{"id":31066,"date":"2012-03-02T10:43:20","date_gmt":"2012-03-02T09:43:20","guid":{"rendered":"http:\/\/www.radiobeton.com\/wordpress\/?p=31066"},"modified":"2012-03-02T10:43:20","modified_gmt":"2012-03-02T09:43:20","slug":"feraliste-15-fevrier-au-1er-mars-2","status":"publish","type":"post","link":"https:\/\/www.radiobeton.com\/www\/feraliste-15-fevrier-au-1er-mars-2\/","title":{"rendered":"F\u00e9raliste 15 f\u00e9vrier au 1er mars"},"content":{"rendered":"
\n

PLAY LISTE L.P.<\/h2>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
1.<\/td>\nCLOUD NOTHINGS<\/td>\nATTACK ON MEMORY<\/td>\nWICHITA<\/td>\n<\/tr>\n
2.<\/td>\nBRETON<\/td>\nOTHER PEOPLE’S PROBLEMS<\/td>\nFATCAT RECORDS<\/td>\n<\/tr>\n
3.<\/td>\nKYMA<\/td>\nCRAMPES MENTALES (H\u00c3\u2030MISPH\u00c3\u02c6RE GAUCHE)<\/td>\nVATSA PROD<\/td>\n<\/tr>\n
4.<\/td>\nROBOT ORCHESTRA<\/td>\nNOW WE CAN WALK<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
5.<\/td>\nKAP BAMBINO<\/td>\nDEVOTION<\/td>\nBECAUSE<\/td>\n<\/tr>\n
6.<\/td>\nMINUTES (THE)<\/td>\nMARCATA<\/td>\nMODEL CITIZEN<\/td>\n<\/tr>\n
7.<\/td>\nDJANGO DJANGO<\/td>\nS\/T<\/td>\nBECAUSE<\/td>\n<\/tr>\n
8.<\/td>\nHOWLER<\/td>\nAMERICA GIVE UP<\/td>\nROUGH TRADE<\/td>\n<\/tr>\n
9.<\/td>\nCIVIL CIVIC<\/td>\nRULES<\/td>\n5000<\/td>\n<\/tr>\n
10.<\/td>\nBLACK KEYS (THE)<\/td>\nEL CAMINO<\/td>\nNONESUCH RECORDS<\/td>\n<\/tr>\n
11.<\/td>\nPAPIER TIGRE<\/td>\nRECREATION<\/td>\nAFRICAN TAPE\/MURAILLES MUSIC<\/td>\n<\/tr>\n
12.<\/td>\nBIKINI MACHINE<\/td>\nLET’S PARTY WITH<\/td>\nPLATINIUM RECORDS<\/td>\n<\/tr>\n
13.<\/td>\nTENNIS<\/td>\nYOUNG & OLD<\/td>\nFAT POSSUM<\/td>\n<\/tr>\n
14.<\/td>\nCH\u00c3\u201aTEAU BRUYANT<\/td>\nBASS MUSIC<\/td>\nCH\u00c3\u201aTEAU BRUYANT<\/td>\n<\/tr>\n
15.<\/td>\nLILEA NARRATIVE<\/td>\nFELINE BOULEVARD<\/td>\nBAX RECORDS<\/td>\n<\/tr>\n
16.<\/td>\nSCROOBIUS PIP<\/td>\nDISTRACTION PIECES<\/td>\nSPEECH DEVELOPMENT<\/td>\n<\/tr>\n
17.<\/td>\nKRAZY BALDHEAD<\/td>\nTHE NOISE IN THE SKY<\/td>\nED BANGER RECORDS<\/td>\n<\/tr>\n
18.<\/td>\nBAXTER DURY<\/td>\nHAPPY SOUP<\/td>\nRECAL<\/td>\n<\/tr>\n
19.<\/td>\nPRINZHORN DANCE SCHOOL<\/td>\nCLAY CLASS<\/td>\nDFA<\/td>\n<\/tr>\n
20.<\/td>\nDIE ZORROS<\/td>\nFUTURE<\/td>\nVOODOO RHYTHM<\/td>\n<\/tr>\n
21.<\/td>\nVACCINES (THE)<\/td>\nWHAT DID YOU EXPECT FROM THE VACCINES?<\/td>\nCOLUMBIA<\/td>\n<\/tr>\n
22.<\/td>\nBLACK BOX REVELATION<\/td>\nMY PERCEPTION<\/td>\nPIAS<\/td>\n<\/tr>\n
23.<\/td>\nSALLIE FORD AND THE SOUND OUTSIDE<\/td>\nDIRTY RADIO<\/td>\nFARGO<\/td>\n<\/tr>\n
24.<\/td>\nBEASTIE BOYS<\/td>\nHOT SAUCE COMMITTEE PART TWO<\/td>\nCAPITOL<\/td>\n<\/tr>\n
25.<\/td>\nSLUM VILLAGE<\/td>\nFANTASTIC VOL.II<\/td>\nMAWLAW\/SOURCE<\/td>\n<\/tr>\n
26.<\/td>\nTHEE OH SEES<\/td>\nCARRION CRAWLER \/ THE DREAM<\/td>\nIN THE RED<\/td>\n<\/tr>\n
27.<\/td>\nYETI LANE<\/td>\nTHE ECHO SHOW<\/td>\nCLAPPING MUSIC<\/td>\n<\/tr>\n
28.<\/td>\nKITTY, DAISY & LEWIS<\/td>\nSMOKIN’ IN HEAVEN<\/td>\nSUNDAY BEST<\/td>\n<\/tr>\n
29.<\/td>\nTHE EXCITEMENTS<\/td>\nST<\/td>\nMONO<\/td>\n<\/tr>\n
30.<\/td>\nJUVENILES<\/td>\nWE ARE YOUNG<\/td>\nKITSUN\u00c3\u2030<\/td>\n<\/tr>\n
31.<\/td>\nGORILLAZ<\/td>\nTHE SINGLES COLLECTION 2001-2011<\/td>\nST<\/td>\n<\/tr>\n
32.<\/td>\nLE PEUPLE DE L’HERBE<\/td>\nA MATTER OF TIME<\/td>\nDISCOGRAPH<\/td>\n<\/tr>\n
33.<\/td>\nANORAK<\/td>\nSICK<\/td>\nMAXIMUM DOUGLAS RECORDS<\/td>\n<\/tr>\n
34.<\/td>\nS. MOS<\/td>\nHIP HOP AND JAZZ MIXED UP VOLUME 2<\/td>\nMUSICAST<\/td>\n<\/tr>\n
35.<\/td>\nBURNING HEADS<\/td>\nSUPER MODERN WORLD<\/td>\nA DONF’\/PIAS<\/td>\n<\/tr>\n
36.<\/td>\nMISTEUR VALAIRE<\/td>\nGOLDEN BOMBAY<\/td>\nMR LABEL<\/td>\n<\/tr>\n
37.<\/td>\nTHE GASLIGHT ANTHEM<\/td>\nAMERICAN SLANG<\/td>\nSIDE ONE DUMMY<\/td>\n<\/tr>\n
38.<\/td>\nJC SATAN<\/td>\nHELL DEATH SAMBA<\/td>\nSLOVENLY<\/td>\n<\/tr>\n
39.<\/td>\nTHA TRICKAZ<\/td>\nCLOUD ADVENTURE<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
40.<\/td>\nAIR<\/td>\nLE VOYAGE DANS LA LUNE<\/td>\nEMI<\/td>\n<\/tr>\n
41.<\/td>\nM83<\/td>\nBEFORE THE DAWN HEALS US<\/td>\nLABELS<\/td>\n<\/tr>\n
42.<\/td>\nUNITED FOOLS<\/td>\nHUMAN PROJECT<\/td>\nBANZA\u00c3\u008f LAB<\/td>\n<\/tr>\n
43.<\/td>\nBLUR<\/td>\nBEST OF<\/td>\nPARLOPHONE\/EMI<\/td>\n<\/tr>\n
44.<\/td>\nMEMORYHOUSE<\/td>\nTHE SLIDER EFFECT<\/td>\nSUBPOP<\/td>\n<\/tr>\n
45.<\/td>\nTHE CRAMPS<\/td>\nFILE UNDER SACRED MUSIC – EARLY SINGLES 1978-1981<\/td>\nMUNSTER<\/td>\n<\/tr>\n
46.<\/td>\nCHINESE MAN<\/td>\nREMIX WITH THE SUN<\/td>\nCHINESE MAN RECORDS<\/td>\n<\/tr>\n
47.<\/td>\nARCHIVE<\/td>\nYOU ALL LOOK THE SAME TO ME<\/td>\nEAST WEST<\/td>\n<\/tr>\n
48.<\/td>\nMUSTANG<\/td>\nTABOU<\/td>\nEPIC<\/td>\n<\/tr>\n
49.<\/td>\nVAMPIRE WEEKEND<\/td>\nCONTRA<\/td>\nXL RECORDINGS<\/td>\n<\/tr>\n
50.<\/td>\nGUNSHOT<\/td>\nTWILIGHTS LAST GLEAMING<\/td>\nP I A S<\/td>\n<\/tr>\n
51.<\/td>\nBEIRUT<\/td>\nTHE RIP TIDE<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
52.<\/td>\nEINSTURZENDE NEUBAUTEN<\/td>\nENDE NEU<\/td>\nMUTE<\/td>\n<\/tr>\n
53.<\/td>\nICEAGE<\/td>\nNEW BRIGADE<\/td>\nWHAT’S YOUR RUPTURE?<\/td>\n<\/tr>\n
54.<\/td>\nFOREIGH BEGGARS<\/td>\nHOLD ON<\/td>\nDENTED<\/td>\n<\/tr>\n
55.<\/td>\nCOMMON<\/td>\nBE<\/td>\nGEFFEN<\/td>\n<\/tr>\n
56.<\/td>\nPUPPETMASTAZ<\/td>\nCREATURE SHOCK RADIO<\/td>\nVICIOUS CIRCLE<\/td>\n<\/tr>\n
57.<\/td>\nDIZZEE RASCAL<\/td>\nBOY IN DA CORNER<\/td>\nXL RECORDINGS\/BEGGARS<\/td>\n<\/tr>\n
58.<\/td>\nCOLLEGE<\/td>\nSECRET DIARY<\/td>\nFUTUR<\/td>\n<\/tr>\n
59.<\/td>\nGUITAR WOLF<\/td>\nUFO ROMANTICS<\/td>\nSKYDOG\/MELODIE<\/td>\n<\/tr>\n
60.<\/td>\nMARS RED SKY<\/td>\nMRS<\/td>\nEMERGENCE MUSIC<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

PLAY LISTE SINGLES<\/h2>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
1.<\/td>\nELECTRIC GUEST<\/td>\nTHIS HEAD I HOLD<\/td>\nBECAUSE MUSIC<\/td>\n<\/tr>\n
2.<\/td>\nCHILL BUMP<\/td>\nSTARTING FROM SCRATCH<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
3.<\/td>\nHABSTRAKT & BADJOKES<\/td>\nMIAOW<\/td>\nRADIO LOS SANTOS<\/td>\n<\/tr>\n
4.<\/td>\nC2C<\/td>\nDOWN THE ROAD<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
5.<\/td>\nWOODKID<\/td>\nIRON<\/td>\nGREEN UNITED MUSIC<\/td>\n<\/tr>\n
6.<\/td>\nHAZEL-RAH<\/td>\nTHE AFRICATAPE EP<\/td>\nAFRICANTAPE<\/td>\n<\/tr>\n
7.<\/td>\nSAM TACH’<\/td>\nEP<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
8.<\/td>\nFOREIGN BEGGARS & NOISA<\/td>\nCONTACT<\/td>\nDENTED RECORDS<\/td>\n<\/tr>\n
9.<\/td>\nBELLE & SEBASTIAN<\/td>\nDEAR CATASTROPHE WAITRESS<\/td>\nPIAS<\/td>\n<\/tr>\n
10.<\/td>\nJANSKI BEEEATS<\/td>\nOLD & UNRELEASED<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
11.<\/td>\nMETRONOMY<\/td>\nEVERYTHING GOES MY WAY<\/td>\nBECAUSE<\/td>\n<\/tr>\n
12.<\/td>\nREVOLVER<\/td>\nWIND SONG<\/td>\nEMI<\/td>\n<\/tr>\n
13.<\/td>\nZULU WINTER<\/td>\nWE SHOUL BE SWIMMING<\/td>\nPLAY IT AGAIN SAM<\/td>\n<\/tr>\n
14.<\/td>\nOK<\/td>\nWET<\/td>\nCARTON REC<\/td>\n<\/tr>\n
15.<\/td>\nKRAFTWERK<\/td>\nRADIOACTIVITY<\/td>\nCAPITOL<\/td>\n<\/tr>\n
16.<\/td>\nSTRANGLERS (THE)<\/td>\nGOLDEN BROWN<\/td>\nPATHE MARCONI\/EMI<\/td>\n<\/tr>\n
17.<\/td>\nGHISLAIN POIRIER<\/td>\nNO MORE BLOOD<\/td>\nNINJA TUNE<\/td>\n<\/tr>\n
18.<\/td>\nBENGA<\/td>\nNIGHT<\/td>\nTEMPA<\/td>\n<\/tr>\n
19.<\/td>\n22-20’S<\/td>\nWHY DON’T YOU DO IT FOR ME<\/td>\nHEAVENLY RDS<\/td>\n<\/tr>\n
20.<\/td>\nSTINGERS ATX<\/td>\n<\/td>\nGROVER<\/td>\n<\/tr>\n
21.<\/td>\nKILLS (THE)<\/td>\nBLACK ROOSTER EP<\/td>\nDOMINO\/PIAS<\/td>\n<\/tr>\n
22.<\/td>\nDJ FOOD<\/td>\nA DUB PLATE OF FOOD VOL 2<\/td>\nNINJA TUNE<\/td>\n<\/tr>\n
23.<\/td>\nASSASSIN<\/td>\nCLASSIK<\/td>\nASSASSIN PROD<\/td>\n<\/tr>\n
24.<\/td>\nEASTWOO<\/td>\n<\/td>\nSMALL<\/td>\n<\/tr>\n
25.<\/td>\nJESUS & MARY CHAIN<\/td>\nCRACKING UP<\/td>\nSMALL\/SONY<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

PLAY LISTE L.P. 1. CLOUD NOTHINGS ATTACK ON MEMORY WICHITA 2. BRETON OTHER PEOPLE’S PROBLEMS FATCAT RECORDS 3. KYMA CRAMPES MENTALES (H\u00c3\u2030MISPH\u00c3\u02c6RE GAUCHE) VATSA PROD 4. ROBOT ORCHESTRA NOW WE CAN WALK AUTOPROD 5. KAP BAMBINO DEVOTION BECAUSE 6. MINUTES (THE) MARCATA MODEL CITIZEN 7. DJANGO DJANGO S\/T BECAUSE 8. HOWLER AMERICA GIVE UP ROUGH … Continuer la lecture de « F\u00e9raliste 15 f\u00e9vrier au 1er mars »<\/span><\/a><\/p>\n","protected":false},"author":4,"featured_media":31065,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[197],"tags":[],"class_list":["post-31066","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-classements"],"_links":{"self":[{"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/posts\/31066","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/comments?post=31066"}],"version-history":[{"count":0,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/posts\/31066\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/media\/31065"}],"wp:attachment":[{"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/media?parent=31066"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/categories?post=31066"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/tags?post=31066"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}