{"id":28289,"date":"2010-10-18T09:30:36","date_gmt":"2010-10-18T07:30:36","guid":{"rendered":"http:\/\/www.radiobeton.com\/wordpress\/?p=28289"},"modified":"2010-10-18T09:30:36","modified_gmt":"2010-10-18T07:30:36","slug":"feraliste-du-1er-au-15-octobre-2010","status":"publish","type":"post","link":"https:\/\/www.radiobeton.com\/www\/feraliste-du-1er-au-15-octobre-2010\/","title":{"rendered":"F\u00e9raliste du 1er au 15 octobre 2010"},"content":{"rendered":"
\n

PLAY LISTE L.P.<\/h2>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
1.<\/td>\nPHILIPPE KATERINE<\/td>\nST<\/td>\nBARCLAY<\/td>\n<\/tr>\n
2.<\/td>\nALI’N<\/td>\nLE PROLETAIRE<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
3.<\/td>\nNOBUNNY<\/td>\nFIRST BLOOD<\/td>\nGONER RECORDS<\/td>\n<\/tr>\n
4.<\/td>\nPART CHIMP<\/td>\nTHRILLER<\/td>\nROCK ACTION REC<\/td>\n<\/tr>\n
5.<\/td>\nLIMOGES PUNX 2<\/td>\nCOMPILATION<\/td>\nBEAUB FM \/ LIMOGES DIY PUNK \/ UNDERSOUNDS<\/td>\n<\/tr>\n
6.<\/td>\nBOOGERS<\/td>\nAS CLEAN AS POSSIBLE<\/td>\nAT(H)OME<\/td>\n<\/tr>\n
7.<\/td>\nCASEY<\/td>\nLIB\u00c3\u2030REZ LA B\u00caTE<\/td>\nLADILAF\u00c3\u2030 PROD.<\/td>\n<\/tr>\n
8.<\/td>\nSOLANGE LA FRANGE<\/td>\nSOLANGE LA FRANGE<\/td>\nTWO GENTLEMEN<\/td>\n<\/tr>\n
9.<\/td>\nSHAOLIN TEMPLE DEFENDERS<\/td>\nTAKE IT SLOW<\/td>\nMA PROD<\/td>\n<\/tr>\n
10.<\/td>\nBUDOS BAND, THE<\/td>\nIII<\/td>\nDAPTONES RECORDS<\/td>\n<\/tr>\n
11.<\/td>\nATTILI BANDALERO (FEAT. GENERAL RUGGED)<\/td>\nCHECK YOURSELF BEFORE WE WRECK YOURSELF<\/td>\n<\/td>\n<\/tr>\n
12.<\/td>\nCLINTON FEARON<\/td>\nMI DEH YAH<\/td>\nBOOGIE BROWN<\/td>\n<\/tr>\n
13.<\/td>\nJAMAICA<\/td>\nNO PROBLEM<\/td>\nV2<\/td>\n<\/tr>\n
14.<\/td>\nZEBRA (DJ)<\/td>\nFRENCH BASTARD<\/td>\nBOOTSFACTORY<\/td>\n<\/tr>\n
15.<\/td>\nMOUNT KIMBIE<\/td>\nCROOKS AND LOVERS<\/td>\nHOTFLUSH\/ALMOST MUSIQUE<\/td>\n<\/tr>\n
16.<\/td>\nDIRTY GUYS ROCK<\/td>\nCOMPILATION<\/td>\nDIRTY GUYS ROCK<\/td>\n<\/tr>\n
17.<\/td>\nOTIS<\/td>\nSTORM IS COMING<\/td>\nBLACK DEATH<\/td>\n<\/tr>\n
18.<\/td>\nANGEL CITY OUTCASTS<\/td>\nLET IT RIDE<\/td>\nPEOPLE LIKE YOU RECORDS<\/td>\n<\/tr>\n
19.<\/td>\nLAB\u00c2\u00b0<\/td>\nVOLUME<\/td>\nMILLE MILLIARD<\/td>\n<\/tr>\n
20.<\/td>\nMOJO – THE NEW DICTIONARY OF BLUES AND SOUL<\/td>\nCOMPIL<\/td>\nMCPS<\/td>\n<\/tr>\n
21.<\/td>\nCHINESE MAN RECORDS<\/td>\nCHINESE MAN RECORDS 2009<\/td>\nCHINESEMANRECORDS<\/td>\n<\/tr>\n
22.<\/td>\nKALY LIVE DUB<\/td>\nLIGHTNIN’ THE SHADOWS<\/td>\nJARRING EFFECT<\/td>\n<\/tr>\n
23.<\/td>\nUNCOMMON MEN FROM MARS<\/td>\nI HATE MY BAND!<\/td>\nKICKING RECORDS<\/td>\n<\/tr>\n
24.<\/td>\nTHE MAE SHI<\/td>\nHLLLYH<\/td>\nMOSHI MOSHI<\/td>\n<\/tr>\n
25.<\/td>\nNLF3<\/td>\nBEAUTIFUL IS THE WAY TO THE WORLD BEYOND<\/td>\nPROHIBITED<\/td>\n<\/tr>\n
26.<\/td>\nTHE LANSKIES<\/td>\nBANK HOLIDAY<\/td>\nINDELIBLE<\/td>\n<\/tr>\n
27.<\/td>\nHIP HOP & JAZZ<\/td>\nTHE MIXTAPE VOL.3<\/td>\nMOS<\/td>\n<\/tr>\n
28.<\/td>\nDJ RKK<\/td>\nELEKTROPIK #1<\/td>\nNAIVE<\/td>\n<\/tr>\n
29.<\/td>\nSEU JORGE AND ALMAZ<\/td>\nST<\/td>\nNOW-AGAIN<\/td>\n<\/tr>\n
30.<\/td>\nRATATAT<\/td>\nLP4<\/td>\nXL RECORDING<\/td>\n<\/tr>\n
31.<\/td>\nGIGGS<\/td>\nLET EM AVE IT<\/td>\nXL RECORDING<\/td>\n<\/tr>\n
32.<\/td>\nINTELLIGENCE, THE<\/td>\nMALES<\/td>\nIN THE RED RDS<\/td>\n<\/tr>\n
33.<\/td>\nSMILE<\/td>\nLET’S GET TOGETHER<\/td>\nBROTHERSOUL RDS<\/td>\n<\/tr>\n
34.<\/td>\nMIA<\/td>\nMAYA<\/td>\nXL<\/td>\n<\/tr>\n
35.<\/td>\nNECROPSY<\/td>\nKARIOTYPE<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
36.<\/td>\nTOKYO SKA PARADISE ORCHESTRA<\/td>\nPARADISE BLUE<\/td>\nJUSTA RECORDS<\/td>\n<\/tr>\n
37.<\/td>\nNOVELS<\/td>\nSAVIOR<\/td>\nYR LETTER \/ ANTICRAFT<\/td>\n<\/tr>\n
38.<\/td>\nKLAXONS<\/td>\nSURFING THE VOID<\/td>\nBECAUSE MUSIC<\/td>\n<\/tr>\n
39.<\/td>\nMARQUISES (LES)<\/td>\nLOST LOST LOST<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
40.<\/td>\nCHOKEBORE<\/td>\nCOMPIL RARE TRACKS<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
41.<\/td>\nJAMMER JAHMANJI<\/td>\nJAMMER JAHMANJI<\/td>\nBIG DADA<\/td>\n<\/tr>\n
42.<\/td>\nNO\u00c3\u008fD<\/td>\nTHE EVER EXPANDING<\/td>\nTFT LABEL<\/td>\n<\/tr>\n
43.<\/td>\nJAMIE LIDELL<\/td>\nCOMPASS<\/td>\nWARP<\/td>\n<\/tr>\n
44.<\/td>\nROOTS MANUVA MEETS WRONGTOM<\/td>\nDUPPY WRITER<\/td>\nBIG DADA<\/td>\n<\/tr>\n
45.<\/td>\nVENTURA<\/td>\nWE RECRUIT<\/td>\nAFRICANTAPE<\/td>\n<\/tr>\n
46.<\/td>\nMGMT<\/td>\nCONGRATULATIONS<\/td>\nSONY\/COLUMBIA<\/td>\n<\/tr>\n
47.<\/td>\nTIS<\/td>\nLOST IN THE FLAX FLOWERS<\/td>\nCOSMOPOLITE RECORDS<\/td>\n<\/tr>\n
48.<\/td>\nCHAP (THE)<\/td>\nWELL DONE EUROPE<\/td>\nLO RECORDINGS<\/td>\n<\/tr>\n
49.<\/td>\nFUMUJ<\/td>\nDROP A THREE<\/td>\nDIRTY8<\/td>\n<\/tr>\n
50.<\/td>\nREFUSED<\/td>\nSONGS TO FAN THE FLAMES OF …<\/td>\nVICTORY<\/td>\n<\/tr>\n
51.<\/td>\nDA BRASILIANS<\/td>\nS\/T<\/td>\nUNDERDOG<\/td>\n<\/tr>\n
52.<\/td>\nZOEN<\/td>\nS\/T<\/td>\nMILLED PAVEMENT<\/td>\n<\/tr>\n
53.<\/td>\nZEBRA<\/td>\nROCK N’ SOUL RADIO<\/td>\nAUTOPRODUCTION<\/td>\n<\/tr>\n
54.<\/td>\nBEATLES (THE)<\/td>\n1<\/td>\nAPPLE\/EMI<\/td>\n<\/tr>\n
55.<\/td>\nEXPLOITED<\/td>\nTOTALLY EXPLOITED<\/td>\n<\/td>\n<\/tr>\n
56.<\/td>\nPETER PAN SPEEDROCK<\/td>\nWE WANT BLOOD<\/td>\nPEOPLE LIKE YOU<\/td>\n<\/tr>\n
57.<\/td>\nJEFF LANG<\/td>\nCHIMERADOUR<\/td>\nSAKIFO RDS<\/td>\n<\/tr>\n
58.<\/td>\nSEBASTIAN<\/td>\nB.O \u00ab\u00a0NOTRE JOUR VIENDRA\u00a0\u00bb<\/td>\nED BANGER<\/td>\n<\/tr>\n
59.<\/td>\nCREEPSHOW<\/td>\nTHEY ALL FALL DOWN<\/td>\nPEOPLE LIKE YOU<\/td>\n<\/tr>\n
60.<\/td>\nODDATEEE<\/td>\nHALFWAY HOMELESS<\/td>\nJARRING EFFECTS<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

PLAY LISTE SINGLES<\/h2>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
1.<\/td>\nJANSKI BEEEATS<\/td>\nGAME PLANET EP<\/td>\nUN JE NE SAIS QUOI<\/td>\n<\/tr>\n
2.<\/td>\nBAD BILLY<\/td>\n#2<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
3.<\/td>\nLEMONADE<\/td>\nLIFTED EP + REMIX<\/td>\nTRUE PANTHERS<\/td>\n<\/tr>\n
4.<\/td>\nZOMBIE ZOMBIE<\/td>\nPLAYS JOHN CARPENTER<\/td>\nVERSATILE<\/td>\n<\/tr>\n
5.<\/td>\nCASSIUS<\/td>\nTHE RAWKERS EP<\/td>\nED BANGER \/ BECAUSE<\/td>\n<\/tr>\n
6.<\/td>\nLAS VARGAS<\/td>\nS\/T<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
7.<\/td>\nJOHNNY BOY<\/td>\nMODERN IDOL<\/td>\nANYWAVE REC<\/td>\n<\/tr>\n
8.<\/td>\nTHE BEWITCHED HANDS ON THE TOP OF OUR HEADS<\/td>\nHARD TO CRY<\/td>\nSONY<\/td>\n<\/tr>\n
9.<\/td>\nTHE CHAP<\/td>\nEVEN YOUR FRIEND<\/td>\nLORECORDINGS<\/td>\n<\/tr>\n
10.<\/td>\nSPOKES<\/td>\nWE CAN MAKE IT OUT<\/td>\nCOUNTER<\/td>\n<\/tr>\n
11.<\/td>\nMACEO PARKER<\/td>\nWHAT A WONDERFUL WORLD<\/td>\nJMS-CREAMRECORDS<\/td>\n<\/tr>\n
12.<\/td>\nFAT AND THE CRABS<\/td>\nTHIS IS…<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
13.<\/td>\nBILLY DORADOS & THE SUNMAKERS<\/td>\nCALL IT A BASH, CALL IT A BALL, CALL IT A BLAST<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
14.<\/td>\nALOE BLACC<\/td>\nI NEED A DOLLAR<\/td>\nTRUTH & SOUL<\/td>\n<\/tr>\n
15.<\/td>\nGLASSER<\/td>\nAPPLY EP<\/td>\nTRUE PANTHER<\/td>\n<\/tr>\n
16.<\/td>\nTHE BEWITCHED HANDS ON THE TOP OF OUR HEAD<\/td>\nSEA<\/td>\nSONY<\/td>\n<\/tr>\n
17.<\/td>\nSYD MATTERS<\/td>\nHI LIFE<\/td>\nBECAUSE MUSIC<\/td>\n<\/tr>\n
18.<\/td>\nBJORK<\/td>\nALARM CALL<\/td>\nBARCLAY<\/td>\n<\/tr>\n
19.<\/td>\nFUMUJ<\/td>\nTHE ROBOT AND THE CHINESE SHRI<\/td>\nJARRING EFFECT<\/td>\n<\/tr>\n
20.<\/td>\nGO TEAM! (THE)<\/td>\nGRIP LIKE A VICE<\/td>\nV2<\/td>\n<\/tr>\n
21.<\/td>\nLIBERTINES (THE)<\/td>\nCAN’T STAND ME NOW<\/td>\nROUGH TRADE<\/td>\n<\/tr>\n
22.<\/td>\nSIMIAN<\/td>\nNEVER BE ALONE<\/td>\nSOURCE<\/td>\n<\/tr>\n
23.<\/td>\nSTEREO TOTAL<\/td>\n3<\/td>\nBUNGALOW\/LABELS<\/td>\n<\/tr>\n
24.<\/td>\nPROPELLERHEADS<\/td>\nBANG ON<\/td>\nWALL OF SOUND\/PIAS<\/td>\n<\/tr>\n
25.<\/td>\nASSASSIN<\/td>\nSERIEUX DANS NOS AFFAIRES<\/td>\nASSASSIN PROD\/DELABEL<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

PLAY LISTE L.P. 1. PHILIPPE KATERINE ST BARCLAY 2. ALI’N LE PROLETAIRE AUTOPROD 3. NOBUNNY FIRST BLOOD GONER RECORDS 4. PART CHIMP THRILLER ROCK ACTION REC 5. LIMOGES PUNX 2 COMPILATION BEAUB FM \/ LIMOGES DIY PUNK \/ UNDERSOUNDS 6. BOOGERS AS CLEAN AS POSSIBLE AT(H)OME 7. CASEY LIB\u00c3\u2030REZ LA B\u00caTE LADILAF\u00c3\u2030 PROD. 8. SOLANGE … Continuer la lecture de « F\u00e9raliste du 1er au 15 octobre 2010 »<\/span><\/a><\/p>\n","protected":false},"author":4,"featured_media":28288,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[197],"tags":[],"class_list":["post-28289","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-classements"],"_links":{"self":[{"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/posts\/28289","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/comments?post=28289"}],"version-history":[{"count":0,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/posts\/28289\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/media\/28288"}],"wp:attachment":[{"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/media?parent=28289"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/categories?post=28289"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/tags?post=28289"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}