{"id":29068,"date":"2011-02-16T11:52:24","date_gmt":"2011-02-16T10:52:24","guid":{"rendered":"http:\/\/www.radiobeton.com\/wordpress\/?p=29068"},"modified":"2011-02-16T11:52:24","modified_gmt":"2011-02-16T10:52:24","slug":"feraliste-radio-beton-du-1er-au-15-fevrier-2011","status":"publish","type":"post","link":"https:\/\/www.radiobeton.com\/www\/feraliste-radio-beton-du-1er-au-15-fevrier-2011\/","title":{"rendered":"F\u00e9raliste Radio B\u00e9ton du 1er au 15 F\u00e9vrier 2011"},"content":{"rendered":"
\n

PLAY LISTE L.P.<\/h2>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
1.<\/td>\nSTUPEFLIP<\/td>\nTHE HYPNOFLIP INVASION<\/td>\nBLEU CITRON<\/td>\n<\/tr>\n
2.<\/td>\nPIGEON JOHN<\/td>\nDRAGON SLAYER<\/td>\nQUANNUM PROJECTS<\/td>\n<\/tr>\n
3.<\/td>\nATTACK EL ROBOT<\/td>\nST<\/td>\nTWEED LEE DEE<\/td>\n<\/tr>\n
4.<\/td>\nLONE<\/td>\nEMERALD FANTASY TRACKS<\/td>\nMAGIC WIRE RECORDINGS<\/td>\n<\/tr>\n
5.<\/td>\nTRADI-MODS VS ROCKERS<\/td>\nALTERNATIVE TAKES ON CONGOTRONICS<\/td>\nCRAMMED DISCS<\/td>\n<\/tr>\n
6.<\/td>\nFUNERAL PARTY<\/td>\nGOLDEN AGE OF KNOWHERE<\/td>\nCOLUMBIA<\/td>\n<\/tr>\n
7.<\/td>\nCRANE ANGELS<\/td>\nVIRGIN \/ THE WORLD<\/td>\nANIMAL FACTORY RDS<\/td>\n<\/tr>\n
8.<\/td>\nOFF !<\/td>\nTHE FIRST FOUR EP’S<\/td>\nVICE<\/td>\n<\/tr>\n
9.<\/td>\nTHE DISCIPLINES<\/td>\nVIRGINS OF MENACE<\/td>\nROCK MY ASS<\/td>\n<\/tr>\n
10.<\/td>\nVOYAGE 2<\/td>\nCOMPILATION<\/td>\nPAN EUROPEAN RECORDING<\/td>\n<\/tr>\n
11.<\/td>\nJFX BITS #4<\/td>\nJFX BITS #4<\/td>\nJARRING EFFECTS<\/td>\n<\/tr>\n
12.<\/td>\nDICK ANNEGARN<\/td>\nFOLK TALK<\/td>\nTOT OU TARD<\/td>\n<\/tr>\n
13.<\/td>\nC.R AVERY<\/td>\nSO IT GOES<\/td>\nCORNFLAKES ZOO<\/td>\n<\/tr>\n
14.<\/td>\nIRON AND WINE<\/td>\nKISS EACH OTHER CLEAN<\/td>\n4AD<\/td>\n<\/tr>\n
15.<\/td>\nCERCUEIL<\/td>\nEROSTRATE<\/td>\nLE SON DU MAQUIS<\/td>\n<\/tr>\n
16.<\/td>\nCHEVEU<\/td>\n1000 (MILLE)<\/td>\nBORN BAD<\/td>\n<\/tr>\n
17.<\/td>\nSEXY SUSHI<\/td>\nMARRE MARRE MARRE<\/td>\nLABEL MAISON<\/td>\n<\/tr>\n
18.<\/td>\nABD AL MALIK<\/td>\nCH\u00c3\u201aTEAU ROUGE<\/td>\nBARCLAY<\/td>\n<\/tr>\n
19.<\/td>\nMISTER MODO & UGLY MAC BEER<\/td>\nREMI DOMOST<\/td>\nDIESS<\/td>\n<\/tr>\n
20.<\/td>\nLAETITIA SHERIFF<\/td>\nCODIFICATION<\/td>\nDISQUES WAH WAH<\/td>\n<\/tr>\n
21.<\/td>\nSECOUSSE<\/td>\nCOMPILATION: RADIOCLIT PRESENTS<\/td>\nCRAMMED DISC<\/td>\n<\/tr>\n
22.<\/td>\nCHERRY BONES (THE)<\/td>\nS\/T<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
23.<\/td>\nBAD RELIGION<\/td>\nTHE DISSENT OF MAN<\/td>\nEPITAPH<\/td>\n<\/tr>\n
24.<\/td>\nMC HOMELESS<\/td>\n27<\/td>\nMILED PAVEMENT<\/td>\n<\/tr>\n
25.<\/td>\nZOEN<\/td>\nS\/T<\/td>\nMILLED PAVEMENT<\/td>\n<\/tr>\n
26.<\/td>\nAGORIA<\/td>\nIMPERMANENCE<\/td>\nINFIN\u00c3\u2030<\/td>\n<\/tr>\n
27.<\/td>\nWARPAINT<\/td>\nTHE FOOL<\/td>\nROUGH TRADE<\/td>\n<\/tr>\n
28.<\/td>\nPAPAYE<\/td>\nLA CHALEUR<\/td>\nAFRICAN TAPE \/ KYTHIBONG<\/td>\n<\/tr>\n
29.<\/td>\nCYESM<\/td>\nUNDISCLOSED<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
30.<\/td>\nACID WASHED<\/td>\nST<\/td>\nRECORD MAKERS<\/td>\n<\/tr>\n
31.<\/td>\nSTRANDED HORSE<\/td>\nHUMBLING TIDES<\/td>\nTALITRES<\/td>\n<\/tr>\n
32.<\/td>\nTYVEK<\/td>\nST<\/td>\nIN THE RED RDS<\/td>\n<\/tr>\n
33.<\/td>\nJAMES BLAKE<\/td>\nS\/T<\/td>\nATLAS\/POLYDOR UK<\/td>\n<\/tr>\n
34.<\/td>\nMOONJELLIES (THE)<\/td>\nINNER, ANGER, FEATHER<\/td>\nUN JE NE SAIS QUOI<\/td>\n<\/tr>\n
35.<\/td>\nLX<\/td>\nHORS DES SENTIERS…<\/td>\nPROPUL’SON<\/td>\n<\/tr>\n
36.<\/td>\nAUCAN<\/td>\nBLACK RAINBOW<\/td>\nAFRICANTAPE<\/td>\n<\/tr>\n
37.<\/td>\nFUMUJ<\/td>\nDROP A THREE<\/td>\nDIRTY8<\/td>\n<\/tr>\n
38.<\/td>\nCOSMOS 70<\/td>\nA POET WITH NOTHING TO SAY<\/td>\nBEE RECORDS<\/td>\n<\/tr>\n
39.<\/td>\nVIBRAFINGERS (THE)<\/td>\nPLAY IN YOUR ASS<\/td>\nROLLER ASSO<\/td>\n<\/tr>\n
40.<\/td>\nNINJA TUNE XX<\/td>\n20 YEARS OF BEATS & PIECES<\/td>\nNINJA TUNE<\/td>\n<\/tr>\n
41.<\/td>\nIKE YARD<\/td>\nNORD<\/td>\nDESIRE RECORDS<\/td>\n<\/tr>\n
42.<\/td>\nKING AUTOMATIC<\/td>\nIN THE BLUE CORNER<\/td>\nARTDISTRO<\/td>\n<\/tr>\n
43.<\/td>\nPARIS SUIT YOURSELF<\/td>\nLOST MY GIRL<\/td>\nBIG DADA<\/td>\n<\/tr>\n
44.<\/td>\nCARL<\/td>\nOU POSER DES YEUX?<\/td>\nHUMPTY DUMPTY RECORDS<\/td>\n<\/tr>\n
45.<\/td>\nKID CUDI<\/td>\nTHE RETURN OF MR RAGER<\/td>\nUNIVERSALMOTOWN<\/td>\n<\/tr>\n
46.<\/td>\nJAMAICA<\/td>\nNO PROBLEM<\/td>\nV2<\/td>\n<\/tr>\n
47.<\/td>\nETIENNE JAUMET<\/td>\nNIGHT MUSIC<\/td>\nVERSATILE<\/td>\n<\/tr>\n
48.<\/td>\nCLICK HERE<\/td>\nDELHI TO SEVILLA<\/td>\nNO FRIDGE<\/td>\n<\/tr>\n
49.<\/td>\nLIMINANAS, THE<\/td>\nST<\/td>\nTROUBLE IN MIND RDS<\/td>\n<\/tr>\n
50.<\/td>\nTA GUEULE<\/td>\nDESTOCKAGE MASSIF<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
51.<\/td>\nALI’N<\/td>\nLE PROLETAIRE<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
52.<\/td>\nGRASS WIDOW<\/td>\nPAST TIME<\/td>\nKRS<\/td>\n<\/tr>\n
53.<\/td>\nELISA DO BRASIL<\/td>\nFIRST STROKE<\/td>\nX RAY<\/td>\n<\/tr>\n
54.<\/td>\nKING CANNIBAL<\/td>\nTHE WAY OF THE NINJA<\/td>\nNINJA TUNE<\/td>\n<\/tr>\n
55.<\/td>\nLUIS FRANCESCO ARENA<\/td>\nCHESS IN THE ABYSS<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
56.<\/td>\nTHE PERFORMERS<\/td>\nSUMMER AND A RESERVOIR<\/td>\nART UNION<\/td>\n<\/tr>\n
57.<\/td>\nFLATFOOT 56<\/td>\nBLACK THORN<\/td>\nI USE TO FUCK PEOPLE LIKE YOU…<\/td>\n<\/tr>\n
58.<\/td>\nVIBRAFINGERS<\/td>\nTHEY VIBRATE<\/td>\nTURBOROCK<\/td>\n<\/tr>\n
59.<\/td>\nBUDAM<\/td>\nMAN<\/td>\nVOLVOX<\/td>\n<\/tr>\n
60.<\/td>\nNO ONE IS INNOCENT<\/td>\nDRUGSTORE<\/td>\nNA\u00c3\u008fVE<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

PLAY LISTE SINGLES<\/h2>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
1.<\/td>\nFINKIELKRAUTS (THE)<\/td>\nDISTANCE<\/td>\nANOTHER<\/td>\n<\/tr>\n
2.<\/td>\nSAINTS AND SINNERS<\/td>\nPUBCRAWLERS<\/td>\nCARNAGE\/DIRTY GUYS ROCK<\/td>\n<\/tr>\n
3.<\/td>\nMETRONOMY<\/td>\nSHE WANTS EP<\/td>\nBECAUSE<\/td>\n<\/tr>\n
4.<\/td>\nMESPARROW<\/td>\nON THE BORDERLINE<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
5.<\/td>\nZOMBIE ZOMBIE<\/td>\nPLAYS JOHN CARPENTER<\/td>\nVERSATILE<\/td>\n<\/tr>\n
6.<\/td>\nBILLY DORADOS & THE SUNMAKERS<\/td>\nCALL IT A BASH, CALL IT A BALL, CALL IT A BLAST<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
7.<\/td>\nTHE CHAP<\/td>\nEVEN YOUR FRIEND<\/td>\nLORECORDINGS<\/td>\n<\/tr>\n
8.<\/td>\nFLOATING POINTS ENSEMBLE<\/td>\nST<\/td>\nNINJA TUNE<\/td>\n<\/tr>\n
9.<\/td>\nTHE TOXIC AVENGER<\/td>\nANGST : ONE<\/td>\nTRAX<\/td>\n<\/tr>\n
10.<\/td>\nCHOCOLATE DONUTS<\/td>\nFUNERAL<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
11.<\/td>\nDELS<\/td>\nTRUMPALUMP EP<\/td>\nBIG DADA<\/td>\n<\/tr>\n
12.<\/td>\nFOWATILE<\/td>\nS\/T<\/td>\nBISCUITS RECORDS<\/td>\n<\/tr>\n
13.<\/td>\nBOT.OX<\/td>\nBLUE STEEL EP<\/td>\nI’M A CLICH\u00c3\u2030<\/td>\n<\/tr>\n
14.<\/td>\nMR OIZO ET GASPARD AUGE<\/td>\nRUBBER<\/td>\nED BANGER<\/td>\n<\/tr>\n
15.<\/td>\nTY SEGALL<\/td>\nCENTS EP<\/td>\nGONER RECORDS<\/td>\n<\/tr>\n
16.<\/td>\nBOOGERS<\/td>\nAS DIRTY…EP<\/td>\nWARNER<\/td>\n<\/tr>\n
17.<\/td>\nSLOY<\/td>\nPOP<\/td>\nROADRUNNER<\/td>\n<\/tr>\n
18.<\/td>\nPASSION PIT<\/td>\nTHE REELING<\/td>\nFRENCH KISS<\/td>\n<\/tr>\n
19.<\/td>\nMETRONOMY<\/td>\nHEARTBREAKER<\/td>\nBECAUSE<\/td>\n<\/tr>\n
20.<\/td>\nDAILY MIND DISTORSION<\/td>\nLESS SCHOOL MORE SKATE<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
21.<\/td>\nJOHNNY BOY<\/td>\nDIALEKTIK NOISE<\/td>\nPUSHY DUBIOUS IDLERS<\/td>\n<\/tr>\n
22.<\/td>\nFOALS<\/td>\nCASSIUS<\/td>\nWEA<\/td>\n<\/tr>\n
23.<\/td>\nFONKY FAMILY<\/td>\nHORS SERIE VOL 1<\/td>\nSMALL<\/td>\n<\/tr>\n
24.<\/td>\nSPANK ROCK<\/td>\nRICKRUBIN<\/td>\nBIG DADA<\/td>\n<\/tr>\n
25.<\/td>\nSLOY<\/td>\nIDOLIZE<\/td>\nA DONF \/ P I A S<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

PLAY LISTE L.P. 1. STUPEFLIP THE HYPNOFLIP INVASION BLEU CITRON 2. PIGEON JOHN DRAGON SLAYER QUANNUM PROJECTS 3. ATTACK EL ROBOT ST TWEED LEE DEE 4. LONE EMERALD FANTASY TRACKS MAGIC WIRE RECORDINGS 5. TRADI-MODS VS ROCKERS ALTERNATIVE TAKES ON CONGOTRONICS CRAMMED DISCS 6. FUNERAL PARTY GOLDEN AGE OF KNOWHERE COLUMBIA 7. CRANE ANGELS VIRGIN … Continuer la lecture de « F\u00e9raliste Radio B\u00e9ton du 1er au 15 F\u00e9vrier 2011 »<\/span><\/a><\/p>\n","protected":false},"author":4,"featured_media":29067,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[197],"tags":[],"class_list":["post-29068","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-classements"],"_links":{"self":[{"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/posts\/29068","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/comments?post=29068"}],"version-history":[{"count":0,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/posts\/29068\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/media\/29067"}],"wp:attachment":[{"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/media?parent=29068"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/categories?post=29068"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/tags?post=29068"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}