIGHBOURHOOD<\/td>\nPYROMANE<\/td>\n<\/tr>\n
26.<\/td>\nRAYMONDE HOWARD<\/td>\nFOR ALL THE BRUISES BLACK EYES AND PEAS<\/td>\nWE ARE UNIQUE!<\/td>\n<\/tr>\n
27.<\/td>\nFUCKED UP<\/td>\nCOUPLE TRACKS : SINGLES 2002-2009<\/td>\nBEGGARS<\/td>\n<\/tr>\n
28.<\/td>\nZERO<\/td>\nDIESEL DEAD MACHINE<\/td>\nICI D’AILLEURS<\/td>\n<\/tr>\n
29.<\/td>\nFANTASTIC PLANET<\/td>\nLA FINE EQUIPE & MATTIC<\/td>\nNOWADAYS RECORDS<\/td>\n<\/tr>\n
30.<\/td>\nBLACK BOX REVELATION<\/td>\nSILVER THREATS<\/td>\nT FOR TUNES \/ PIAS<\/td>\n<\/tr>\n
31.<\/td>\nV\/A<\/td>\nKIDS’O’FREAKS 2K10+2<\/td>\nHOMEMADE BETON<\/td>\n<\/tr>\n
32.<\/td>\nFUMUJ<\/td>\nTHE ROBOT AND THE CHINESE SHRIMP<\/td>\nJARRING EFFECTS<\/td>\n<\/tr>\n
33.<\/td>\nMEMORY TAPES<\/td>\nSEEK TAPES<\/td>\nSOMETHING IN CONSTRUCTION<\/td>\n<\/tr>\n
34.<\/td>\nCLARA CLARA<\/td>\n\u00ab\u00a0COMFORTABLE PROBLEMS\u00a0\u00bb<\/td>\nCLAPPING MUSIC<\/td>\n<\/tr>\n
35.<\/td>\nBILLY BULLOCK AND THE BROKEN TEETH<\/td>\nBACK TO BUSINESS<\/td>\nTUBOROCK<\/td>\n<\/tr>\n
36.<\/td>\nLA POMPE MODERNE<\/td>\nGREATEST HITS<\/td>\nUN DISQUE BIEN<\/td>\n<\/tr>\n
37.<\/td>\nETHIOPIQUES 24<\/td>\nL’AGE D’OR DE LA MUSIQUE ETHIOPIENNE MODERNE 69-75<\/td>\nBUDA MUSIQUE<\/td>\n<\/tr>\n
38.<\/td>\nGAS DRUMMERS<\/td>\nDECALOGY<\/td>\nKICKING RECORDS<\/td>\n<\/tr>\n
39.<\/td>\nTHE WHITEFIELD BROTHERS<\/td>\nEARTHOLOGY<\/td>\nNOW AGAIN\/STONES THROW<\/td>\n<\/tr>\n
40.<\/td>\nPNEU<\/td>\nPINCE MONSEIGNEUR<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
41.<\/td>\nCLELIA VEGA<\/td>\nSILENT REVOLUTION<\/td>\nVICIOUS CIRCLE<\/td>\n<\/tr>\n
42.<\/td>\nBASSIR WU<\/td>\nJE PROUVE VOL1<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
43.<\/td>\nJULIEN PRAS<\/td>\nSOUTHERN KIND OF SLANG<\/td>\nVICIOUS CIRCLE<\/td>\n<\/tr>\n
44.<\/td>\nDAEDELUS<\/td>\nRIGHTEOUS FIST OF HARMONY<\/td>\nNINJA TUNE<\/td>\n<\/tr>\n
45.<\/td>\nDEXY CORP<\/td>\nFRAGMENTATION<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
46.<\/td>\nLOCAL NATIVES<\/td>\nGORILLA MANOR<\/td>\nINFECTIOUS MUSIC<\/td>\n<\/tr>\n
47.<\/td>\nIT’S A CRAMMED CRAMMEDWORLD<\/td>\nCOMPILATION<\/td>\nCRAMMED<\/td>\n<\/tr>\n
48.<\/td>\nNOUVEL R<\/td>\nTOUT VA BIEN<\/td>\nL R DE RIEN\/ DISCOGRAPH<\/td>\n<\/tr>\n
49.<\/td>\nTHE STRIGGLES<\/td>\nEXPRESSIONISM<\/td>\nNOISEAPPEAL<\/td>\n<\/tr>\n
50.<\/td>\nTHE STRIGGLES<\/td>\nALOHA<\/td>\nNOISE APPEAL<\/td>\n<\/tr>\n
51.<\/td>\nDIVINE PAISTE<\/td>\nUNICORN<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
52.<\/td>\nFABRIC 51<\/td>\nDJ T<\/td>\nFABRIC<\/td>\n<\/tr>\n
53.<\/td>\nNURU KANE<\/td>\nNUMBERS ONE BUS<\/td>\nOIRIS MUSIC<\/td>\n<\/tr>\n
54.<\/td>\nYUSSUF JERUSALEM<\/td>\nA HEART FULL OF SORROW<\/td>\nBORN BAD<\/td>\n<\/tr>\n
55.<\/td>\nJOHN & JEHN<\/td>\nTIME FOR THE DEVIL<\/td>\nNA\u00c3\u008fVE<\/td>\n<\/tr>\n
56.<\/td>\nDRAFT<\/td>\nHARMONIC DISTORTION<\/td>\nLES DISQUES DU HANGAR 221<\/td>\n<\/tr>\n
57.<\/td>\nMR OIZO<\/td>\nMOUSTACHE<\/td>\nF COMMUNICATIONS<\/td>\n<\/tr>\n
58.<\/td>\nSEX & DOLLARS<\/td>\nS\/T<\/td>\nSEX & DOLLARS \/ UN JE NE SAIS QUOI<\/td>\n<\/tr>\n
59.<\/td>\nREVOLVER<\/td>\nMUSIC FOR A WHILE<\/td>\nDELABEL\/ EMI<\/td>\n<\/tr>\n
60.<\/td>\nFANGA<\/td>\nSIRA BA<\/td>\nAFROKALYPTIK \/ NUEVA ONDA<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

PLAY LISTE SINGLES<\/h2>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
1.<\/td>\nVITALIC<\/td>\nSECOND LIVES<\/td>\nCITIZEN \/ PIAS<\/td>\n<\/tr>\n
2.<\/td>\nCALIN<\/td>\nSUREMENT PAS DE LA HARPE<\/td>\nL’AMICALE UNDERGROUND<\/td>\n<\/tr>\n
3.<\/td>\nBREAKBOT<\/td>\nBABY I’M YOURS EP<\/td>\nED BANGER<\/td>\n<\/tr>\n
4.<\/td>\nFINKIELKRAUTS (THE)<\/td>\nDISTANCE<\/td>\nANOTHER<\/td>\n<\/tr>\n
5.<\/td>\nDAILY MIND DISTORSION \/ TEENAGE WASTELAND<\/td>\nSPLIT 7″<\/td>\nBUILD ME A BOMB<\/td>\n<\/tr>\n
6.<\/td>\nYOLKS (THE)<\/td>\nS\/T<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
7.<\/td>\nSETTLED IN MOTION<\/td>\nHOME MADE<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
8.<\/td>\nBE SOUL<\/td>\nDEMO 2<\/td>\nNO<\/td>\n<\/tr>\n
9.<\/td>\nKAVINSKY<\/td>\nNIGHTCALL EP<\/td>\nRECORD MAKERS<\/td>\n<\/tr>\n
10.<\/td>\nNTH SYNTHESIS<\/td>\nCORRELATION<\/td>\nBEE RECORDS<\/td>\n<\/tr>\n
11.<\/td>\nTHE VINYLS STITCHES<\/td>\nST<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
12.<\/td>\nLARME AMER<\/td>\nENTRE 2 MONDES<\/td>\nMVS RECORDS<\/td>\n<\/tr>\n
13.<\/td>\nI AM UN CHIEN!!<\/td>\nST<\/td>\nIT’S RECORDS<\/td>\n<\/tr>\n
14.<\/td>\nTOMOROW MAXIMUS<\/td>\n#2<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
15.<\/td>\nFUZZY SEVEN<\/td>\nNO SYNTH<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
16.<\/td>\nBAD BILLY<\/td>\nS\/T<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
17.<\/td>\nRYAN BINGHAM<\/td>\nB.O CRAZY HEART<\/td>\nSOCADISC\/ NEW WEST<\/td>\n<\/tr>\n
18.<\/td>\nDISSONANT NATION<\/td>\nS\/T<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
19.<\/td>\nBETWEEN THE ZONES<\/td>\nALMOST<\/td>\nNO<\/td>\n<\/tr>\n
20.<\/td>\nBOT.OX<\/td>\nBLUE STEEL EP<\/td>\nI’M A CLICH\u00c3\u2030<\/td>\n<\/tr>\n
21.<\/td>\nBLACK KEYS (THE)<\/td>\nHAVE LOVE WILL TRAVEL<\/td>\nEPITAPH<\/td>\n<\/tr>\n
22.<\/td>\nFOALS<\/td>\nCASSIUS<\/td>\nWEA<\/td>\n<\/tr>\n
23.<\/td>\nFAT AND THE CRABS<\/td>\nTHIS IS…<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
24.<\/td>\nDFI \/ UNLOGISTIC<\/td>\nSPLIT 7″<\/td>\nEMERGENCE<\/td>\n<\/tr>\n
25.<\/td>\nDINE ET DEON<\/td>\nAH…C’QU’ON EST CONS !<\/td>\nABSILONE<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

PLAY LISTE L.P. 1. CHAPELIER FOU 613 ICI D’AILLEURS 2. BRAIN DAMAGE FEATURING BLACK SIFICHI BURNING BEFORE SUNSET JARRING EFFECTS 3. BOOGERS AS CLEAN AS POSSIBLE AT(H)OME 4. FOOL’S GOLD ST I AM SOUND RDS 5. LA MAMAN ET LA PUTAIN ST LAFOLIE 6. WHY ? ALOPECIA TOMLAB 7. SCRATCH BANDITS CREW EN PETITES COUPURES… … Continuer la lecture de « f\u00e9raliste du 15 mars au 1er avril 2010 »<\/span><\/a><\/p>\n","protected":false},"author":4,"featured_media":27085,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[197],"tags":[],"class_list":["post-27086","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-classements"],"_links":{"self":[{"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/posts\/27086","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/comments?post=27086"}],"version-history":[{"count":0,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/posts\/27086\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/media\/27085"}],"wp:attachment":[{"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/media?parent=27086"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/categories?post=27086"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/tags?post=27086"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}