{"id":31140,"date":"2012-03-16T10:15:24","date_gmt":"2012-03-16T09:15:24","guid":{"rendered":"http:\/\/www.radiobeton.com\/wordpress\/?p=31140"},"modified":"2012-03-16T10:15:24","modified_gmt":"2012-03-16T09:15:24","slug":"feraliste-du-1er-au-15-mars-2012","status":"publish","type":"post","link":"https:\/\/www.radiobeton.com\/www\/feraliste-du-1er-au-15-mars-2012\/","title":{"rendered":"F\u00e9raliste du 1er au 15 mars 2012"},"content":{"rendered":"
\n

PLAY LISTE L.P.<\/h2>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
1.<\/td>\nCLOUD NOTHINGS<\/td>\nATTACK ON MEMORY<\/td>\nWICHITA<\/td>\n<\/tr>\n
2.<\/td>\nHOWLER<\/td>\nAMERICA GIVE UP<\/td>\nROUGH TRADE<\/td>\n<\/tr>\n
3.<\/td>\nALABAMA SHAKES<\/td>\nBOYS & GIRLS<\/td>\nROUGH TRADE<\/td>\n<\/tr>\n
4.<\/td>\nKAP BAMBINO<\/td>\nDEVOTION<\/td>\nBECAUSE<\/td>\n<\/tr>\n
5.<\/td>\nBLACK KEYS <\/td>\nEL CAMINO<\/td>\nNONESUCH RECORDS<\/td>\n<\/tr>\n
6.<\/td>\nDJANGO DJANGO<\/td>\nS\/T<\/td>\nBECAUSE<\/td>\n<\/tr>\n
7.<\/td>\nROBOT ORCHESTRA<\/td>\nNOW WE CAN WALK<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
8.<\/td>\nBRETON<\/td>\nOTHER PEOPLE’S PROBLEMS<\/td>\nFATCAT RECORDS<\/td>\n<\/tr>\n
9.<\/td>\nTENNIS<\/td>\nYOUNG & OLD<\/td>\nFAT POSSUM<\/td>\n<\/tr>\n
10.<\/td>\nMINUTES (THE)<\/td>\nMARCATA<\/td>\nMODEL CITIZEN<\/td>\n<\/tr>\n
11.<\/td>\nDOPE D.O.D<\/td>\nBRANDED<\/td>\nDOPE D.O.D RECORDS<\/td>\n<\/tr>\n
12.<\/td>\nDIE ZORROS<\/td>\nFUTURE<\/td>\nVOODOO RHYTHM<\/td>\n<\/tr>\n
13.<\/td>\nBAND OF SKULLS<\/td>\nSWEET SOUR<\/td>\nELECTRIC BLUES RECORDINGS<\/td>\n<\/tr>\n
14.<\/td>\nTHEE OH SEES<\/td>\nCARRION CRAWLER \/ THE DREAM<\/td>\nIN THE RED<\/td>\n<\/tr>\n
15.<\/td>\nSALLIE FORD AND THE SOUND OUTSIDE<\/td>\nDIRTY RADIO<\/td>\nFARGO<\/td>\n<\/tr>\n
16.<\/td>\nCIVIL CIVIC<\/td>\nRULES<\/td>\n5000<\/td>\n<\/tr>\n
17.<\/td>\nSPITS<\/td>\nV<\/td>\nIN THE RED<\/td>\n<\/tr>\n
18.<\/td>\nCEREMONY<\/td>\nZOO<\/td>\nMATADOR<\/td>\n<\/tr>\n
19.<\/td>\nMEMORYHOUSE<\/td>\nTHE SLIDER EFFECT<\/td>\nSUBPOP<\/td>\n<\/tr>\n
20.<\/td>\nA.S.M<\/td>\nCROWN YARD<\/td>\nLAB ORATOIRE<\/td>\n<\/tr>\n
21.<\/td>\nKYMA<\/td>\nCRAMPES MENTALES (H\u00c3\u2030MISPH\u00c3\u02c6RE GAUCHE)<\/td>\nVATSA PROD<\/td>\n<\/tr>\n
22.<\/td>\nBLACK BOX REVELATION<\/td>\nMY PERCEPTION<\/td>\nPIAS<\/td>\n<\/tr>\n
23.<\/td>\nSISTERHOOD ISSUE<\/td>\nRETURN TO SENDER<\/td>\nDIRTY GUYS ROCK<\/td>\n<\/tr>\n
24.<\/td>\nCHAIRLIFT<\/td>\nSOMETHING<\/td>\nCOLUMBIA<\/td>\n<\/tr>\n
25.<\/td>\nUHT<\/td>\nH2O<\/td>\nNO FRIDGE<\/td>\n<\/tr>\n
26.<\/td>\nAMY WINEHOUSE<\/td>\nLIONESS : HIDDEN TREASURES<\/td>\nISLAND<\/td>\n<\/tr>\n
27.<\/td>\nATTENTAT SONORE<\/td>\nOPERATION : INFILTRATION<\/td>\nGUERILLA<\/td>\n<\/tr>\n
28.<\/td>\nTHE CRAMPS<\/td>\nFILE UNDER SACRED MUSIC – EARLY SINGLES 1978-1981<\/td>\nMUNSTER<\/td>\n<\/tr>\n
29.<\/td>\nFOUTRE<\/td>\nCRADE ROCK 1979\/1985<\/td>\nEUTHANASIE RECORDS<\/td>\n<\/tr>\n
30.<\/td>\nGASLIGHT ANTHEM (THE)<\/td>\nTHE ’59 SOUND<\/td>\nSIDE ONE DUMMY<\/td>\n<\/tr>\n
31.<\/td>\nBEIRUT<\/td>\nTHE RIP TIDE<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
32.<\/td>\nGORILLAZ<\/td>\nTHE SINGLES COLLECTION 2001-2011<\/td>\nST<\/td>\n<\/tr>\n
33.<\/td>\nGRIMES<\/td>\nVISIONS<\/td>\n4AD<\/td>\n<\/tr>\n
34.<\/td>\nPRINZHORN DANCE SCHOOL<\/td>\nCLAY CLASS<\/td>\nDFA<\/td>\n<\/tr>\n
35.<\/td>\nHOODED FANG<\/td>\nTOSTA MISTA<\/td>\nFULL TIME HOBBY<\/td>\n<\/tr>\n
36.<\/td>\nHAIGHT-ASHBURY 2<\/td>\nTHE ASHBURYS<\/td>\nLIME RECORDS<\/td>\n<\/tr>\n
37.<\/td>\nBRAT PACK<\/td>\nSTUPIDITY RETURNS<\/td>\nSHIELD RECORDINGS<\/td>\n<\/tr>\n
38.<\/td>\nGIRLS<\/td>\nFATHER, SON, HOLY GHOST<\/td>\nFANTASY TRASHCAN<\/td>\n<\/tr>\n
39.<\/td>\nSAVIOURS<\/td>\nDEATH’S PROCESSION<\/td>\nKEMADO<\/td>\n<\/tr>\n
40.<\/td>\nSUBWAYS (THE)<\/td>\nMONEY & CELEBRITY<\/td>\nCOOKING VINYL<\/td>\n<\/tr>\n
41.<\/td>\nTHE SHOES<\/td>\nCRACK MY BONES<\/td>\nGREEN UNITED MUSIC<\/td>\n<\/tr>\n
42.<\/td>\nCOMPOSER<\/td>\nCHECK CHUCK<\/td>\nINFINE MUSIC<\/td>\n<\/tr>\n
43.<\/td>\nANDY KAYES<\/td>\nALONE IN NUMBERS<\/td>\nR\u00c3\u2030VERB\u00c3\u02c6RE<\/td>\n<\/tr>\n
44.<\/td>\nGUTS<\/td>\nPARADISE FOR ALL<\/td>\nHEAVENLY SWEETNESS<\/td>\n<\/tr>\n
45.<\/td>\nSVINKELS<\/td>\nBON POUR L’ASILE<\/td>\nATMOSPHERIQUES<\/td>\n<\/tr>\n
46.<\/td>\nM83<\/td>\nBEFORE THE DAWN HEALS US<\/td>\nLABELS<\/td>\n<\/tr>\n
47.<\/td>\nWUGAZI<\/td>\n13 CHAMBERS<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
48.<\/td>\nTHE EXCITEMENTS<\/td>\nST<\/td>\nMONO<\/td>\n<\/tr>\n
49.<\/td>\nKITTY, DAISY & LEWIS<\/td>\nSMOKIN’ IN HEAVEN<\/td>\nSUNDAY BEST<\/td>\n<\/tr>\n
50.<\/td>\nGOGOL BORDELLO<\/td>\nSUPER TARANTA<\/td>\nSIDEONEDUMMY<\/td>\n<\/tr>\n
51.<\/td>\nARCHIVE<\/td>\nNOISE<\/td>\nEASTWEST<\/td>\n<\/tr>\n
52.<\/td>\nCOMPILATION<\/td>\nI DUB YOU<\/td>\nEMI\/HAMMERBASS<\/td>\n<\/tr>\n
53.<\/td>\nBEASTIE BOYS<\/td>\nHOT SAUCE COMMITTEE PART TWO<\/td>\nCAPITOL<\/td>\n<\/tr>\n
54.<\/td>\nTENNIS<\/td>\nCAPE DORY<\/td>\nFAT POSSUM<\/td>\n<\/tr>\n
55.<\/td>\nCRANE ANGELS<\/td>\nLE SYLPHIDE DE BRIGHTON<\/td>\nANIMAL FACTORY<\/td>\n<\/tr>\n
56.<\/td>\nDUB PISTOLS<\/td>\nSPEAKERS AND TWEETERS<\/td>\nSUNDAY BEST RECORDING\/NAIVE<\/td>\n<\/tr>\n
57.<\/td>\nBOOGERS<\/td>\nMORE BETTER<\/td>\nAT(H)OME<\/td>\n<\/tr>\n
58.<\/td>\nMUSTANG<\/td>\nTABOU<\/td>\nEPIC<\/td>\n<\/tr>\n
59.<\/td>\nNEONBIRDS<\/td>\nIGNITION’S COLD OXYGENE’S PALE<\/td>\nSUBSITUTES RECORDS<\/td>\n<\/tr>\n
60.<\/td>\nC\u00c3\u201aLIN<\/td>\nBLACK CHINESE II<\/td>\nL’AMICALE UNDERGROUND<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

PLAY LISTE SINGLES<\/h2>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
1.<\/td>\nDELUXE<\/td>\nPOLISHING PEANUTS<\/td>\nCHINESE MAN RECORDS<\/td>\n<\/tr>\n
2.<\/td>\nC2C<\/td>\nDOWN THE ROAD<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
3.<\/td>\nCHILL BUMP<\/td>\nSTARTING FROM SCRATCH<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
4.<\/td>\nFOREIGN BEGGARS & NOISA<\/td>\nCONTACT<\/td>\nDENTED RECORDS<\/td>\n<\/tr>\n
5.<\/td>\nHHAPPINESS<\/td>\nBANANAS<\/td>\nALMOST MUSIC<\/td>\n<\/tr>\n
6.<\/td>\nKYMA<\/td>\nCRAMPES MENTALES EP<\/td>\nVATSA PROD<\/td>\n<\/tr>\n
7.<\/td>\nFIRST AID KIT<\/td>\nEMMYLOU<\/td>\nWICHITA<\/td>\n<\/tr>\n
8.<\/td>\nELECTRIC GUEST<\/td>\nTHIS HEAD I HOLD<\/td>\nBECAUSE MUSIC<\/td>\n<\/tr>\n
9.<\/td>\nTHE GUILTIES<\/td>\nLOST IN THE WOODS<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
10.<\/td>\nPINKUNOIZU<\/td>\nPEEP EP<\/td>\nFULL TIME HOBBY<\/td>\n<\/tr>\n
11.<\/td>\nWOODKID<\/td>\nIRON<\/td>\nGREEN UNITED MUSIC<\/td>\n<\/tr>\n
12.<\/td>\nMETRONOMY<\/td>\nEVERYTHING GOES MY WAY<\/td>\nBECAUSE<\/td>\n<\/tr>\n
13.<\/td>\nJANSKI BEEEATS<\/td>\nOLD & UNRELEASED<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
14.<\/td>\nPANIC MOTEL<\/td>\nVACANCY 4 EVER<\/td>\nDIRTY GUYS ROCK<\/td>\n<\/tr>\n
15.<\/td>\nLES THUGS<\/td>\nK.E.X.P SESSION<\/td>\nSLOW DEATH RECORDS<\/td>\n<\/tr>\n
16.<\/td>\nCHRISTINE<\/td>\nS\/T<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
17.<\/td>\nKAVINSKY<\/td>\nNIGHTCALL EP<\/td>\nRECORD MAKERS<\/td>\n<\/tr>\n
18.<\/td>\nSAM TACH’<\/td>\nEP<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
19.<\/td>\nVADOINMESSICO<\/td>\nST<\/td>\nOUTCASTE RECORDS<\/td>\n<\/tr>\n
20.<\/td>\nTHE SUPERMEN LOVERS<\/td>\nFANTASMA DISCO EP<\/td>\nLA TEBWA<\/td>\n<\/tr>\n
21.<\/td>\nREVOLVER<\/td>\nWIND SONG<\/td>\nEMI<\/td>\n<\/tr>\n
22.<\/td>\nHABSTRAKT & BADJOKES<\/td>\nMIAOW<\/td>\nRADIO LOS SANTOS<\/td>\n<\/tr>\n
23.<\/td>\nSOAP & SKIN<\/td>\nNARROW<\/td>\nSOLFO<\/td>\n<\/tr>\n
24.<\/td>\nWHITE STRIPES<\/td>\nBLUE ORCHID<\/td>\nBEGGARS FRANCE<\/td>\n<\/tr>\n
25.<\/td>\nPIPETTES (THE)<\/td>\nMEET THE PIPETTES<\/td>\nCOOPERATIVE MUSIC<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

PLAY LISTE L.P. 1. CLOUD NOTHINGS ATTACK ON MEMORY WICHITA 2. HOWLER AMERICA GIVE UP ROUGH TRADE 3. ALABAMA SHAKES BOYS & GIRLS ROUGH TRADE 4. KAP BAMBINO DEVOTION BECAUSE 5. BLACK KEYS EL CAMINO NONESUCH RECORDS 6. DJANGO DJANGO S\/T BECAUSE 7. ROBOT ORCHESTRA NOW WE CAN WALK AUTOPROD 8. BRETON OTHER PEOPLE’S PROBLEMS … Continuer la lecture de « F\u00e9raliste du 1er au 15 mars 2012 »<\/span><\/a><\/p>\n","protected":false},"author":4,"featured_media":31139,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[197],"tags":[],"class_list":["post-31140","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-classements"],"_links":{"self":[{"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/posts\/31140","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/comments?post=31140"}],"version-history":[{"count":0,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/posts\/31140\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/media\/31139"}],"wp:attachment":[{"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/media?parent=31140"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/categories?post=31140"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/tags?post=31140"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}