{"id":29346,"date":"2011-04-01T13:08:54","date_gmt":"2011-04-01T11:08:54","guid":{"rendered":"http:\/\/www.radiobeton.com\/wordpress\/?p=29346"},"modified":"2011-04-01T13:08:54","modified_gmt":"2011-04-01T11:08:54","slug":"feraliste-15-mars-au-1er-avril","status":"publish","type":"post","link":"https:\/\/www.radiobeton.com\/www\/feraliste-15-mars-au-1er-avril\/","title":{"rendered":"F\u00e9raliste 15 mars au 1er avril"},"content":{"rendered":"
\n

PLAY LISTE L.P.<\/h2>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
1.<\/td>\nBUSTER SHUFFLE<\/td>\nOUR NIGHT OUT<\/td>\nPEOPLE LIKE YOU REC<\/td>\n<\/tr>\n
2.<\/td>\nGANGPOL UND MIT<\/td>\nTHE 1000 SOFTCORE TOURIST PEOPLE CLUB<\/td>\nIPECAC REC<\/td>\n<\/tr>\n
3.<\/td>\nREBEL ASSHOLES \/ DUMBELL<\/td>\nSPLIT<\/td>\nPRODUCTION IMPOSSIBLE<\/td>\n<\/tr>\n
4.<\/td>\nSTUPEFLIP<\/td>\nTHE HYPNOFLIP INVASION<\/td>\nBLEU CITRON<\/td>\n<\/tr>\n
5.<\/td>\nHUSHPUPPIES<\/td>\nTHE BIPOLAR DRIFT<\/td>\nDIFFER-ANT<\/td>\n<\/tr>\n
6.<\/td>\nRUBIN STEINER & IRA LEE<\/td>\nWE ARE THE FUTURE<\/td>\nPLATINUM<\/td>\n<\/tr>\n
7.<\/td>\nDEES CHAN<\/td>\nPANIQUE SUR RAPVILLE<\/td>\nUN JE NE SAIS QUOI<\/td>\n<\/tr>\n
8.<\/td>\nBEAT TORRENT<\/td>\nREWORKS<\/td>\nKIF RECORDS<\/td>\n<\/tr>\n
9.<\/td>\nLES OLIVENSTEINS<\/td>\nST<\/td>\nBORN BAD RECORDS<\/td>\n<\/tr>\n
10.<\/td>\nKURT VILE<\/td>\nSMOKE RING FOR MY HALO<\/td>\nBEGGARS<\/td>\n<\/tr>\n
11.<\/td>\nTROY VON BALTHAZAR<\/td>\nHOW TO LIVE ON NOTHING<\/td>\nTHIRD SIDE RECORDS<\/td>\n<\/tr>\n
12.<\/td>\nTHE SHOES<\/td>\nCRACK MY BONES<\/td>\nGREEN UNITED MUSIC<\/td>\n<\/tr>\n
13.<\/td>\nBUSDRIVER<\/td>\nROADKILL OVERCOAT<\/td>\nEPITAPH<\/td>\n<\/tr>\n
14.<\/td>\nSELAH SUE<\/td>\nST<\/td>\nBECAUSE<\/td>\n<\/tr>\n
15.<\/td>\nLE SACRE DU TYMPAN (FRED PALLEM)<\/td>\nSOUNDTRAX<\/td>\nMUSIC UNIT<\/td>\n<\/tr>\n
16.<\/td>\nCOMIC STRIP<\/td>\nGATEAU BLASTER<\/td>\nFREESON<\/td>\n<\/tr>\n
17.<\/td>\nLET THE CHILDREN TECHNO<\/td>\nCOMPILED AND MIXED BY BUSY P& DJ MEHDI<\/td>\nED BANGER<\/td>\n<\/tr>\n
18.<\/td>\nDILEMN<\/td>\nBETTER WORLDS<\/td>\nBOXON<\/td>\n<\/tr>\n
19.<\/td>\nWE ARE ENFANTS TERRIBLE<\/td>\nEXPLICIT PICTURES<\/td>\nLAST GANG<\/td>\n<\/tr>\n
20.<\/td>\nFINKIELKRAUTS<\/td>\nSMOG<\/td>\nANOTHER<\/td>\n<\/tr>\n
21.<\/td>\nATTACK EL ROBOT<\/td>\nST<\/td>\nTWEED LEE DEE<\/td>\n<\/tr>\n
22.<\/td>\nVOYAGE 2<\/td>\nCOMPILATION<\/td>\nPAN EUROPEAN RECORDING<\/td>\n<\/tr>\n
23.<\/td>\nZONE LIBRE VS CASEY & B JAMES<\/td>\nLES CONTES DU CHAOS<\/td>\nINTERVALLE TRITON<\/td>\n<\/tr>\n
24.<\/td>\nZOEN<\/td>\nS\/T<\/td>\nMILLED PAVEMENT<\/td>\n<\/tr>\n
25.<\/td>\nTHE STROKES<\/td>\nANGLES<\/td>\nRCA<\/td>\n<\/tr>\n
26.<\/td>\nCOSMOS 70<\/td>\nA POET WITH NOTHING TO SAY<\/td>\nBEE RECORDS<\/td>\n<\/tr>\n
27.<\/td>\nRED DONS<\/td>\nFAKE MEETS FAILURE<\/td>\nDERANGED \/ TAKEN BY SURPRISE<\/td>\n<\/tr>\n
28.<\/td>\nICE CUBE<\/td>\nI AM THE WEST<\/td>\nLENCH MOB RECORDS<\/td>\n<\/tr>\n
29.<\/td>\nNO ONE IS INNOCENT<\/td>\nDRUGSTORE<\/td>\nNA\u00c3\u008fVE<\/td>\n<\/tr>\n
30.<\/td>\nBELLE AND SEBASTIAN<\/td>\nWRITE ABOUT LOVE<\/td>\nROUGH TRADE<\/td>\n<\/tr>\n
31.<\/td>\nNEW POLITICS<\/td>\nST<\/td>\nRCA<\/td>\n<\/tr>\n
32.<\/td>\nKING AUTOMATIC<\/td>\nIN THE BLUE CORNER<\/td>\nARTDISTRO<\/td>\n<\/tr>\n
33.<\/td>\nPIGEON JOHN<\/td>\nDRAGON SLAYER<\/td>\nQUANNUM PROJECTS<\/td>\n<\/tr>\n
34.<\/td>\nWAGON CHRIST<\/td>\nTOOMORROW<\/td>\nNINJA TUNE<\/td>\n<\/tr>\n
35.<\/td>\nBOOGERS<\/td>\nAS CLEAN AS POSSIBLE<\/td>\nAT(H)OME<\/td>\n<\/tr>\n
36.<\/td>\nLA CANAILLE<\/td>\nPAR TEMPS DE RAGE<\/td>\nYUMA PROD<\/td>\n<\/tr>\n
37.<\/td>\nMY JAZZY CHILD<\/td>\nTHE DRUMS<\/td>\nCLAPPING MUSIC<\/td>\n<\/tr>\n
38.<\/td>\nFUMUJ<\/td>\nDROP A THREE<\/td>\nDIRTY8<\/td>\n<\/tr>\n
39.<\/td>\nBIG’N<\/td>\nDYING BREED<\/td>\nAFRICAN TAPE<\/td>\n<\/tr>\n
40.<\/td>\nDOG GUILTY PARTY<\/td>\nI LIKE THIS<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
41.<\/td>\nSEUN KUTI & EGYPT 80<\/td>\nFROM AFRICA WITH FURY : RISE<\/td>\nBECAUSE<\/td>\n<\/tr>\n
42.<\/td>\nTRUMMELSCHLAGER<\/td>\nGURU<\/td>\nANOTHER<\/td>\n<\/tr>\n
43.<\/td>\nDISCODEINE<\/td>\nS\/T<\/td>\nWAGRAM<\/td>\n<\/tr>\n
44.<\/td>\nCOMPILE<\/td>\nTRAVAUX PUBLICS 4<\/td>\nTRAVAUX PUBLICS<\/td>\n<\/tr>\n
45.<\/td>\nVOLO<\/td>\nEN ATTENDANT<\/td>\nOPERA MUSIC<\/td>\n<\/tr>\n
46.<\/td>\nCOMPIL<\/td>\nBRILL BUILDING SOUND<\/td>\nBETON!<\/td>\n<\/tr>\n
47.<\/td>\nMISSILL<\/td>\nKAWAII<\/td>\nATMOSPHERIQUES<\/td>\n<\/tr>\n
48.<\/td>\nAUCAN<\/td>\nBLACK RAINBOW<\/td>\nAFRICANTAPE<\/td>\n<\/tr>\n
49.<\/td>\nVOODOO RYTHM COMPILATION VOL.3<\/td>\nCOMPILATION<\/td>\nVOODOO RYTHM<\/td>\n<\/tr>\n
50.<\/td>\nSHAOLIN TEMPLE DEFENDERS<\/td>\nGETTIN’ THE SPIRIT<\/td>\nMUSIC’ACTION<\/td>\n<\/tr>\n
51.<\/td>\nFUNERAL PARTY<\/td>\nGOLDEN AGE OF KNOWHERE<\/td>\nCOLUMBIA<\/td>\n<\/tr>\n
52.<\/td>\nSOUL SQUARE<\/td>\nLIVE & UNCUT<\/td>\nKIF RECORDS<\/td>\n<\/tr>\n
53.<\/td>\nTHEM CROOKED VULTURES<\/td>\nS\/T<\/td>\nSONY<\/td>\n<\/tr>\n
54.<\/td>\nPRIMAL SCREAM<\/td>\nEVIL HEAT<\/td>\nCOLUMBIA<\/td>\n<\/tr>\n
55.<\/td>\nBEADY EYES<\/td>\nDIFFERENT GEARS, STILL SPEEDING<\/td>\nBE<\/td>\n<\/tr>\n
56.<\/td>\nNOZE<\/td>\nSONGS ON THE ROCKS<\/td>\nGET PHYSICAL<\/td>\n<\/tr>\n
57.<\/td>\nCLASH (THE)<\/td>\nLONDON CALLING<\/td>\nCOLUMBIA<\/td>\n<\/tr>\n
58.<\/td>\nODEZENNE<\/td>\nOVNI<\/td>\nMODULE<\/td>\n<\/tr>\n
59.<\/td>\nSPEEDBALL<\/td>\nSONGS OF DEFEAT<\/td>\nDON’T TRUST THE HYPE<\/td>\n<\/tr>\n
60.<\/td>\nC.R AVERY<\/td>\nSO IT GOES<\/td>\nCORNFLAKES ZOO<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

PLAY LISTE SINGLES<\/h2>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
1.<\/td>\nTHE TOXIC AVENGER<\/td>\nANGST : ONE<\/td>\nTRAX<\/td>\n<\/tr>\n
2.<\/td>\nMOON DUO<\/td>\nMAZES<\/td>\nSOUTERRAINS TRANSMISSIONS<\/td>\n<\/tr>\n
3.<\/td>\nJANSKI BEEEATS<\/td>\nGAME PLANET EP<\/td>\nUN JE NE SAIS QUOI<\/td>\n<\/tr>\n
4.<\/td>\nMESPARROW<\/td>\nON THE BORDERLINE<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
5.<\/td>\nSTROKES (THE)<\/td>\nUNDER COVER OF DARKNESS<\/td>\nSONY<\/td>\n<\/tr>\n
6.<\/td>\nZOMBIE ZOMBIE<\/td>\nPLAYS JOHN CARPENTER<\/td>\nVERSATILE<\/td>\n<\/tr>\n
7.<\/td>\nFAT AND THE CRABS<\/td>\nTHIS IS…<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
8.<\/td>\nFRISKIES<\/td>\nDEMO 2009<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
9.<\/td>\nDUBMATIX<\/td>\nSYSTEM SHAKEDOWN<\/td>\nECHO BEACH<\/td>\n<\/tr>\n
10.<\/td>\nBIS<\/td>\nSWEET SHOP AVENGERZ<\/td>\nWIIJA<\/td>\n<\/tr>\n
11.<\/td>\nVERBAL RAZORS<\/td>\nSETTLING THE SCORE<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
12.<\/td>\nTHE BEWITCHED HANDS ON THE TOP OF OUR HEAD<\/td>\nSEA<\/td>\nSONY<\/td>\n<\/tr>\n
13.<\/td>\nGENTLEMEN DRIVERS<\/td>\nASPHALT<\/td>\nBECAUSE<\/td>\n<\/tr>\n
14.<\/td>\nCHICROS<\/td>\nWITHIN YOU<\/td>\nCHICRODELIC<\/td>\n<\/tr>\n
15.<\/td>\nCHINESE MAN<\/td>\nMISS CHANG<\/td>\nCHINESE MAN RECORDS<\/td>\n<\/tr>\n
16.<\/td>\nJOEY RAMONE<\/td>\nWHAT A WONDERFUL WORLD<\/td>\nSANCTUARY<\/td>\n<\/tr>\n
17.<\/td>\nL K J<\/td>\nLIESENSE FI KILL<\/td>\nLKJ RDS<\/td>\n<\/tr>\n
18.<\/td>\nSOUL CENTER<\/td>\n<\/td>\nLABELS\/VIRGIN<\/td>\n<\/tr>\n
19.<\/td>\nNOFX<\/td>\nBOTTLES TO THE GROUND<\/td>\nEPITAPH<\/td>\n<\/tr>\n
20.<\/td>\nWAX TAILOR<\/td>\nLOST THE WAY<\/td>\nLAB’ORATOIRE<\/td>\n<\/tr>\n
21.<\/td>\nRATATAT<\/td>\n\/<\/td>\nREX RECORDS<\/td>\n<\/tr>\n
22.<\/td>\nN T M<\/td>\nTHAT’S MY PEOPLE<\/td>\nEPIC \/ SONY<\/td>\n<\/tr>\n
23.<\/td>\nSOULWAX<\/td>\nCONVERSATION INTERCOM<\/td>\nP I A S<\/td>\n<\/tr>\n
24.<\/td>\nSHANTEL<\/td>\n<\/td>\nK7<\/td>\n<\/tr>\n
25.<\/td>\nTURBO NEGRO<\/td>\nPROMOSEXUAL<\/td>\nBOOMBA REC<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

PLAY LISTE L.P. 1. BUSTER SHUFFLE OUR NIGHT OUT PEOPLE LIKE YOU REC 2. GANGPOL UND MIT THE 1000 SOFTCORE TOURIST PEOPLE CLUB IPECAC REC 3. REBEL ASSHOLES \/ DUMBELL SPLIT PRODUCTION IMPOSSIBLE 4. STUPEFLIP THE HYPNOFLIP INVASION BLEU CITRON 5. HUSHPUPPIES THE BIPOLAR DRIFT DIFFER-ANT 6. RUBIN STEINER & IRA LEE WE ARE THE … Continuer la lecture de « F\u00e9raliste 15 mars au 1er avril »<\/span><\/a><\/p>\n","protected":false},"author":4,"featured_media":29345,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[197],"tags":[],"class_list":["post-29346","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-classements"],"_links":{"self":[{"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/posts\/29346","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/comments?post=29346"}],"version-history":[{"count":0,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/posts\/29346\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/media\/29345"}],"wp:attachment":[{"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/media?parent=29346"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/categories?post=29346"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/tags?post=29346"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}