{"id":28352,"date":"2010-11-02T10:01:00","date_gmt":"2010-11-02T09:01:00","guid":{"rendered":"http:\/\/www.radiobeton.com\/wordpress\/?p=28352"},"modified":"2010-11-02T10:01:00","modified_gmt":"2010-11-02T09:01:00","slug":"feraliste-du-15-octobre-au-1er-novembre-2010","status":"publish","type":"post","link":"https:\/\/www.radiobeton.com\/www\/feraliste-du-15-octobre-au-1er-novembre-2010\/","title":{"rendered":"F\u00e9raliste du 15 octobre au 1er novembre 2010"},"content":{"rendered":"
\n

PLAY LISTE L.P.<\/h2>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
1.<\/td>\nFUMUJ<\/td>\nDROP A THREE<\/td>\nDIRTY8<\/td>\n<\/tr>\n
2.<\/td>\nTHE BEWITCHED HANDS<\/td>\nBIRDS AND DRUMS<\/td>\nJIVE<\/td>\n<\/tr>\n
3.<\/td>\nPHILIPPE KATERINE<\/td>\nST<\/td>\nBARCLAY<\/td>\n<\/tr>\n
4.<\/td>\nALI’N<\/td>\nLE PROLETAIRE<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
5.<\/td>\nLIMINANAS, THE<\/td>\nST<\/td>\nTROUBLE IN MIND RDS<\/td>\n<\/tr>\n
6.<\/td>\nNLF3<\/td>\nBEAUTIFUL IS THE WAY TO THE WORLD BEYOND<\/td>\nPROHIBITED<\/td>\n<\/tr>\n
7.<\/td>\nSHAOLIN TEMPLE DEFENDERS<\/td>\nTAKE IT SLOW<\/td>\nMA PROD<\/td>\n<\/tr>\n
8.<\/td>\nLX<\/td>\nHORS DES SENTIERS…<\/td>\nPROPUL’SON<\/td>\n<\/tr>\n
9.<\/td>\nTIKEN JAH FAKOLY<\/td>\nAFRICAN REVOLUTION<\/td>\nBARCLAY<\/td>\n<\/tr>\n
10.<\/td>\nDICTAPHONE, THE<\/td>\nST<\/td>\nKILL SHAMAN RECORDS<\/td>\n<\/tr>\n
11.<\/td>\nDIRTY GUYS ROCK<\/td>\nCOMPILATION<\/td>\nDIRTY GUYS ROCK<\/td>\n<\/tr>\n
12.<\/td>\nMUS\u00c3\u2030E M\u00c3\u2030CANIQUE<\/td>\nHOLD THIS GHOST<\/td>\nSTAGE OF THE HEART<\/td>\n<\/tr>\n
13.<\/td>\nNOBUNNY<\/td>\nFIRST BLOOD<\/td>\nGONER RECORDS<\/td>\n<\/tr>\n
14.<\/td>\nPART CHIMP<\/td>\nTHRILLER<\/td>\nROCK ACTION REC<\/td>\n<\/tr>\n
15.<\/td>\nKARAOCAKE<\/td>\nROWS AND STICHES<\/td>\nCLAPPING MUSIC<\/td>\n<\/tr>\n
16.<\/td>\nTYVEK<\/td>\nST<\/td>\nIN THE RED RDS<\/td>\n<\/tr>\n
17.<\/td>\nLIL WAYNE<\/td>\nI’M NOT A HUMAN BEING<\/td>\nUNIVERSAL<\/td>\n<\/tr>\n
18.<\/td>\nKAP BAMBINO<\/td>\nZERO LIFE NIGHT VISION<\/td>\nWWILKO<\/td>\n<\/tr>\n
19.<\/td>\nNOVELS<\/td>\nSAVIOR<\/td>\nYR LETTER \/ ANTICRAFT<\/td>\n<\/tr>\n
20.<\/td>\nBOT’OK<\/td>\nBABYLON BY CAR<\/td>\nI’M A CLICHE<\/td>\n<\/tr>\n
21.<\/td>\nINTELLIGENCE, THE<\/td>\nMALES<\/td>\nIN THE RED RDS<\/td>\n<\/tr>\n
22.<\/td>\nTHE THIRD EYE FOUNDATION<\/td>\nTHE DARK<\/td>\nICI D’AILLEURS<\/td>\n<\/tr>\n
23.<\/td>\nBUDOS BAND, THE<\/td>\nIII<\/td>\nDAPTONES RECORDS<\/td>\n<\/tr>\n
24.<\/td>\nMOUNT KIMBIE<\/td>\nCROOKS AND LOVERS<\/td>\nHOTFLUSH\/ALMOST MUSIQUE<\/td>\n<\/tr>\n
25.<\/td>\nTHE MAE SHI<\/td>\nHLLLYH<\/td>\nMOSHI MOSHI<\/td>\n<\/tr>\n
26.<\/td>\nLIMOGES PUNX 2<\/td>\nCOMPILATION<\/td>\nBEAUB FM \/ LIMOGES DIY PUNK \/ UNDERSOUNDS<\/td>\n<\/tr>\n
27.<\/td>\nCLINTON FEARON<\/td>\nMI DEH YAH<\/td>\nBOOGIE BROWN<\/td>\n<\/tr>\n
28.<\/td>\n25<\/td>\nDISTORSION OF LIFE<\/td>\nLOFI<\/td>\n<\/tr>\n
29.<\/td>\nSOSO<\/td>\nTINFOIL ON THE WINDOWS<\/td>\nKUTU FOLK RECORDS<\/td>\n<\/tr>\n
30.<\/td>\nLITTLE DRAGON<\/td>\nMACHINE DREAMS<\/td>\nPEACEFROG<\/td>\n<\/tr>\n
31.<\/td>\nLENNARD<\/td>\nAUTO REVERSE<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
32.<\/td>\nROD ANTON & THE LIGERIANS<\/td>\nANGEL<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
33.<\/td>\nGASPARD AUG\u00c3\u2030 ET MR OIZO<\/td>\nRUBBER<\/td>\nED BANGER<\/td>\n<\/tr>\n
34.<\/td>\nTV BUDDHAS<\/td>\nDYING AT THE PARTY<\/td>\nTROST<\/td>\n<\/tr>\n
35.<\/td>\nOTIS<\/td>\nSTORM IS COMING<\/td>\nBLACK DEATH<\/td>\n<\/tr>\n
36.<\/td>\nKINGS OF LEON<\/td>\nCOME AROUND SUNDOWN<\/td>\nSONY<\/td>\n<\/tr>\n
37.<\/td>\nCASEY<\/td>\nLIB\u00c3\u2030REZ LA B\u00caTE<\/td>\nLADILAF\u00c3\u2030 PROD.<\/td>\n<\/tr>\n
38.<\/td>\nLOS EXPLOSIVOS<\/td>\nSONIDOS ROCANROL<\/td>\nGET HIP<\/td>\n<\/tr>\n
39.<\/td>\nLAB\u00c2\u00b0<\/td>\nVOLUME<\/td>\nMILLE MILLIARD<\/td>\n<\/tr>\n
40.<\/td>\nJIM JONES REVUE<\/td>\nBURNING YOUR HOUSE DOWN<\/td>\nPUNK ROCK BLUES \/ PIAS<\/td>\n<\/tr>\n
41.<\/td>\nSTREET SWEEPER SOCIAL CLUB<\/td>\nGHETTOBLASTER<\/td>\nCOOKING VINYL \/ PIAS<\/td>\n<\/tr>\n
42.<\/td>\nI PILOT DAEMON<\/td>\nHAPPILY DEPRESSED<\/td>\nLACRYMAL<\/td>\n<\/tr>\n
43.<\/td>\nCHINESE MAN RECORDS<\/td>\nCHINESE MAN RECORDS 2009<\/td>\nCHINESEMANRECORDS<\/td>\n<\/tr>\n
44.<\/td>\nODDATEEE<\/td>\nHALFWAY HOMELESS<\/td>\nJARRING EFFECTS<\/td>\n<\/tr>\n
45.<\/td>\nUNCOMMON MEN FROM MARS<\/td>\nI HATE MY BAND!<\/td>\nKICKING RECORDS<\/td>\n<\/tr>\n
46.<\/td>\nZOEN<\/td>\nS\/T<\/td>\nMILLED PAVEMENT<\/td>\n<\/tr>\n
47.<\/td>\nNABY<\/td>\nDEM NAA<\/td>\nDEMREK RECS<\/td>\n<\/tr>\n
48.<\/td>\nEL GUINCHO<\/td>\nPOP NEGRO<\/td>\nYOUNG TURKS<\/td>\n<\/tr>\n
49.<\/td>\nSOLANGE LA FRANGE<\/td>\nSOLANGE LA FRANGE<\/td>\nTWO GENTLEMEN<\/td>\n<\/tr>\n
50.<\/td>\nMARQUISES (LES)<\/td>\nLOST LOST LOST<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
51.<\/td>\nJULIEN PRAS<\/td>\nSOUTHERN KIND OF SLANG<\/td>\nVICIOUS CIRCLE<\/td>\n<\/tr>\n
52.<\/td>\nMICROFILM<\/td>\nTHE BAY OF THE FUTURE PASSED<\/td>\nHEAD RECORDS<\/td>\n<\/tr>\n
53.<\/td>\nWAT<\/td>\nWONDER<\/td>\nBOXON<\/td>\n<\/tr>\n
54.<\/td>\nRATATAT<\/td>\nLP4<\/td>\nXL RECORDING<\/td>\n<\/tr>\n
55.<\/td>\nBLACK JOE LEWIS & THE HONEYBEARS<\/td>\nTELL’EM WHAT YOUR NAME IS!<\/td>\nUMG<\/td>\n<\/tr>\n
56.<\/td>\nUZOMI<\/td>\nST<\/td>\nKASAMATA RECORDS<\/td>\n<\/tr>\n
57.<\/td>\nHIGH TONE<\/td>\nOUT BACK<\/td>\nJARRING EFFECTS<\/td>\n<\/tr>\n
58.<\/td>\nTHE FEELING OF LOVE<\/td>\nOK JUDGE REVIVAL<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
59.<\/td>\nUNLOGISTIC<\/td>\nCAPITULATION<\/td>\nWAITING FOR AN ANGEL\/HAPPY DICK MILK<\/td>\n<\/tr>\n
60.<\/td>\nSLOW CLUB<\/td>\nYEAH SO<\/td>\nMOSHI MOSHI<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

PLAY LISTE SINGLES<\/h2>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
1.<\/td>\nZOMBIE ZOMBIE<\/td>\nPLAYS JOHN CARPENTER<\/td>\nVERSATILE<\/td>\n<\/tr>\n
2.<\/td>\nFINKIELKRAUTS (THE)<\/td>\nDISTANCE<\/td>\nANOTHER<\/td>\n<\/tr>\n
3.<\/td>\nJANSKI BEEEATS<\/td>\nGAME PLANET EP<\/td>\nUN JE NE SAIS QUOI<\/td>\n<\/tr>\n
4.<\/td>\nBILLY DORADOS & THE SUNMAKERS<\/td>\nCALL IT A BASH, CALL IT A BALL, CALL IT A BLAST<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
5.<\/td>\nLEMONADE<\/td>\nLIFTED EP + REMIX<\/td>\nTRUE PANTHERS<\/td>\n<\/tr>\n
6.<\/td>\nCASSIUS<\/td>\nTHE RAWKERS EP<\/td>\nED BANGER \/ BECAUSE<\/td>\n<\/tr>\n
7.<\/td>\nKIRUNA<\/td>\nPENUNDAAN<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
8.<\/td>\nJOHNNY BOY<\/td>\nMODERN IDOL<\/td>\nANYWAVE REC<\/td>\n<\/tr>\n
9.<\/td>\nSQUAREPUSHER<\/td>\nSHOBALEADER ONE<\/td>\nWARP\/ EDBANGER<\/td>\n<\/tr>\n
10.<\/td>\nMUNK<\/td>\nMONDO VAGABONDO<\/td>\nGOMMA<\/td>\n<\/tr>\n
11.<\/td>\nTHE BEWITCHED HANDS ON THE TOP OF OUR HEADS<\/td>\nHARD TO CRY<\/td>\nSONY<\/td>\n<\/tr>\n
12.<\/td>\nTHE WAVE PICTURES<\/td>\nSWEETHEART<\/td>\nMOSHI MOSHI<\/td>\n<\/tr>\n
13.<\/td>\nHOLDING SAND<\/td>\nON SLEEPLESS NIGHT<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
14.<\/td>\nMESPARROW<\/td>\nON THE BORDERLINE<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
15.<\/td>\nKAP BAMBINO<\/td>\nDEAD LAZERS<\/td>\nBECAUSE MUSIC<\/td>\n<\/tr>\n
16.<\/td>\nBONAPARTE<\/td>\nCOMPUTER IN LOVE<\/td>\nROUGH TRADE\/DIFFERANT<\/td>\n<\/tr>\n
17.<\/td>\nGLASSER<\/td>\nAPPLY EP<\/td>\nTRUE PANTHER<\/td>\n<\/tr>\n
18.<\/td>\nNOVAK<\/td>\nRUINES<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
19.<\/td>\nKRS ONE<\/td>\nSTEP INTO THE WORLD<\/td>\nJIVE\/VIRGIN<\/td>\n<\/tr>\n
20.<\/td>\nDUB TRIO<\/td>\nIII<\/td>\nOH LORD<\/td>\n<\/tr>\n
21.<\/td>\nIRON MAIDEN<\/td>\nWASTING LOVE<\/td>\nEMI<\/td>\n<\/tr>\n
22.<\/td>\nBUG (THE)<\/td>\nGANJA<\/td>\nNINJA TUNE<\/td>\n<\/tr>\n
23.<\/td>\nTHE BUG<\/td>\nSANS<\/td>\nNINJA TUNE<\/td>\n<\/tr>\n
24.<\/td>\nTRENTEMOLLER<\/td>\nMOAN<\/td>\nPOKER FLAT<\/td>\n<\/tr>\n
25.<\/td>\nTHE HERBALISER<\/td>\nNAH’MEAN NAH’M SAYIN’ EP<\/td>\nNINJA TUNE<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

PLAY LISTE L.P. 1. FUMUJ DROP A THREE DIRTY8 2. THE BEWITCHED HANDS BIRDS AND DRUMS JIVE 3. PHILIPPE KATERINE ST BARCLAY 4. ALI’N LE PROLETAIRE AUTOPROD 5. LIMINANAS, THE ST TROUBLE IN MIND RDS 6. NLF3 BEAUTIFUL IS THE WAY TO THE WORLD BEYOND PROHIBITED 7. SHAOLIN TEMPLE DEFENDERS TAKE IT SLOW MA PROD … Continuer la lecture de « F\u00e9raliste du 15 octobre au 1er novembre 2010 »<\/span><\/a><\/p>\n","protected":false},"author":4,"featured_media":28351,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[197],"tags":[],"class_list":["post-28352","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-classements"],"_links":{"self":[{"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/posts\/28352","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/comments?post=28352"}],"version-history":[{"count":0,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/posts\/28352\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/media\/28351"}],"wp:attachment":[{"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/media?parent=28352"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/categories?post=28352"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/tags?post=28352"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}