{"id":30993,"date":"2012-02-17T13:40:55","date_gmt":"2012-02-17T12:40:55","guid":{"rendered":"http:\/\/www.radiobeton.com\/wordpress\/?p=30993"},"modified":"2012-02-17T13:40:55","modified_gmt":"2012-02-17T12:40:55","slug":"feralist-du-1er-fevrier-au-15-fevrier-2012","status":"publish","type":"post","link":"https:\/\/www.radiobeton.com\/www\/feralist-du-1er-fevrier-au-15-fevrier-2012\/","title":{"rendered":"F\u00e9ralist du 1er f\u00e9vrier au 15 f\u00e9vrier 2012"},"content":{"rendered":"
\n

PLAY LISTE L.P.<\/h2>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
1.<\/td>\nBLACK KEYS (THE)<\/td>\nEL CAMINO<\/td>\nNONESUCH RECORDS<\/td>\n<\/tr>\n
2.<\/td>\nSALLIE FORD AND THE SOUND OUTSIDE<\/td>\nDIRTY RADIO<\/td>\nFARGO<\/td>\n<\/tr>\n
3.<\/td>\nTENNIS<\/td>\nYOUNG & OLD<\/td>\nFAT POSSUM<\/td>\n<\/tr>\n
4.<\/td>\nDJANGO DJANGO<\/td>\nS\/T<\/td>\nBECAUSE<\/td>\n<\/tr>\n
5.<\/td>\nNINE ELEVEN<\/td>\nLE REVE DE CASSANDRE<\/td>\nEFFERVESCENCE<\/td>\n<\/tr>\n
6.<\/td>\nCH\u00c3\u201aTEAU BRUYANT<\/td>\nBASS MUSIC<\/td>\nCH\u00c3\u201aTEAU BRUYANT<\/td>\n<\/tr>\n
7.<\/td>\nJC SATAN<\/td>\nHELL DEATH SAMBA<\/td>\nSLOVENLY<\/td>\n<\/tr>\n
8.<\/td>\nBRETON<\/td>\nOTHER PEOPLE’S PROBLEMS<\/td>\nFATCAT RECORDS<\/td>\n<\/tr>\n
9.<\/td>\nCHAIRLIFT<\/td>\nSOMETHING<\/td>\nCOLUMBIA<\/td>\n<\/tr>\n
10.<\/td>\nSPITS<\/td>\nV<\/td>\nIN THE RED<\/td>\n<\/tr>\n
11.<\/td>\nTHEE OH SEES<\/td>\nCARRION CRAWLER \/ THE DREAM<\/td>\nIN THE RED<\/td>\n<\/tr>\n
12.<\/td>\nWUGAZI<\/td>\n13 CHAMBERS<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
13.<\/td>\nCHINESE MAN<\/td>\nREMIX WITH THE SUN<\/td>\nCHINESE MAN RECORDS<\/td>\n<\/tr>\n
14.<\/td>\nCRANE ANGELS<\/td>\nLE SYLPHIDE DE BRIGHTON<\/td>\nANIMAL FACTORY<\/td>\n<\/tr>\n
15.<\/td>\nURSUT<\/td>\nDARARNAS PARADIS<\/td>\nLA FAMILIA<\/td>\n<\/tr>\n
16.<\/td>\nROBOT ORCHESTRA<\/td>\nNOW WE CAN WALK<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
17.<\/td>\nMINUTES (THE)<\/td>\nMARCATA<\/td>\nMODEL CITIZEN<\/td>\n<\/tr>\n
18.<\/td>\nJAMES CHANCE<\/td>\nINCORRIGIBLE!<\/td>\nLE SON DU MAQUIS<\/td>\n<\/tr>\n
19.<\/td>\nHOLLIE COOK<\/td>\nS\/T<\/td>\nMR BONGO<\/td>\n<\/tr>\n
20.<\/td>\nCYESM<\/td>\nWEIRD STORIES<\/td>\nGOOD CITY ZEN FACTORY<\/td>\n<\/tr>\n
21.<\/td>\nLILEA NARRATIVE<\/td>\nFELINE BOULEVARD<\/td>\nBAX RECORDS<\/td>\n<\/tr>\n
22.<\/td>\nBIKINI MACHINE<\/td>\nLET’S PARTY WITH<\/td>\nPLATINIUM RECORDS<\/td>\n<\/tr>\n
23.<\/td>\nCIVIL CIVIC<\/td>\nRULES<\/td>\n5000<\/td>\n<\/tr>\n
24.<\/td>\nC\u00c3\u201aLIN<\/td>\nBLACK CHINESE II<\/td>\nL’AMICALE UNDERGROUND<\/td>\n<\/tr>\n
25.<\/td>\nJUSTICE<\/td>\nAUDIO VIDEO DISCO<\/td>\nED BANGER<\/td>\n<\/tr>\n
26.<\/td>\nCHEVEU<\/td>\n1000 (MILLE)<\/td>\nBORN BAD<\/td>\n<\/tr>\n
27.<\/td>\nBLACK BOX REVELATION<\/td>\nMY PERCEPTION<\/td>\nPIAS<\/td>\n<\/tr>\n
28.<\/td>\nMONDKOPF<\/td>\nRISING DOOM<\/td>\nFOOL HOUSE<\/td>\n<\/tr>\n
29.<\/td>\nKAP BAMBINO<\/td>\nDEVOTION<\/td>\nBECAUSE<\/td>\n<\/tr>\n
30.<\/td>\nFIELD MUSIC<\/td>\nPLUMB<\/td>\nPIAS<\/td>\n<\/tr>\n
31.<\/td>\nGANGRENE<\/td>\nVODKA & AYAHUASCA<\/td>\nDECON<\/td>\n<\/tr>\n
32.<\/td>\nMARS RED SKY<\/td>\nMRS<\/td>\nEMERGENCE MUSIC<\/td>\n<\/tr>\n
33.<\/td>\nGZA\/GENIUS<\/td>\nBENEATH THE SURFACE<\/td>\nMCA\/UNNIVERSAL<\/td>\n<\/tr>\n
34.<\/td>\nAMY WINEHOUSE<\/td>\nLIONESS : HIDDEN TREASURES<\/td>\nISLAND<\/td>\n<\/tr>\n
35.<\/td>\nASSASSIN<\/td>\nTOUCHE D’ESPOIR<\/td>\nASSASSIN PROD\/DELABEL<\/td>\n<\/tr>\n
36.<\/td>\nIT’S NOT NOT<\/td>\nBOUND FOR THE SHINE<\/td>\nB CORE<\/td>\n<\/tr>\n
37.<\/td>\nBOOGERS<\/td>\nMORE BETTER<\/td>\nAT(H)OME<\/td>\n<\/tr>\n
38.<\/td>\nYAOBOBBY<\/td>\nHISTOIRES D’UN CONTINENT<\/td>\nNOMADIC WAX<\/td>\n<\/tr>\n
39.<\/td>\nBEIRUT<\/td>\nTHE RIP TIDE<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
40.<\/td>\nGIRLS<\/td>\nFATHER, SON, HOLY GHOST<\/td>\nFANTASY TRASHCAN<\/td>\n<\/tr>\n
41.<\/td>\nKITTY, DAISY & LEWIS<\/td>\nSMOKIN’ IN HEAVEN<\/td>\nSUNDAY BEST<\/td>\n<\/tr>\n
42.<\/td>\nFITZ AND THE TANTRUMS<\/td>\nPICKING UP THE PIECES<\/td>\nDANGERBIRD<\/td>\n<\/tr>\n
43.<\/td>\nS. MOS<\/td>\nHIP HOP AND JAZZ MIXED UP VOLUME 2<\/td>\nMUSICAST<\/td>\n<\/tr>\n
44.<\/td>\nBOOGERS<\/td>\nAS CLEAN AS POSSIBLE<\/td>\nAT(H)OME<\/td>\n<\/tr>\n
45.<\/td>\nBEIRUT<\/td>\nTHE RIP TIDE<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
46.<\/td>\nMOS DEF<\/td>\nTHE NEW DANGER<\/td>\nGEFFEN<\/td>\n<\/tr>\n
47.<\/td>\nKITCHENMEN<\/td>\nWHAT’S COOKIN’?<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
48.<\/td>\nLES SOLDES<\/td>\nBULTHAUP<\/td>\nLACRYMAL RECORDS<\/td>\n<\/tr>\n
49.<\/td>\nFEELING OF LOVE (THE)<\/td>\nDISSOLVE ME<\/td>\nBORN BAD<\/td>\n<\/tr>\n
50.<\/td>\nARCADE FIRE<\/td>\nFUNERAL<\/td>\nROUGH TRADE<\/td>\n<\/tr>\n
51.<\/td>\nDIAGRAMS<\/td>\nBLACK LIGHT<\/td>\nFULL TIME HOBBY<\/td>\n<\/tr>\n
52.<\/td>\nNOSTALGIA 77<\/td>\nMEMORIES EP<\/td>\nBACANA<\/td>\n<\/tr>\n
53.<\/td>\nWHOMADEWHO<\/td>\nBRIGHTER<\/td>\nKOMPAKT<\/td>\n<\/tr>\n
54.<\/td>\nMARK SULTAN<\/td>\nWHATEVER \/ WHENEVER<\/td>\nIN THE RED<\/td>\n<\/tr>\n
55.<\/td>\nPAVEMENT<\/td>\nBRIGHTEN THE CORNERS<\/td>\nP I A S<\/td>\n<\/tr>\n
56.<\/td>\nWILEY<\/td>\nEVOLVE OR BE EXTINCT<\/td>\nBIG DADA<\/td>\n<\/tr>\n
57.<\/td>\nPNEU<\/td>\nHIGHWAY TO HEALTH<\/td>\nHEAD RECORDS<\/td>\n<\/tr>\n
58.<\/td>\nQUAKERS AND MORMONS<\/td>\nEVOLVOTRON<\/td>\nLA VALIGETTA<\/td>\n<\/tr>\n
59.<\/td>\nCLOUD NOTHINGS<\/td>\nATTACK ON MEMORY<\/td>\nWICHITA<\/td>\n<\/tr>\n
60.<\/td>\nUNITED FOOLS<\/td>\nHUMAN PROJECT<\/td>\nBANZA\u00c3\u008f LAB<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

PLAY LISTE SINGLES<\/h2>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
1.<\/td>\nKYMA<\/td>\nCRAMPES MENTALES EP<\/td>\nVATSA PROD<\/td>\n<\/tr>\n
2.<\/td>\nC2C<\/td>\nDOWN THE ROAD<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
3.<\/td>\nCHILL BUMP<\/td>\nSTARTING FROM SCRATCH<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
4.<\/td>\nPINKUNOIZU<\/td>\nPEEP EP<\/td>\nFULL TIME HOBBY<\/td>\n<\/tr>\n
5.<\/td>\nJANSKI BEEEATS<\/td>\nOLD & UNRELEASED<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
6.<\/td>\nWOODKID<\/td>\nIRON<\/td>\nGREEN UNITED MUSIC<\/td>\n<\/tr>\n
7.<\/td>\nSPOEK MATHAMBO<\/td>\nFATHER CREEPER<\/td>\nSUB POP<\/td>\n<\/tr>\n
8.<\/td>\nFRISKIES<\/td>\nST<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
9.<\/td>\nNO FLAG PROJECT<\/td>\nCOMPLEX HEADACHE<\/td>\nA CHITE MONKEY NETWORK<\/td>\n<\/tr>\n
10.<\/td>\nPANIC MOTEL<\/td>\nVACANCY 4 EVER<\/td>\nDIRTY GUYS ROCK<\/td>\n<\/tr>\n
11.<\/td>\nNZCA\/LINES<\/td>\nEP<\/td>\nALTER K<\/td>\n<\/tr>\n
12.<\/td>\nMESPARROW<\/td>\nON THE BORDERLINE<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
13.<\/td>\nFUNKTRAUMA<\/td>\nST<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
14.<\/td>\nMETRONOMY<\/td>\nEVERYTHING GOES MY WAY<\/td>\nBECAUSE<\/td>\n<\/tr>\n
15.<\/td>\nDJANGO DJANGO<\/td>\nDEFAULT<\/td>\nBECAUSE<\/td>\n<\/tr>\n
16.<\/td>\nZOMBIE ZOMBIE<\/td>\nPLAYS JOHN CARPENTER<\/td>\nVERSATILE<\/td>\n<\/tr>\n
17.<\/td>\nTURNSTEAK<\/td>\nENGRENAGES EP<\/td>\nITD MUSIC<\/td>\n<\/tr>\n
18.<\/td>\nOK<\/td>\nWET<\/td>\nCARTON REC<\/td>\n<\/tr>\n
19.<\/td>\nZULU WINTER<\/td>\nWE SHOUL BE SWIMMING<\/td>\nPLAY IT AGAIN SAM<\/td>\n<\/tr>\n
20.<\/td>\nTURBO NEGRO<\/td>\nPROMOSEXUAL<\/td>\nBOOMBA REC<\/td>\n<\/tr>\n
21.<\/td>\nHEAVY (THE)<\/td>\nOH NO ! NOT YOU AGAIN<\/td>\nCOUNTER<\/td>\n<\/tr>\n
22.<\/td>\nJUSTICE<\/td>\nA CROSS THE UNIVERSE<\/td>\nED BANGER<\/td>\n<\/tr>\n
23.<\/td>\nPIPETTES (THE)<\/td>\nMEET THE PIPETTES<\/td>\nCOOPERATIVE MUSIC<\/td>\n<\/tr>\n
24.<\/td>\nJACKSON AND HIS COMPUTER BAND<\/td>\nROCK ON EP<\/td>\nWARP\/SOUND OF BARCLAY<\/td>\n<\/tr>\n
25.<\/td>\nWHITE STRIPES<\/td>\nBLUE ORCHID<\/td>\nBEGGARS FRANCE<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

PLAY LISTE L.P. 1. BLACK KEYS (THE) EL CAMINO NONESUCH RECORDS 2. SALLIE FORD AND THE SOUND OUTSIDE DIRTY RADIO FARGO 3. TENNIS YOUNG & OLD FAT POSSUM 4. DJANGO DJANGO S\/T BECAUSE 5. NINE ELEVEN LE REVE DE CASSANDRE EFFERVESCENCE 6. CH\u00c3\u201aTEAU BRUYANT BASS MUSIC CH\u00c3\u201aTEAU BRUYANT 7. JC SATAN HELL DEATH SAMBA SLOVENLY … Continuer la lecture de « F\u00e9ralist du 1er f\u00e9vrier au 15 f\u00e9vrier 2012 »<\/span><\/a><\/p>\n","protected":false},"author":4,"featured_media":30992,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[197],"tags":[],"class_list":["post-30993","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-classements"],"_links":{"self":[{"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/posts\/30993","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/comments?post=30993"}],"version-history":[{"count":0,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/posts\/30993\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/media\/30992"}],"wp:attachment":[{"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/media?parent=30993"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/categories?post=30993"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/tags?post=30993"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}