{"id":30348,"date":"2011-10-17T10:28:08","date_gmt":"2011-10-17T08:28:08","guid":{"rendered":"http:\/\/www.radiobeton.com\/wordpress\/?p=30348"},"modified":"2011-10-17T10:28:08","modified_gmt":"2011-10-17T08:28:08","slug":"feraliste-du-1er-au-15-octobre-2011","status":"publish","type":"post","link":"https:\/\/www.radiobeton.com\/www\/feraliste-du-1er-au-15-octobre-2011\/","title":{"rendered":"F\u00e9raliste du 1er au 15 octobre 2011"},"content":{"rendered":"
\n

PLAY LISTE L.P.<\/h2>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
1.<\/td>\nFOX HEADS (THE)<\/td>\nWE WANT TO BE NUMB<\/td>\nPLATINUM<\/td>\n<\/tr>\n
2.<\/td>\nJARRING EFFECTS<\/td>\nFX100<\/td>\nJARRING EFFECTS<\/td>\n<\/tr>\n
3.<\/td>\nORELSAN<\/td>\nLE CHANT DES SIR\u00c3\u02c6NES<\/td>\n3\u00c3\u02c6ME BUREAU<\/td>\n<\/tr>\n
4.<\/td>\nTHE MONSTERS<\/td>\n…POP UP YOURS<\/td>\nVOODOO RHYTHM<\/td>\n<\/tr>\n
5.<\/td>\nKATERINE, FRANCIS ET SES PEINTRES<\/td>\n52 REPRISES DANS L’ESPACE<\/td>\nBARCLAY<\/td>\n<\/tr>\n
6.<\/td>\nTENNIS<\/td>\nCAPE DORY<\/td>\nFAT POSSUM<\/td>\n<\/tr>\n
7.<\/td>\nBOOGERS<\/td>\nMORE BETTER<\/td>\nAT(H)OME<\/td>\n<\/tr>\n
8.<\/td>\nCOMPIL<\/td>\nPOP A PARIS<\/td>\nUNIVERSAL<\/td>\n<\/tr>\n
9.<\/td>\nA MAN & A MACHINE III<\/td>\nCOMPILATION<\/td>\nLE SON DU MAQUIS<\/td>\n<\/tr>\n
10.<\/td>\nUNDERGROUND RAILROAD<\/td>\nWHITE NIGHT STAND<\/td>\nONE LITTLE INDIAN RECORDS<\/td>\n<\/tr>\n
11.<\/td>\nNOFX<\/td>\nHARDCORE EP<\/td>\nFAT WRECK<\/td>\n<\/tr>\n
12.<\/td>\nYUKSEK<\/td>\nLIVING ON THE EDGE OF TIME<\/td>\nBARCLAY<\/td>\n<\/tr>\n
13.<\/td>\nDUM DUM GIRLS<\/td>\nONLY IN DREAMS<\/td>\nSUB POP<\/td>\n<\/tr>\n
14.<\/td>\nUNDER KONTROL<\/td>\nSTRICTLY FROM THE MOUTH<\/td>\nI.O.T RECORDS<\/td>\n<\/tr>\n
15.<\/td>\nPNEU<\/td>\nHIGHWAY TO HEALTH<\/td>\nHEAD RECORDS<\/td>\n<\/tr>\n
16.<\/td>\nTHE RAPTURE<\/td>\nIN YOUR GRACE OF YOUR LOVE<\/td>\nDFA\/V2\/COOP<\/td>\n<\/tr>\n
17.<\/td>\nTHE CHAP<\/td>\nWE ARE THE BEST<\/td>\nLO RECORDINGS<\/td>\n<\/tr>\n
18.<\/td>\nHANNI EL KHATIB<\/td>\nWILL THE GUNS COME OUT<\/td>\nBECAUSE<\/td>\n<\/tr>\n
19.<\/td>\nTHA TRICKAZ<\/td>\nCLOUD ADVENTURE<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
20.<\/td>\nMYCIAA<\/td>\nIS EVERY DEVIL MINE ?<\/td>\nLES T\u00c3\u2030N\u00c3\u02c6BRES RECORDS<\/td>\n<\/tr>\n
21.<\/td>\nTYLER THE CREATOR<\/td>\nGOBLIN<\/td>\nXL<\/td>\n<\/tr>\n
22.<\/td>\nA MAN AND A MACHINE<\/td>\nST<\/td>\nHARMONIA MUNDI<\/td>\n<\/tr>\n
23.<\/td>\nBURNING HEADS<\/td>\nHEAR THIS<\/td>\nOPPOSITE PROD<\/td>\n<\/tr>\n
24.<\/td>\nGENERAL ELEKTRIKS<\/td>\nPARKER STREET<\/td>\nDISCOGRAPH<\/td>\n<\/tr>\n
25.<\/td>\nALGORYTHMIK<\/td>\nMORPHISM<\/td>\nCHAPHI RECORDS<\/td>\n<\/tr>\n
26.<\/td>\nGIRLS<\/td>\nFATHER, SON, HOLY GHOST<\/td>\nFANTASY TRASHCAN<\/td>\n<\/tr>\n
27.<\/td>\nGANGPOL UND MIT<\/td>\nTHE 1000 SOFTCORE TOURIST PEOPLE CLUB<\/td>\nIPECAC REC<\/td>\n<\/tr>\n
28.<\/td>\nMANSFIELD TYA<\/td>\nNYX<\/td>\nVICIOUS CIRCLE<\/td>\n<\/tr>\n
29.<\/td>\nMODESELEKTOR<\/td>\nMONKEYTOWN<\/td>\nMONKEYTOWN<\/td>\n<\/tr>\n
30.<\/td>\nSAINT VINCENT<\/td>\nSTRANGE MERCY<\/td>\n4AD<\/td>\n<\/tr>\n
31.<\/td>\nENABLERS<\/td>\nBLOWN REALMS AND STALLED EXPLOSIONS<\/td>\nEXILE ON MAINSTREAM<\/td>\n<\/tr>\n
32.<\/td>\nVACCINES (THE)<\/td>\nWHAT DID YOU EXPECT FROM THE VACCINES?<\/td>\nCOLUMBIA<\/td>\n<\/tr>\n
33.<\/td>\nBUSTER SHUFFLE<\/td>\nOUR NIGHT OUT<\/td>\nPEOPLE LIKE YOU REC<\/td>\n<\/tr>\n
34.<\/td>\nPACK A.D.<\/td>\nUNPERSONS<\/td>\nPLATINUM<\/td>\n<\/tr>\n
35.<\/td>\nTINARIWEN<\/td>\nTASSILI<\/td>\nV2<\/td>\n<\/tr>\n
36.<\/td>\nFITZ AND THE TANTRUMS<\/td>\nPICKING UP THE PIECES<\/td>\nDANGERBIRD<\/td>\n<\/tr>\n
37.<\/td>\nLIMINANAS, THE<\/td>\nST<\/td>\nTROUBLE IN MIND RDS<\/td>\n<\/tr>\n
38.<\/td>\nAUCAN<\/td>\nBLACK RAINBOW<\/td>\nAFRICANTAPE<\/td>\n<\/tr>\n
39.<\/td>\nSELENITES<\/td>\nJEDER F\u00c3\u0153R SICH UND GOTT GEGEN ALLE<\/td>\nLACRYMAL RECORDS<\/td>\n<\/tr>\n
40.<\/td>\nFINKIELKRAUTS<\/td>\nSMOG<\/td>\nANOTHER<\/td>\n<\/tr>\n
41.<\/td>\nELECTRIC ELECTRIC<\/td>\nSAD CITIES HANDCLAPERS<\/td>\nHERZFELD<\/td>\n<\/tr>\n
42.<\/td>\nNARCOLEPTIC DANCERS<\/td>\nNEVER SLEEP<\/td>\nBLEEPMACHINE<\/td>\n<\/tr>\n
43.<\/td>\nSERIOUSLY, ERIC? #3<\/td>\nST<\/td>\nALTER K<\/td>\n<\/tr>\n
44.<\/td>\nBEIRUT<\/td>\nTHE RIP TIDE<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
45.<\/td>\nLES VOLEURS DE SWING<\/td>\nHOTEL MOLOTOV<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
46.<\/td>\nSAVIOURS<\/td>\nDEATH’S PROCESSION<\/td>\nKEMADO<\/td>\n<\/tr>\n
47.<\/td>\nSISTERHOOD ISSUE<\/td>\nRETURN TO SENDER<\/td>\nDIRTY GUYS ROCK<\/td>\n<\/tr>\n
48.<\/td>\nCONNAN MOCKASIN<\/td>\nFOREVER DOLPHIN LOVE<\/td>\nBECAUSE<\/td>\n<\/tr>\n
49.<\/td>\nNIRVANA<\/td>\nBEST OF<\/td>\nGEFFEN<\/td>\n<\/tr>\n
50.<\/td>\nSAM TACH<\/td>\nS\/T<\/td>\nPERSISTE & SIGNE<\/td>\n<\/tr>\n
51.<\/td>\nAMY WINEHOUSE<\/td>\nBACK TO BLACK<\/td>\nUNIVERSAL<\/td>\n<\/tr>\n
52.<\/td>\nICEAGE<\/td>\nNEW BRIGADE<\/td>\nWHAT’S YOUR RUPTURE?<\/td>\n<\/tr>\n
53.<\/td>\nFORDAMAGE<\/td>\nBELGIAN TANGO<\/td>\nKYTHIBONG<\/td>\n<\/tr>\n
54.<\/td>\nMUSTANG<\/td>\nTABOU<\/td>\nEPIC<\/td>\n<\/tr>\n
55.<\/td>\nED WOOD JR<\/td>\nSILENCE<\/td>\nSWARM RECORDS<\/td>\n<\/tr>\n
56.<\/td>\nWUGAZI<\/td>\n13 CHAMBERS<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
57.<\/td>\nV\/A<\/td>\nLA.GA.STA SUMMER COMPILATION<\/td>\nAUDIOBLOG<\/td>\n<\/tr>\n
58.<\/td>\nRED DONS<\/td>\nFAKE MEETS FAILURE<\/td>\nDERANGED \/ TAKEN BY SURPRISE<\/td>\n<\/tr>\n
59.<\/td>\nMAGNETIX<\/td>\nDROGUE ELECTRIQUE<\/td>\nBORN BAD RECORDS<\/td>\n<\/tr>\n
60.<\/td>\nRUBIN STEINER & IRA LEE<\/td>\nWE ARE THE FUTURE<\/td>\nPLATINUM<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

PLAY LISTE SINGLES<\/h2>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
1.<\/td>\nLES OGRES DE BARBACK<\/td>\nCOMMENT JE SUIS DEVENU VOYAGEUR<\/td>\nBARBACK EDITIONS<\/td>\n<\/tr>\n
2.<\/td>\nTURBO FRUITS<\/td>\nGET UP GET ON DOWN<\/td>\nARK<\/td>\n<\/tr>\n
3.<\/td>\nMESPARROW<\/td>\nNEIGHBOUR’S DREAM<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
4.<\/td>\nDJANGO DJANGO<\/td>\nWAVEFORMS<\/td>\nBECAUSE MUSIC<\/td>\n<\/tr>\n
5.<\/td>\n123MRK<\/td>\nNONAME EP<\/td>\nINFINITE MACHINE<\/td>\n<\/tr>\n
6.<\/td>\nI AM UN CHIEN!!<\/td>\nST<\/td>\nIT’S RECORDS<\/td>\n<\/tr>\n
7.<\/td>\nCARTE BLANCHE<\/td>\nWHITE MAN ON THE MOON<\/td>\nED BANGER<\/td>\n<\/tr>\n
8.<\/td>\nSEBASTIAN FEAT MIA<\/td>\nC.T.F.O.<\/td>\nED BANGER<\/td>\n<\/tr>\n
9.<\/td>\nJUSTICE<\/td>\nAUDIO, VIDEO, DISCO.<\/td>\nED BANGER RECORDS<\/td>\n<\/tr>\n
10.<\/td>\nOVER THE TOP<\/td>\nST<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
11.<\/td>\nROOTS MANUVA<\/td>\nGET THE GET<\/td>\nNINJA TUNE<\/td>\n<\/tr>\n
12.<\/td>\nBURNING HEADS<\/td>\n7″<\/td>\nCRAPOULET\/ CAN I SAY RECORDS ?<\/td>\n<\/tr>\n
13.<\/td>\nGORILLAZ<\/td>\nCLINT EASTWOOD<\/td>\nPARLOPHONE\/EMI<\/td>\n<\/tr>\n
14.<\/td>\nLES THUGS<\/td>\nK.E.X.P SESSION<\/td>\nSLOW DEATH RECORDS<\/td>\n<\/tr>\n
15.<\/td>\nRATATAT<\/td>\n\/<\/td>\nREX RECORDS<\/td>\n<\/tr>\n
16.<\/td>\nTWO LONE SWORDSMEN<\/td>\nSEX BEAT<\/td>\nWARP \/ PIAS<\/td>\n<\/tr>\n
17.<\/td>\nWHITE STRIPES<\/td>\nBLUE ORCHID<\/td>\nBEGGARS FRANCE<\/td>\n<\/tr>\n
18.<\/td>\nCUNNINLINGUISTS<\/td>\nMEXICO<\/td>\nBAD TASTE<\/td>\n<\/tr>\n
19.<\/td>\nFELOCHE<\/td>\nLA VIE CAJUN<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
20.<\/td>\nDFI \/ UNLOGISTIC<\/td>\nSPLIT 7″<\/td>\nEMERGENCE<\/td>\n<\/tr>\n
21.<\/td>\nBABYSHAMBLES<\/td>\nKILLAMANGIRO<\/td>\nROUGHTRADE<\/td>\n<\/tr>\n
22.<\/td>\nINTERNATIONAL NOISE CONSPIRACY<\/td>\nUP FOR SALE<\/td>\nBURNING HEART<\/td>\n<\/tr>\n
23.<\/td>\nBENTLEY RHYTHM ACE<\/td>\nTHEME FROM GUTBUSTER<\/td>\nEMI<\/td>\n<\/tr>\n
24.<\/td>\nRAEKWON<\/td>\nLIVE FROM NY<\/td>\nLOUD RDS<\/td>\n<\/tr>\n
25.<\/td>\nTHE CESARIANS<\/td>\nI’M WITH GOD<\/td>\nAFRICAN TAPE<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

PLAY LISTE L.P. 1. FOX HEADS (THE) WE WANT TO BE NUMB PLATINUM 2. JARRING EFFECTS FX100 JARRING EFFECTS 3. ORELSAN LE CHANT DES SIR\u00c3\u02c6NES 3\u00c3\u02c6ME BUREAU 4. THE MONSTERS …POP UP YOURS VOODOO RHYTHM 5. KATERINE, FRANCIS ET SES PEINTRES 52 REPRISES DANS L’ESPACE BARCLAY 6. TENNIS CAPE DORY FAT POSSUM 7. BOOGERS MORE … Continuer la lecture de « F\u00e9raliste du 1er au 15 octobre 2011 »<\/span><\/a><\/p>\n","protected":false},"author":4,"featured_media":30347,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[197],"tags":[],"class_list":["post-30348","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-classements"],"_links":{"self":[{"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/posts\/30348","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/comments?post=30348"}],"version-history":[{"count":0,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/posts\/30348\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/media\/30347"}],"wp:attachment":[{"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/media?parent=30348"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/categories?post=30348"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/tags?post=30348"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}