{"id":31252,"date":"2012-04-16T11:44:36","date_gmt":"2012-04-16T09:44:36","guid":{"rendered":"http:\/\/www.radiobeton.com\/wordpress\/?p=31252"},"modified":"2012-04-16T11:44:36","modified_gmt":"2012-04-16T09:44:36","slug":"feraliste-du-1er-au-15-avril","status":"publish","type":"post","link":"https:\/\/www.radiobeton.com\/www\/feraliste-du-1er-au-15-avril\/","title":{"rendered":"F\u00e9raliste du 1er au 15 avril"},"content":{"rendered":"
\n

PLAY LISTE L.P.<\/h2>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
1.<\/td>\nMIND SPIDERS<\/td>\nMELTDOWN<\/td>\nDIRTNAP<\/td>\n<\/tr>\n
2.<\/td>\nHOWLER<\/td>\nAMERICA GIVE UP<\/td>\nROUGH TRADE<\/td>\n<\/tr>\n
3.<\/td>\nKAP BAMBINO<\/td>\nDEVOTION<\/td>\nBECAUSE<\/td>\n<\/tr>\n
4.<\/td>\nCLOUD NOTHINGS<\/td>\nATTACK ON MEMORY<\/td>\nWICHITA<\/td>\n<\/tr>\n
5.<\/td>\nALABAMA SHAKES<\/td>\nBOYS & GIRLS<\/td>\nROUGH TRADE<\/td>\n<\/tr>\n
6.<\/td>\nMICROFILM<\/td>\nAF127<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
7.<\/td>\nDOPE D.O.D<\/td>\nBRANDED<\/td>\nDOPE D.O.D RECORDS<\/td>\n<\/tr>\n
8.<\/td>\nMINUTES (THE)<\/td>\nMARCATA<\/td>\nMODEL CITIZEN<\/td>\n<\/tr>\n
9.<\/td>\nBRETON<\/td>\nOTHER PEOPLE’S PROBLEMS<\/td>\nFATCAT RECORDS<\/td>\n<\/tr>\n
10.<\/td>\nCEREMONY<\/td>\nZOO<\/td>\nMATADOR<\/td>\n<\/tr>\n
11.<\/td>\n1995<\/td>\nLA SUITE<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
12.<\/td>\nMETRONOMY<\/td>\nTHE ENGLISH RIVIERA UNRELEASED REMIX<\/td>\nBECAUSE MUSIC<\/td>\n<\/tr>\n
13.<\/td>\nHOODED FANG<\/td>\nTOSTA MISTA<\/td>\nFULL TIME HOBBY<\/td>\n<\/tr>\n
14.<\/td>\nTHE SHINS<\/td>\nPONT OF MORROW<\/td>\nCOLUMBIA<\/td>\n<\/tr>\n
15.<\/td>\nJACUZZI BOYS<\/td>\nGLAZIN’<\/td>\nHARDLY ARTS<\/td>\n<\/tr>\n
16.<\/td>\nSCRATCH BANDITS CREW<\/td>\n31 NOVEMBRE<\/td>\nVESTAX<\/td>\n<\/tr>\n
17.<\/td>\nFOWATILE<\/td>\nFOWL STEPS<\/td>\nBISCUIT RECORDS<\/td>\n<\/tr>\n
18.<\/td>\nLA SERA<\/td>\nSEES THE LIGHTS<\/td>\nSUB POP<\/td>\n<\/tr>\n
19.<\/td>\nSALLIE FORD AND THE SOUND OUTSIDE<\/td>\nDIRTY RADIO<\/td>\nFARGO<\/td>\n<\/tr>\n
20.<\/td>\nFIRST SERVE<\/td>\nS\/T<\/td>\nPIAS<\/td>\n<\/tr>\n
21.<\/td>\nBLACK KEYS (THE)<\/td>\nEL CAMINO<\/td>\nNONESUCH RECORDS<\/td>\n<\/tr>\n
22.<\/td>\nCHILL BUMP<\/td>\nBACK TO THE GRAIN<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
23.<\/td>\nWUGAZI<\/td>\n13 CHAMBERS<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
24.<\/td>\nPUPPETMASTAZ<\/td>\nREVOLVE AND STEP UP !<\/td>\nDISCOGRAPH<\/td>\n<\/tr>\n
25.<\/td>\nAGENT SIDE GRINDER<\/td>\nHARDWARE<\/td>\nKLANGARKIVET<\/td>\n<\/tr>\n
26.<\/td>\nNINE ELEVEN<\/td>\nLE REVE DE CASSANDRE<\/td>\nEFFERVESCENCE<\/td>\n<\/tr>\n
27.<\/td>\nMORAD<\/td>\nLE SURVIVANT<\/td>\nONLY MUSIC<\/td>\n<\/tr>\n
28.<\/td>\nGIANA FACTORY<\/td>\nSAVE THE YOUTH<\/td>\nWORD AND SOUND<\/td>\n<\/tr>\n
29.<\/td>\nHAIGHT-ASHBURY 2<\/td>\nTHE ASHBURYS<\/td>\nLIME RECORDS<\/td>\n<\/tr>\n
30.<\/td>\nDETRITUS<\/td>\nEVERYDAY EXPLANATIONS<\/td>\nAD NOISEAM<\/td>\n<\/tr>\n
31.<\/td>\nROVER<\/td>\nST<\/td>\nCINQ7<\/td>\n<\/tr>\n
32.<\/td>\nPACOVOLUME<\/td>\nMASSIVE PASSIVE<\/td>\nDISCOGRAPH<\/td>\n<\/tr>\n
33.<\/td>\nDISIZ<\/td>\nLUCIDE<\/td>\nLUCIDREAM<\/td>\n<\/tr>\n
34.<\/td>\nDIE ANTWOORD<\/td>\nTENSION<\/td>\nPOLYDOR QUI N’ENVOIE PAS SES SKEUDS !<\/td>\n<\/tr>\n
35.<\/td>\nTHE SHOES<\/td>\nCRACK MY BONES<\/td>\nGREEN UNITED MUSIC<\/td>\n<\/tr>\n
36.<\/td>\nBEIRUT<\/td>\nTHE RIP TIDE<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
37.<\/td>\nDJANGO DJANGO<\/td>\nS\/T<\/td>\nBECAUSE<\/td>\n<\/tr>\n
38.<\/td>\nCIVIL CIVIC<\/td>\nRULES<\/td>\n5000<\/td>\n<\/tr>\n
39.<\/td>\nDOMINIQUE A<\/td>\nVERS LES LUEURS<\/td>\nCINQ7<\/td>\n<\/tr>\n
40.<\/td>\nCHIDDY BANG<\/td>\nBREAKFAST<\/td>\nEMI<\/td>\n<\/tr>\n
41.<\/td>\nA.S.M<\/td>\nCROWN YARD<\/td>\nLAB ORATOIRE<\/td>\n<\/tr>\n
42.<\/td>\nCOMPOSER<\/td>\nCHECK CHUCK<\/td>\nINFINE MUSIC<\/td>\n<\/tr>\n
43.<\/td>\nFEEDTIME<\/td>\nTHE ABERRANT YEARS SAMPLER<\/td>\nSUB POP<\/td>\n<\/tr>\n
44.<\/td>\nNOFX<\/td>\nRIBBED<\/td>\nEPITAPH<\/td>\n<\/tr>\n
45.<\/td>\nNTM<\/td>\nEPONYME<\/td>\nEPIC\/SONY<\/td>\n<\/tr>\n
46.<\/td>\nBEACH HOUSE<\/td>\nTEEN DREAM<\/td>\nBELLA UNION<\/td>\n<\/tr>\n
47.<\/td>\nDUM DUM GIRLS<\/td>\nONLY IN DREAMS<\/td>\nSUB POP<\/td>\n<\/tr>\n
48.<\/td>\nDARK DARK DARK<\/td>\nWILD GO<\/td>\nMELODIC<\/td>\n<\/tr>\n
49.<\/td>\nTHEE OH SEES<\/td>\nCARRION CRAWLER \/ THE DREAM<\/td>\nIN THE RED<\/td>\n<\/tr>\n
50.<\/td>\nTHE EXCITEMENTS<\/td>\nST<\/td>\nMONO<\/td>\n<\/tr>\n
51.<\/td>\nNEW POLITICS<\/td>\nST<\/td>\nRCA<\/td>\n<\/tr>\n
52.<\/td>\nSPITS<\/td>\nV<\/td>\nIN THE RED<\/td>\n<\/tr>\n
53.<\/td>\nSTUPEFLIP<\/td>\nTHE HYPNOFLIP INVASION<\/td>\nBLEU CITRON<\/td>\n<\/tr>\n
54.<\/td>\nNEONBIRDS<\/td>\nIGNITION’S COLD OXYGENE’S PALE<\/td>\nSUBSITUTES RECORDS<\/td>\n<\/tr>\n
55.<\/td>\nMISTEUR VALAIRE<\/td>\nGOLDEN BOMBAY<\/td>\nMR LABEL<\/td>\n<\/tr>\n
56.<\/td>\nSAVIOURS<\/td>\nDEATH’S PROCESSION<\/td>\nKEMADO<\/td>\n<\/tr>\n
57.<\/td>\nANDY KAYES<\/td>\nALONE IN NUMBERS<\/td>\nR\u00c3\u2030VERB\u00c3\u02c6RE<\/td>\n<\/tr>\n
58.<\/td>\nSPOEK MATHAMBO<\/td>\nFATHER CREEPER<\/td>\nSUBPOP<\/td>\n<\/tr>\n
59.<\/td>\nMASQUER<\/td>\nCOVER MY FACE AS THE ANIMALS CRY<\/td>\nMSQR RECORDS<\/td>\n<\/tr>\n
60.<\/td>\nESTHESIE<\/td>\n1984<\/td>\nAUTOPROD<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

PLAY LISTE SINGLES<\/h2>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
1.<\/td>\nTHE HIVES<\/td>\nGO RIGHT AHEAD<\/td>\nSONY<\/td>\n<\/tr>\n
2.<\/td>\nFIRST AID KIT<\/td>\nEMMYLOU<\/td>\nWICHITA<\/td>\n<\/tr>\n
3.<\/td>\nHHAPPINESS<\/td>\nBANANAS<\/td>\nALMOST MUSIC<\/td>\n<\/tr>\n
4.<\/td>\nTHE CRIBS<\/td>\nCOME ON, BE A NO-ONE<\/td>\nWICHITA<\/td>\n<\/tr>\n
5.<\/td>\nC2C<\/td>\nDOWN THE ROAD<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
6.<\/td>\nKYMA<\/td>\nCRAMPES MENTALES EP<\/td>\nVATSA PROD<\/td>\n<\/tr>\n
7.<\/td>\nTURNSTEAK<\/td>\nDRIFITING AWAY<\/td>\nITD RECORDS<\/td>\n<\/tr>\n
8.<\/td>\nLADYLIKE LILY<\/td>\nON MY OWN<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
9.<\/td>\n2ECOND CLASS CITIZEN<\/td>\nOUTSIDE YOUR DOORWAY<\/td>\nEQUINOX<\/td>\n<\/tr>\n
10.<\/td>\nWOODKID<\/td>\nIRON<\/td>\nGREEN UNITED MUSIC<\/td>\n<\/tr>\n
11.<\/td>\nSOAP & SKIN<\/td>\nNARROW<\/td>\nSOLFO<\/td>\n<\/tr>\n
12.<\/td>\nPANIC MOTEL<\/td>\nVACANCY 4 EVER<\/td>\nDIRTY GUYS ROCK<\/td>\n<\/tr>\n
13.<\/td>\nPAMELA HUTE<\/td>\nBANDIT EP<\/td>\nT\u00c3\u201dT OU TARD<\/td>\n<\/tr>\n
14.<\/td>\nJOE STRUMMER & THE MESCALEROS<\/td>\nCOMA GIRL<\/td>\nHELLCAT RECORDS<\/td>\n<\/tr>\n
15.<\/td>\nAGNES OBEL<\/td>\nRIVERSIDE<\/td>\nA. OBEL \/ PIAS<\/td>\n<\/tr>\n
16.<\/td>\nSPIRITUALIZED<\/td>\nDO IT ALL OVER AGAIN<\/td>\nBMG<\/td>\n<\/tr>\n
17.<\/td>\nNOFX<\/td>\nBOTTLES TO THE GROUND<\/td>\nEPITAPH<\/td>\n<\/tr>\n
18.<\/td>\nBEASTIE BOYS<\/td>\nALIVE<\/td>\nGRAND ROYAL<\/td>\n<\/tr>\n
19.<\/td>\nDJ SHADOW<\/td>\nSTEM<\/td>\nMO WAX<\/td>\n<\/tr>\n
20.<\/td>\nCLOUDDEAD<\/td>\nDEAD DOGS TWO<\/td>\nMUSH RECORDS<\/td>\n<\/tr>\n
21.<\/td>\nSPECIALS (THE)<\/td>\nGANGSTERS (SPLIT 45 AVEC SELECTER)<\/td>\nTWON TONE RDS<\/td>\n<\/tr>\n
22.<\/td>\nZEBDA<\/td>\nARABADUB<\/td>\nBARCLAY<\/td>\n<\/tr>\n
23.<\/td>\nBREAKBOT<\/td>\nBABY I’M YOURS EP<\/td>\nED BANGER<\/td>\n<\/tr>\n
24.<\/td>\nKAVINSKY<\/td>\nNIGHTCALL EP<\/td>\nRECORD MAKERS<\/td>\n<\/tr>\n
25.<\/td>\nMISS KITIN<\/td>\nMISS KITTIN’S PROFESSIONAL<\/td>\nNOVAMUTE<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

PLAY LISTE L.P. 1. MIND SPIDERS MELTDOWN DIRTNAP 2. HOWLER AMERICA GIVE UP ROUGH TRADE 3. KAP BAMBINO DEVOTION BECAUSE 4. CLOUD NOTHINGS ATTACK ON MEMORY WICHITA 5. ALABAMA SHAKES BOYS & GIRLS ROUGH TRADE 6. MICROFILM AF127 AUTOPROD 7. DOPE D.O.D BRANDED DOPE D.O.D RECORDS 8. MINUTES (THE) MARCATA MODEL CITIZEN 9. BRETON OTHER … Continuer la lecture de « F\u00e9raliste du 1er au 15 avril »<\/span><\/a><\/p>\n","protected":false},"author":4,"featured_media":31251,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[197],"tags":[],"class_list":["post-31252","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-classements"],"_links":{"self":[{"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/posts\/31252","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/comments?post=31252"}],"version-history":[{"count":0,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/posts\/31252\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/media\/31251"}],"wp:attachment":[{"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/media?parent=31252"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/categories?post=31252"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/tags?post=31252"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}