{"id":33580,"date":"2013-06-14T14:28:43","date_gmt":"2013-06-14T12:28:43","guid":{"rendered":"http:\/\/www.radiobeton.com\/wordpress\/?p=33580"},"modified":"2013-06-14T14:28:43","modified_gmt":"2013-06-14T12:28:43","slug":"feraliste-du-15-avril-au-15-mai-2","status":"publish","type":"post","link":"https:\/\/www.radiobeton.com\/www\/feraliste-du-15-avril-au-15-mai-2\/","title":{"rendered":"F\u00e9raliste du 15 avril au 15 mai"},"content":{"rendered":"
\n

PLAY LISTE L.P.<\/h2>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
1.<\/td>\nHANNI EL KHATIB<\/td>\nHEAD IN THE DIRT<\/td>\nBECAUSE<\/td>\n<\/tr>\n
2.<\/td>\nFIDLAR<\/td>\nFIDLAR<\/td>\nWICHITA<\/td>\n<\/tr>\n
3.<\/td>\nTHEE OH SEES<\/td>\nFLOATING COFFIN<\/td>\nCASTLE FACE<\/td>\n<\/tr>\n
4.<\/td>\nRONE<\/td>\nBYE BYE MACADAM<\/td>\nINFINE<\/td>\n<\/tr>\n
5.<\/td>\nKID CUDI<\/td>\nINDICUD<\/td>\n<\/td>\n<\/tr>\n
6.<\/td>\nFAUVE<\/td>\nST<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
7.<\/td>\nWAMPIRE<\/td>\nCURIOSITY<\/td>\nPOLYVINYL<\/td>\n<\/tr>\n
8.<\/td>\nCH\u00c3\u201aTEAU MARMONT<\/td>\nTHE MAZE<\/td>\nCHAMBRE 404<\/td>\n<\/tr>\n
9.<\/td>\nTHE UNDERACHIEVERS<\/td>\nINDIGOISM<\/td>\nBRAIN FEEDER<\/td>\n<\/tr>\n
10.<\/td>\nBONOBO<\/td>\nTHE NORTH BORDERS<\/td>\nNINJA TUNE<\/td>\n<\/tr>\n
11.<\/td>\nDOPE DOD<\/td>\nDA ROACH<\/td>\nDOPE DOD RECORDS<\/td>\n<\/tr>\n
12.<\/td>\nTYLER THE CREATOR<\/td>\nWOLF<\/td>\nODD FUTURE<\/td>\n<\/tr>\n
13.<\/td>\nJINX<\/td>\nFUNERAL KINGS THE MIXTAPE<\/td>\nFOSTER CARE<\/td>\n<\/tr>\n
14.<\/td>\nAUFGANG<\/td>\nISTIKLALIYA<\/td>\nINFINE<\/td>\n<\/tr>\n
15.<\/td>\nSANTA CRUZ<\/td>\nELVIS IN ACAPULCO<\/td>\n<\/td>\n<\/tr>\n
16.<\/td>\nTHE FEELING OF LOVE<\/td>\nREWARD YOUR GRACE<\/td>\nBORN BAD<\/td>\n<\/tr>\n
17.<\/td>\nFRUSTRATION<\/td>\nUNCIVILIZED<\/td>\nBORN BAD RECORDS<\/td>\n<\/tr>\n
18.<\/td>\nED WARNER<\/td>\nST<\/td>\nDIRTY GUYS ROCK\/NO ROUTINE\/BACKWASH RECORDS<\/td>\n<\/tr>\n
19.<\/td>\nNEMIR<\/td>\nAILLEURS<\/td>\nNEXT LEVEL<\/td>\n<\/tr>\n
20.<\/td>\nATOMS FOR PEACE<\/td>\nAMOK<\/td>\nXL RECORDINGS<\/td>\n<\/tr>\n
21.<\/td>\nBIG CHOCOLATE<\/td>\nCLEAN EP<\/td>\nAUCUN<\/td>\n<\/tr>\n
22.<\/td>\nBLACK STROBE<\/td>\nTHE GIRL FROM THE BAYOU<\/td>\nBLACK STROBE<\/td>\n<\/tr>\n
23.<\/td>\nJAMES BLAKE<\/td>\nOVERGROWN<\/td>\nPOLYDOR<\/td>\n<\/tr>\n
24.<\/td>\nLOUIS LINGG AND THE BOMBS<\/td>\nALPHABET REVOLUTION<\/td>\n30HDRECORDS<\/td>\n<\/tr>\n
25.<\/td>\nBIGA RANX<\/td>\nGOOD MORNING MIDNIGHT<\/td>\nXRAY PROD<\/td>\n<\/tr>\n
26.<\/td>\nVINCHA<\/td>\nSI SI LA FAMILLE<\/td>\nZAMORA PROD<\/td>\n<\/tr>\n
27.<\/td>\nMESPARROW<\/td>\nKEEP THIS MOMENT ALIVE<\/td>\nEAST WEST<\/td>\n<\/tr>\n
28.<\/td>\nDEAD CAN DANCE<\/td>\nIN CONCERT<\/td>\nPIAS<\/td>\n<\/tr>\n
29.<\/td>\nTOKYO SEX DESTRUCTION<\/td>\nSAGITARIUS<\/td>\nB CORE<\/td>\n<\/tr>\n
30.<\/td>\nCHERRY BONES (THE)<\/td>\nEP<\/td>\nUN JE NE SAIS QUOI<\/td>\n<\/tr>\n
31.<\/td>\nNIVEK<\/td>\nVERY BAD TAPE II<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
32.<\/td>\nDECO CHILD<\/td>\nSKINLESS<\/td>\nNINJA TUNE<\/td>\n<\/tr>\n
33.<\/td>\nBRNS<\/td>\nWOUNDED<\/td>\nLIMITE RECORDS<\/td>\n<\/tr>\n
34.<\/td>\nJUSTICE<\/td>\nACCESS ALL ARENAS<\/td>\nBECAUSE<\/td>\n<\/tr>\n
35.<\/td>\nHOLOGRAMS<\/td>\nHOLOGRAMS<\/td>\nCAPTURED TRACKS<\/td>\n<\/tr>\n
36.<\/td>\nTEAM GHOST<\/td>\nRITUALS<\/td>\nWSPHERE\/WAGRAM<\/td>\n<\/tr>\n
37.<\/td>\nLA FEMME<\/td>\nPSYCHO TROPICAL BERLIN<\/td>\nDISQUES POINTU<\/td>\n<\/tr>\n
38.<\/td>\nSHE & HIM<\/td>\nVOLUME 3<\/td>\nDOUBLE 6<\/td>\n<\/tr>\n
39.<\/td>\nDUR-DUR BAND<\/td>\nVOLUME 5<\/td>\nANALOGUE TAPES FROM AFRICA<\/td>\n<\/tr>\n
40.<\/td>\nCOMPUTERS (THE)<\/td>\nLOVE TRIANGLES HATE SQUARES<\/td>\nONE LITTLE INDIAN RECORDS<\/td>\n<\/tr>\n
41.<\/td>\nSANZIO, FURIO, YPSOS<\/td>\nLIGNE 81<\/td>\nTRAFIQUANTS D’ART<\/td>\n<\/tr>\n
42.<\/td>\nBONAPARTE<\/td>\nSORRY, WE’RE OPEN<\/td>\nEAST WEST<\/td>\n<\/tr>\n
43.<\/td>\nK (THE)<\/td>\nMY FLESH REVEALS A MILLION OF SOULS<\/td>\nJAUNE RANGE<\/td>\n<\/tr>\n
44.<\/td>\nMUDHONEY<\/td>\nVANISHING POINT<\/td>\nSUB POP<\/td>\n<\/tr>\n
45.<\/td>\nALINE<\/td>\nREGARDE LE CIEL<\/td>\nSMITH EN FACE<\/td>\n<\/tr>\n
46.<\/td>\nFUNKTRAUMA<\/td>\nABRACADABANG<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
47.<\/td>\nBREAKBOT<\/td>\nBY YOUR SIDE<\/td>\nED BANGER<\/td>\n<\/tr>\n
48.<\/td>\nVOLO<\/td>\nSANS RIRE<\/td>\nPLAY ON SAMPLER<\/td>\n<\/tr>\n
49.<\/td>\nTHE STROKES<\/td>\nCOMEDOWN MACHINE<\/td>\nSONY<\/td>\n<\/tr>\n
50.<\/td>\nBLACKSTROBE<\/td>\nBURN YOUR OWN CHURCH<\/td>\nPLAYLOUDRECORDING<\/td>\n<\/tr>\n
51.<\/td>\nSEXY SUSHI<\/td>\nVOUS N’ALLEZ PAS REPARTIR LES MAINS VIDES<\/td>\nBELIEVE RECORDINGS<\/td>\n<\/tr>\n
52.<\/td>\nNEILS CHILDREN<\/td>\nDIMLY LIMIT<\/td>\nBOUDOIR MODERNE<\/td>\n<\/tr>\n
53.<\/td>\nBURNING LADY<\/td>\nUNTIL THE WALLS FALL<\/td>\nCONCRETE JUNGLE RECORDS<\/td>\n<\/tr>\n
54.<\/td>\nICEAGE<\/td>\nYOU’RE NOTHING<\/td>\nMATADOR<\/td>\n<\/tr>\n
55.<\/td>\nYANN DESTAL<\/td>\nLET ME TO BE MINE<\/td>\nELSE MUSIC<\/td>\n<\/tr>\n
56.<\/td>\nCHILD OF LOV (THE)<\/td>\nTHE CHILD OF LOV<\/td>\nDOUBLE SIX RECORDS<\/td>\n<\/tr>\n
57.<\/td>\nSKIP & DIE<\/td>\nRIOTS IN THE JUNGLE<\/td>\nCRAMMED DISCS<\/td>\n<\/tr>\n
58.<\/td>\nPIANO CHAT<\/td>\nNOUS<\/td>\nTHOR\u00c3\u2030 SINGLE CLUB<\/td>\n<\/tr>\n
59.<\/td>\n615<\/td>\n615<\/td>\nWAKOS MUSIC<\/td>\n<\/tr>\n
60.<\/td>\nOKAY MONDAY<\/td>\nDEMO<\/td>\nAUTOPROD<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

PLAY LISTE SINGLES<\/h2>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
1.<\/td>\nDIVINE PAISTE<\/td>\nCRYSTAL WAVES ON A FROZEN LAKE EP<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
2.<\/td>\nPRIMAL SCREAM<\/td>\nIT’S ALL RIGHT, IT’S OKAY<\/td>\nFIRST INTERNATIONAL<\/td>\n<\/tr>\n
3.<\/td>\nGRIEFJOY<\/td>\nTOUCH GROUND<\/td>\nARISTA<\/td>\n<\/tr>\n
4.<\/td>\nRICH AUCOIN<\/td>\nIT<\/td>\nPLATINUM RECORDS<\/td>\n<\/tr>\n
5.<\/td>\nLOVING DEAD (THE)<\/td>\nLOVING DEAD<\/td>\nCOCK MCDOOM PROD<\/td>\n<\/tr>\n
6.<\/td>\nHOODED FAND<\/td>\nGRAVES<\/td>\nFULL TIME HOBBY<\/td>\n<\/tr>\n
7.<\/td>\nTHEE OH SEES<\/td>\nMOON SICK<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
8.<\/td>\nJUSTICE<\/td>\nHELIX<\/td>\nED BANGER<\/td>\n<\/tr>\n
9.<\/td>\nEMPIRE OF THE SUN<\/td>\nSINGLE ALIVE<\/td>\nPARLOPHONE<\/td>\n<\/tr>\n
10.<\/td>\nPROCUSSIONS<\/td>\nEP<\/td>\nDIFFER-ANT<\/td>\n<\/tr>\n
11.<\/td>\nALBA LUA<\/td>\nWHEN I’M ROAMING FREE<\/td>\nROY MUSIC<\/td>\n<\/tr>\n
12.<\/td>\nCHILL BUMP<\/td>\nSTARTING FROM SCRATCH<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
13.<\/td>\nVERBAL RAZORS<\/td>\nSETTLING THE SCORE<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
14.<\/td>\nGUARDS<\/td>\nREADY TO GO<\/td>\nPARTISAN<\/td>\n<\/tr>\n
15.<\/td>\nIGGY AND THE STOOGES<\/td>\nBURN<\/td>\nFAT POSSUM RECORDS<\/td>\n<\/tr>\n
16.<\/td>\nADAMSKI KID (THE)<\/td>\nJE VEUX UNE CASSETTE DE BOWIE<\/td>\nALTER K<\/td>\n<\/tr>\n
17.<\/td>\nBELLE & SEBASTIAN<\/td>\nWHITE COLLAR BOY<\/td>\nROUGH TRADE<\/td>\n<\/tr>\n
18.<\/td>\nFINKIELKRAUTS (THE)<\/td>\nDISTANCE<\/td>\nANOTHER<\/td>\n<\/tr>\n
19.<\/td>\nPANIC MOTEL<\/td>\nVACANCY 4 EVER<\/td>\nDIRTY GUYS ROCK<\/td>\n<\/tr>\n
20.<\/td>\nVON PARIAHS<\/td>\nSOMEONE NEW<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
21.<\/td>\nBIGA RANX<\/td>\nWILD WORLD<\/td>\nX-RAY PRODUCTION<\/td>\n<\/tr>\n
22.<\/td>\nKISS KISS KARATE PASSION<\/td>\nMY BABY DON’T CARE EP<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
23.<\/td>\nANIMAL COLLECTIVE<\/td>\nSUMMERTIME CLOTHES<\/td>\nDOMINO<\/td>\n<\/tr>\n
24.<\/td>\nNAIVE NEW BEATERS<\/td>\nDEMO EP<\/td>\nCINQ7<\/td>\n<\/tr>\n
25.<\/td>\nATMOSPHERE<\/td>\nYOU<\/td>\nRHYMESAYERS<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

PLAY LISTE L.P. 1. HANNI EL KHATIB HEAD IN THE DIRT BECAUSE 2. FIDLAR FIDLAR WICHITA 3. THEE OH SEES FLOATING COFFIN CASTLE FACE 4. RONE BYE BYE MACADAM INFINE 5. KID CUDI INDICUD 6. FAUVE ST AUTOPROD 7. WAMPIRE CURIOSITY POLYVINYL 8. CH\u00c3\u201aTEAU MARMONT THE MAZE CHAMBRE 404 9. THE UNDERACHIEVERS INDIGOISM BRAIN FEEDER … Continuer la lecture de « F\u00e9raliste du 15 avril au 15 mai »<\/span><\/a><\/p>\n","protected":false},"author":4,"featured_media":33579,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[197],"tags":[],"class_list":["post-33580","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-classements"],"_links":{"self":[{"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/posts\/33580","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/comments?post=33580"}],"version-history":[{"count":0,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/posts\/33580\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/media\/33579"}],"wp:attachment":[{"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/media?parent=33580"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/categories?post=33580"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/tags?post=33580"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}