{"id":31191,"date":"2012-03-31T11:25:57","date_gmt":"2012-03-31T09:25:57","guid":{"rendered":"http:\/\/www.radiobeton.com\/wordpress\/?p=31191"},"modified":"2012-03-31T11:25:57","modified_gmt":"2012-03-31T09:25:57","slug":"feraliste-du-15-au-31-mars-2012","status":"publish","type":"post","link":"https:\/\/www.radiobeton.com\/www\/feraliste-du-15-au-31-mars-2012\/","title":{"rendered":"F\u00e9raliste du 15 au 31 mars 2012"},"content":{"rendered":"
\n

PLAY LISTE L.P.<\/h2>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
1.<\/td>\nALABAMA SHAKES<\/td>\nBOYS & GIRLS<\/td>\nROUGH TRADE<\/td>\n<\/tr>\n
2.<\/td>\nCLOUD NOTHINGS<\/td>\nATTACK ON MEMORY<\/td>\nWICHITA<\/td>\n<\/tr>\n
3.<\/td>\nHOWLER<\/td>\nAMERICA GIVE UP<\/td>\nROUGH TRADE<\/td>\n<\/tr>\n
4.<\/td>\nKAP BAMBINO<\/td>\nDEVOTION<\/td>\nBECAUSE<\/td>\n<\/tr>\n
5.<\/td>\nBRETON<\/td>\nOTHER PEOPLE’S PROBLEMS<\/td>\nFATCAT RECORDS<\/td>\n<\/tr>\n
6.<\/td>\nCEREMONY<\/td>\nZOO<\/td>\nMATADOR<\/td>\n<\/tr>\n
7.<\/td>\nTHEE OH SEES<\/td>\nCARRION CRAWLER \/ THE DREAM<\/td>\nIN THE RED<\/td>\n<\/tr>\n
8.<\/td>\nMINUTES (THE)<\/td>\nMARCATA<\/td>\nMODEL CITIZEN<\/td>\n<\/tr>\n
9.<\/td>\nSPITS<\/td>\nV<\/td>\nIN THE RED<\/td>\n<\/tr>\n
10.<\/td>\nMORAD<\/td>\nLE SURVIVANT<\/td>\nONLY MUSIC<\/td>\n<\/tr>\n
11.<\/td>\nHIGH DAMAGE<\/td>\nST<\/td>\nJARRING EFFECTS<\/td>\n<\/tr>\n
12.<\/td>\nGIANA FACTORY<\/td>\nSAVE THE YOUTH<\/td>\nWORD AND SOUND<\/td>\n<\/tr>\n
13.<\/td>\nPUPPETMASTAZ<\/td>\nREVOLVE AND STEP UP !<\/td>\nDISCOGRAPH<\/td>\n<\/tr>\n
14.<\/td>\nBLACK KEYS (THE)<\/td>\nEL CAMINO<\/td>\nNONESUCH RECORDS<\/td>\n<\/tr>\n
15.<\/td>\nKYMA<\/td>\nCRAMPES MENTALES (H\u00c3\u2030MISPH\u00c3\u02c6RE GAUCHE)<\/td>\nVATSA PROD<\/td>\n<\/tr>\n
16.<\/td>\nAGENT SIDE GRINDER<\/td>\nHARDWARE<\/td>\nKLANGARKIVET<\/td>\n<\/tr>\n
17.<\/td>\nSAVIOURS<\/td>\nDEATH’S PROCESSION<\/td>\nKEMADO<\/td>\n<\/tr>\n
18.<\/td>\n1995<\/td>\nLA SUITE<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
19.<\/td>\nESTHESIE<\/td>\n1984<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
20.<\/td>\nFOWATILE<\/td>\nFOWL STEPS<\/td>\nBISCUIT RECORDS<\/td>\n<\/tr>\n
21.<\/td>\nBAND OF SKULLS<\/td>\nSWEET SOUR<\/td>\nELECTRIC BLUES RECORDINGS<\/td>\n<\/tr>\n
22.<\/td>\nROVER<\/td>\nST<\/td>\nCINQ7<\/td>\n<\/tr>\n
23.<\/td>\nANDY KAYES<\/td>\nALONE IN NUMBERS<\/td>\nR\u00c3\u2030VERB\u00c3\u02c6RE<\/td>\n<\/tr>\n
24.<\/td>\nBLACK BOX REVELATION<\/td>\nMY PERCEPTION<\/td>\nPIAS<\/td>\n<\/tr>\n
25.<\/td>\nFOUTRE<\/td>\nCRADE ROCK 1979\/1985<\/td>\nEUTHANASIE RECORDS<\/td>\n<\/tr>\n
26.<\/td>\nSALLIE FORD AND THE SOUND OUTSIDE<\/td>\nDIRTY RADIO<\/td>\nFARGO<\/td>\n<\/tr>\n
27.<\/td>\nNEONBIRDS<\/td>\nIGNITION’S COLD OXYGENE’S PALE<\/td>\nSUBSITUTES RECORDS<\/td>\n<\/tr>\n
28.<\/td>\nDETRITUS<\/td>\nEVERYDAY EXPLANATIONS<\/td>\nAD NOISEAM<\/td>\n<\/tr>\n
29.<\/td>\nNINE ELEVEN<\/td>\nLE REVE DE CASSANDRE<\/td>\nEFFERVESCENCE<\/td>\n<\/tr>\n
30.<\/td>\nCHAIRLIFT<\/td>\nSOMETHING<\/td>\nCOLUMBIA<\/td>\n<\/tr>\n
31.<\/td>\nFRANCIS BEBEY<\/td>\nAFRICAN ELECTRONI MUSIC 1975-1982<\/td>\nBORN BAD<\/td>\n<\/tr>\n
32.<\/td>\nNZCA\/LINES<\/td>\nS\/T<\/td>\nLOAF<\/td>\n<\/tr>\n
33.<\/td>\nDARIA<\/td>\nRED RED<\/td>\nYOTANKA<\/td>\n<\/tr>\n
34.<\/td>\nSCRATCH BANDITS CREW<\/td>\n31 NOVEMBRE<\/td>\nVESTAX<\/td>\n<\/tr>\n
35.<\/td>\nFOREIGH BEGGARS<\/td>\nHOLD ON<\/td>\nDENTED<\/td>\n<\/tr>\n
36.<\/td>\nYETI LANE<\/td>\nTHE ECHO SHOW<\/td>\nCLAPPING MUSIC<\/td>\n<\/tr>\n
37.<\/td>\nDJANGO DJANGO<\/td>\nS\/T<\/td>\nBECAUSE<\/td>\n<\/tr>\n
38.<\/td>\nBEACH HOUSE<\/td>\nTEEN DREAM<\/td>\nBELLA UNION<\/td>\n<\/tr>\n
39.<\/td>\nUNCOMMONMENFROMMARS<\/td>\nNOISE POLLUTION<\/td>\nWAGRAM<\/td>\n<\/tr>\n
40.<\/td>\nDIDIER WAMPAS<\/td>\nTAISEZ MOI<\/td>\nATMOSPH\u00c3\u2030RIQUES<\/td>\n<\/tr>\n
41.<\/td>\nBOOGERS<\/td>\nMORE BETTER<\/td>\nAT(H)OME<\/td>\n<\/tr>\n
42.<\/td>\nSHAOLIN TEMPLE DEFENDERS<\/td>\nTAKE IT SLOW<\/td>\nMA PROD<\/td>\n<\/tr>\n
43.<\/td>\nWUGAZI<\/td>\n13 CHAMBERS<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
44.<\/td>\nUNCOMMON MEN FROM MARS<\/td>\nI HATE MY BAND!<\/td>\nKICKING RECORDS<\/td>\n<\/tr>\n
45.<\/td>\nKITTY, DAISY & LEWIS<\/td>\nSMOKIN’ IN HEAVEN<\/td>\nSUNDAY BEST<\/td>\n<\/tr>\n
46.<\/td>\nFITZ AND THE TANTRUMS<\/td>\nPICKING UP THE PIECES<\/td>\nDANGERBIRD<\/td>\n<\/tr>\n
47.<\/td>\nCIVIL CIVIC<\/td>\nRULES<\/td>\n5000<\/td>\n<\/tr>\n
48.<\/td>\nURSUT<\/td>\nDARARNAS PARADIS<\/td>\nLA FAMILIA<\/td>\n<\/tr>\n
49.<\/td>\nHAIGHT-ASHBURY 2<\/td>\nTHE ASHBURYS<\/td>\nLIME RECORDS<\/td>\n<\/tr>\n
50.<\/td>\nMICROFILM<\/td>\nAF127<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
51.<\/td>\nGORILLAZ<\/td>\nTHE SINGLES COLLECTION 2001-2011<\/td>\nST<\/td>\n<\/tr>\n
52.<\/td>\nS.MOS<\/td>\nHIP HOP AND JAZZ MIXED UP<\/td>\nS.MOD<\/td>\n<\/tr>\n
53.<\/td>\nHIVES (THE)<\/td>\nVENI VIDI VICIOUS<\/td>\nBURNING HEART<\/td>\n<\/tr>\n
54.<\/td>\nLEE RANALDO<\/td>\nBETWEEN THE TIMES AND THE TIDES<\/td>\n4AD<\/td>\n<\/tr>\n
55.<\/td>\nBEIRUT<\/td>\nTHE RIP TIDE<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
56.<\/td>\nFRAN\u00c7OIS & THE ATLAS MOUNTAINS<\/td>\nE VOLO LOVE<\/td>\nDOMINO<\/td>\n<\/tr>\n
57.<\/td>\nOPIUM DU PEUPLE<\/td>\nBEST OFF<\/td>\nDIRTY WITCH<\/td>\n<\/tr>\n
58.<\/td>\nISAYA<\/td>\nS\/T<\/td>\nMAKE ME PROD<\/td>\n<\/tr>\n
59.<\/td>\nHOODED FANG<\/td>\nTOSTA MISTA<\/td>\nFULL TIME HOBBY<\/td>\n<\/tr>\n
60.<\/td>\nPOLOCK<\/td>\nGETTING DOWN FROM THE TREES<\/td>\nT\u00c3\u201dT OU TARD<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

PLAY LISTE SINGLES<\/h2>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
1.<\/td>\nFIRST AID KIT<\/td>\nEMMYLOU<\/td>\nWICHITA<\/td>\n<\/tr>\n
2.<\/td>\nCHILL BUMP<\/td>\nSTARTING FROM SCRATCH<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
3.<\/td>\nSOAP & SKIN<\/td>\nNARROW<\/td>\nSOLFO<\/td>\n<\/tr>\n
4.<\/td>\nC2C<\/td>\nDOWN THE ROAD<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
5.<\/td>\nPAMELA HUTE<\/td>\nBANDIT EP<\/td>\nT\u00c3\u201dT OU TARD<\/td>\n<\/tr>\n
6.<\/td>\nHHAPPINESS<\/td>\nBANANAS<\/td>\nALMOST MUSIC<\/td>\n<\/tr>\n
7.<\/td>\nWOODKID<\/td>\nIRON<\/td>\nGREEN UNITED MUSIC<\/td>\n<\/tr>\n
8.<\/td>\nKYMA<\/td>\nCRAMPES MENTALES EP<\/td>\nVATSA PROD<\/td>\n<\/tr>\n
9.<\/td>\nTHE SUPERMEN LOVERS<\/td>\nFANTASMA DISCO EP<\/td>\nLA TEBWA<\/td>\n<\/tr>\n
10.<\/td>\nDIRTY FONZY<\/td>\nTOO OLD FOR THIS SHIT<\/td>\nDELETE<\/td>\n<\/tr>\n
11.<\/td>\nFUNKTRAUMA<\/td>\nST<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
12.<\/td>\nNOFX<\/td>\nBOTTLES TO THE GROUND<\/td>\nEPITAPH<\/td>\n<\/tr>\n
13.<\/td>\nKAVINSKY<\/td>\nNIGHTCALL EP<\/td>\nRECORD MAKERS<\/td>\n<\/tr>\n
14.<\/td>\nCHRISTINE<\/td>\nS\/T<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
15.<\/td>\nPANIC MOTEL<\/td>\nVACANCY 4 EVER<\/td>\nDIRTY GUYS ROCK<\/td>\n<\/tr>\n
16.<\/td>\nDELUXE<\/td>\nPOLISHING PEANUTS<\/td>\nCHINESE MAN RECORDS<\/td>\n<\/tr>\n
17.<\/td>\nMETRONOMY<\/td>\nEVERYTHING GOES MY WAY<\/td>\nBECAUSE<\/td>\n<\/tr>\n
18.<\/td>\nVADOINMESSICO<\/td>\nST<\/td>\nOUTCASTE RECORDS<\/td>\n<\/tr>\n
19.<\/td>\nTHE GUILTIES<\/td>\nLOST IN THE WOODS<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
20.<\/td>\nINSPIRAL CARPETS<\/td>\nTHIS IS HOW IT FEELS<\/td>\nMUTE\/VIRGIN<\/td>\n<\/tr>\n
21.<\/td>\nPIGALLE<\/td>\nAMANTS DU VIEUX PONT LIVE<\/td>\nBOUCHERIE PROD<\/td>\n<\/tr>\n
22.<\/td>\nFURAX<\/td>\nLIVE<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
23.<\/td>\nNTM<\/td>\nLA FIEVRE<\/td>\nEPIC<\/td>\n<\/tr>\n
24.<\/td>\nHAZEL-RAH<\/td>\nTHE AFRICATAPE EP<\/td>\nAFRICANTAPE<\/td>\n<\/tr>\n
25.<\/td>\nTHEY MIGHT BE GIANTS<\/td>\nBOSS OF ME<\/td>\nRESTLESS PIAS<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

PLAY LISTE L.P. 1. ALABAMA SHAKES BOYS & GIRLS ROUGH TRADE 2. CLOUD NOTHINGS ATTACK ON MEMORY WICHITA 3. HOWLER AMERICA GIVE UP ROUGH TRADE 4. KAP BAMBINO DEVOTION BECAUSE 5. BRETON OTHER PEOPLE’S PROBLEMS FATCAT RECORDS 6. CEREMONY ZOO MATADOR 7. THEE OH SEES CARRION CRAWLER \/ THE DREAM IN THE RED 8. MINUTES … Continuer la lecture de « F\u00e9raliste du 15 au 31 mars 2012 »<\/span><\/a><\/p>\n","protected":false},"author":4,"featured_media":31190,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[197],"tags":[],"class_list":["post-31191","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-classements"],"_links":{"self":[{"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/posts\/31191","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/comments?post=31191"}],"version-history":[{"count":0,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/posts\/31191\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/media\/31190"}],"wp:attachment":[{"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/media?parent=31191"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/categories?post=31191"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/tags?post=31191"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}