{"id":33816,"date":"2013-07-24T11:00:20","date_gmt":"2013-07-24T09:00:20","guid":{"rendered":"http:\/\/www.radiobeton.com\/wordpress\/?p=33816"},"modified":"2013-07-24T11:00:20","modified_gmt":"2013-07-24T09:00:20","slug":"feraliste-du-15-mai-au-15-juin","status":"publish","type":"post","link":"https:\/\/www.radiobeton.com\/www\/feraliste-du-15-mai-au-15-juin\/","title":{"rendered":"F\u00e9raliste du 15 mai au 15 juin"},"content":{"rendered":"
\n

PLAY LISTE L.P.<\/h2>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
1.<\/td>\nDIVINE PAISTE<\/td>\nCRYSTAL WAVES ON A FROZEN LAKE<\/td>\nAUTO PROD<\/td>\n<\/tr>\n
2.<\/td>\nVAMPIRE WEEKEND<\/td>\nMODERN VAMPIRES OF THE CITY<\/td>\nXL RECORDINGS<\/td>\n<\/tr>\n
3.<\/td>\nHANNI EL KHATIB<\/td>\nHEAD IN THE DIRT<\/td>\nBECAUSE<\/td>\n<\/tr>\n
4.<\/td>\nFIDLAR<\/td>\nFIDLAR<\/td>\nWICHITA<\/td>\n<\/tr>\n
5.<\/td>\nCHERRY BONES<\/td>\nEP<\/td>\nUN JE NE SAIS QUOI<\/td>\n<\/tr>\n
6.<\/td>\nTHE DILLINGER ESCAPE PLAN<\/td>\nONE OF US IS THE KILLER<\/td>\nPARTY SMASHER<\/td>\n<\/tr>\n
7.<\/td>\nTHE OCTOPUS<\/td>\nHARD TIMES<\/td>\nBOOST LABEL<\/td>\n<\/tr>\n
8.<\/td>\nG.BONSON<\/td>\nDO MY THING<\/td>\nIZO RECORDS<\/td>\n<\/tr>\n
9.<\/td>\nANEBRUN<\/td>\nSONGS 2003 – 2013<\/td>\nBALLOON RANGER RECORDINGS<\/td>\n<\/tr>\n
10.<\/td>\nCHILD OF LOV<\/td>\nTHE CHILD OF LOV<\/td>\nDOUBLE SIX RECORDS<\/td>\n<\/tr>\n
11.<\/td>\nV\/A<\/td>\nMOTOWN GIRLS 1961-67<\/td>\nFINDER KEEPERS<\/td>\n<\/tr>\n
12.<\/td>\nSCANNERS<\/td>\nLOVE IS SYMMETRY<\/td>\nGRRRR<\/td>\n<\/tr>\n
13.<\/td>\nWAMPIRE<\/td>\nCURIOSITY<\/td>\nPOLYVINYL<\/td>\n<\/tr>\n
14.<\/td>\nFITZ & THE TANTRUMS<\/td>\nMORE THAN JUST A DREAM<\/td>\nELEKTRA<\/td>\n<\/tr>\n
15.<\/td>\nSHE & HIM<\/td>\nVOLUME 3<\/td>\nDOUBLE 6<\/td>\n<\/tr>\n
16.<\/td>\nKID CUDI<\/td>\nINDICUD<\/td>\n<\/td>\n<\/tr>\n
17.<\/td>\nRONE<\/td>\nLET’S GO<\/td>\nINFIN\u00c3\u2030<\/td>\n<\/tr>\n
18.<\/td>\nJUSTICE<\/td>\nACCESS ALL ARENAS<\/td>\nBECAUSE<\/td>\n<\/tr>\n
19.<\/td>\nSUPERPOZE<\/td>\nPAVANE<\/td>\nKITSUN\u00c3\u2030<\/td>\n<\/tr>\n
20.<\/td>\nBONOBO<\/td>\nTHE NORTH BORDERS<\/td>\nNINJA TUNE<\/td>\n<\/tr>\n
21.<\/td>\nTHEE OH SEES<\/td>\nFLOATING COFFIN<\/td>\nCASTLE FACE<\/td>\n<\/tr>\n
22.<\/td>\nGOAT CHEESE<\/td>\nACTE I, SC\u00c3\u02c6NE II<\/td>\nGOAT CHEESE RECORDS<\/td>\n<\/tr>\n
23.<\/td>\nHALF MOON RUN<\/td>\nDARK EYES<\/td>\nGLASSNOTE<\/td>\n<\/tr>\n
24.<\/td>\nZEPHYR 21<\/td>\nBIKINIS COMPLOTS ET GROS CALIBRES<\/td>\nSPPF<\/td>\n<\/tr>\n
25.<\/td>\nNIVEK<\/td>\nVERY BAD TAPE II<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
26.<\/td>\nJINX<\/td>\nFUNERAL KINGS THE MIXTAPE<\/td>\nFOSTER CARE<\/td>\n<\/tr>\n
27.<\/td>\nTHE UNDERACHIEVERS<\/td>\nINDIGOISM<\/td>\nBRAIN FEEDER<\/td>\n<\/tr>\n
28.<\/td>\nDRIVING DEAD GIRL<\/td>\nI THINK DRUMS ARE GOOD<\/td>\nAT(HOME)<\/td>\n<\/tr>\n
29.<\/td>\nMANIACX<\/td>\nVISION<\/td>\nMONSTERY<\/td>\n<\/tr>\n
30.<\/td>\nTOKYO SEX DESTRUCTION<\/td>\nSAGITARIUS<\/td>\nB CORE<\/td>\n<\/tr>\n
31.<\/td>\nRONE<\/td>\nBYE BYE MACADAM<\/td>\nINFINE<\/td>\n<\/tr>\n
32.<\/td>\nYUKSEK<\/td>\nLIVING ON THE EDGE OF TIME<\/td>\nBARCLAY<\/td>\n<\/tr>\n
33.<\/td>\nBIG CHOCOLATE<\/td>\nCLEAN EP<\/td>\nAUCUN<\/td>\n<\/tr>\n
34.<\/td>\nED WARNER<\/td>\nST<\/td>\nDIRTY GUYS ROCK\/NO ROUTINE\/BACKWASH RECORDS<\/td>\n<\/tr>\n
35.<\/td>\nDOPE DOD<\/td>\nDA ROACH<\/td>\nDOPE DOD RECORDS<\/td>\n<\/tr>\n
36.<\/td>\nIGGY POP AND THE STOOGES<\/td>\nREADY TO DIE<\/td>\nFAT POSSUM<\/td>\n<\/tr>\n
37.<\/td>\nNEILS CHILDREN<\/td>\nDIMLY LIMIT<\/td>\nBOUDOIR MODERNE<\/td>\n<\/tr>\n
38.<\/td>\nSET & MATCH<\/td>\nTUDO BEM<\/td>\nATMOSHERIQUES<\/td>\n<\/tr>\n
39.<\/td>\nDEAP VALLY<\/td>\nSISTRIONIX<\/td>\nBARCLAY<\/td>\n<\/tr>\n
40.<\/td>\nFUCKING BUTTERFLY<\/td>\nONE DAY AS A CHENILLE<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
41.<\/td>\nBLACKSTROBE<\/td>\nBURN YOUR OWN CHURCH<\/td>\nPLAYLOUDRECORDING<\/td>\n<\/tr>\n
42.<\/td>\nANDREA<\/td>\nCRUISING EP<\/td>\nMOOSE<\/td>\n<\/tr>\n
43.<\/td>\nDEAD CAN DANCE<\/td>\nIN CONCERT<\/td>\nPIAS<\/td>\n<\/tr>\n
44.<\/td>\nMARTINE ON THE BEACH<\/td>\nMAGIC MAMA<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
45.<\/td>\nJAMES BLAKE<\/td>\nOVERGROWN<\/td>\nPOLYDOR<\/td>\n<\/tr>\n
46.<\/td>\nFAUVE<\/td>\nST<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
47.<\/td>\nHYPNOLOVE<\/td>\nGHOST CARNIVAL<\/td>\nRECORD MAKERS<\/td>\n<\/tr>\n
48.<\/td>\nAUFGANG<\/td>\nISTIKLALIYA<\/td>\nINFINE<\/td>\n<\/tr>\n
49.<\/td>\nFRUSTRATION<\/td>\nUNCIVILIZED<\/td>\nBORN BAD RECORDS<\/td>\n<\/tr>\n
50.<\/td>\nHOLOGRAMS<\/td>\nHOLOGRAMS<\/td>\nCAPTURED TRACKS<\/td>\n<\/tr>\n
51.<\/td>\nBRNS<\/td>\nWOUNDED<\/td>\nLIMITE RECORDS<\/td>\n<\/tr>\n
52.<\/td>\nTHE BEWITCHED HANDS<\/td>\nBIRDS AND DRUMS<\/td>\nJIVE<\/td>\n<\/tr>\n
53.<\/td>\nTYLER THE CREATOR<\/td>\nWOLF<\/td>\nODD FUTURE<\/td>\n<\/tr>\n
54.<\/td>\nYANN DESTAL<\/td>\nLET ME TO BE MINE<\/td>\nELSE MUSIC<\/td>\n<\/tr>\n
55.<\/td>\n7 WEEKS<\/td>\nCARNIVORA<\/td>\nF2M PLANET<\/td>\n<\/tr>\n
56.<\/td>\nCHILL BUMP<\/td>\nTHE LOOP<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
57.<\/td>\nMUDHONEY<\/td>\nVANISHING POINT<\/td>\nSUB POP<\/td>\n<\/tr>\n
58.<\/td>\nFOALS<\/td>\nHOLY FIRE<\/td>\nTRANSGRESSIVE RECORDS<\/td>\n<\/tr>\n
59.<\/td>\nGERMAN COW<\/td>\nS\/T<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
60.<\/td>\nFUNKTRAUMA<\/td>\nABRACADABANG<\/td>\nAUTOPROD<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

PLAY LISTE SINGLES<\/h2>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
1.<\/td>\nRICH AUCOIN<\/td>\nIT<\/td>\nPLATINUM RECORDS<\/td>\n<\/tr>\n
2.<\/td>\nPRIMAL SCREAM<\/td>\nIT’S ALL RIGHT, IT’S OKAY<\/td>\nFIRST INTERNATIONAL<\/td>\n<\/tr>\n
3.<\/td>\nGRIEFJOY<\/td>\nTOUCH GROUND<\/td>\nARISTA<\/td>\n<\/tr>\n
4.<\/td>\nOUTER RIM<\/td>\nONE STEP HIM<\/td>\nVELVET<\/td>\n<\/tr>\n
5.<\/td>\nBAJRAM BILI<\/td>\nSEQUENCED FOG<\/td>\nANOTHER RECORDS<\/td>\n<\/tr>\n
6.<\/td>\nEDITORS<\/td>\nA TON AF LOVE<\/td>\nPLAY IT AGAIN<\/td>\n<\/tr>\n
7.<\/td>\n<\/td>\nKDNZ<\/td>\nIND\u00c3\u2030<\/td>\n<\/tr>\n
8.<\/td>\nTNGHT<\/td>\nTNGHT EP<\/td>\nWARP<\/td>\n<\/tr>\n
9.<\/td>\nPANIC MOTEL<\/td>\nVACANCY 4 EVER<\/td>\nDIRTY GUYS ROCK<\/td>\n<\/tr>\n
10.<\/td>\nPROCUSSIONS<\/td>\nEP<\/td>\nDIFFER-ANT<\/td>\n<\/tr>\n
11.<\/td>\nTHEE OH SEES<\/td>\nMOON SICK<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
12.<\/td>\nVERBAL RAZORS<\/td>\nSETTLING THE SCORE<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
13.<\/td>\nDIVINE PAISTE<\/td>\nCRYSTAL WAVES ON A FROZEN LAKE EP<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
14.<\/td>\nCHILL BUMP<\/td>\nHIDDEN STRINGS<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
15.<\/td>\nBREAKBOT<\/td>\n1 OUT OF 2<\/td>\nED BANGER<\/td>\n<\/tr>\n
16.<\/td>\nBLACK STROBE (ARNAUD REBOTINI)<\/td>\nBOOGIE IN ZERO GRAVITY<\/td>\nBLACKSTROBE RECORDS<\/td>\n<\/tr>\n
17.<\/td>\nALBA LUA<\/td>\nWHEN I’M ROAMING FREE<\/td>\nROY MUSIC<\/td>\n<\/tr>\n
18.<\/td>\nCHILL BUMP<\/td>\nSTARTING FROM SCRATCH<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
19.<\/td>\nFAT AND THE CRABS<\/td>\nSPLASH !!!<\/td>\nVIBROPHONIC RECORDINGS<\/td>\n<\/tr>\n
20.<\/td>\nTHE RADIOPHONES<\/td>\nDON’T START TODAY TOMORROW<\/td>\nAUTO PRODUIT<\/td>\n<\/tr>\n
21.<\/td>\nSUKARA<\/td>\nS\/T<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
22.<\/td>\nEMPIRE OF THE SUN<\/td>\nSINGLE ALIVE<\/td>\nPARLOPHONE<\/td>\n<\/tr>\n
23.<\/td>\nVON PARIAHS<\/td>\nSOMEONE NEW<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
24.<\/td>\nFAT AND THE CRABS<\/td>\nTHIS IS…<\/td>\nAUTOPROD<\/td>\n<\/tr>\n
25.<\/td>\nLOVING DEAD (THE)<\/td>\nLOVING DEAD<\/td>\nCOCK MCDOOM PROD<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

PLAY LISTE L.P. 1. DIVINE PAISTE CRYSTAL WAVES ON A FROZEN LAKE AUTO PROD 2. VAMPIRE WEEKEND MODERN VAMPIRES OF THE CITY XL RECORDINGS 3. HANNI EL KHATIB HEAD IN THE DIRT BECAUSE 4. FIDLAR FIDLAR WICHITA 5. CHERRY BONES EP UN JE NE SAIS QUOI 6. THE DILLINGER ESCAPE PLAN ONE OF US IS … Continuer la lecture de « F\u00e9raliste du 15 mai au 15 juin »<\/span><\/a><\/p>\n","protected":false},"author":4,"featured_media":33815,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[197],"tags":[],"class_list":["post-33816","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-classements"],"_links":{"self":[{"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/posts\/33816","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/comments?post=33816"}],"version-history":[{"count":0,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/posts\/33816\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/media\/33815"}],"wp:attachment":[{"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/media?parent=33816"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/categories?post=33816"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.radiobeton.com\/www\/wp-json\/wp\/v2\/tags?post=33816"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}